Cool Track…. 🌍☮︎👍🐞🍀2024

Daily Drops

Xixistix's contribution to @muterial 's "Off the Rails" open collaboration, which has spawned a "Bound for Destinations Unknown" EP. More to come...

Written, Arranged, Produced & Engineered by Rollo Carpenter & Mike Luv

RC- Field Recording, Filtering, Processing
ML- Sequencing, Edits, Mix

Original track: https://soundcloud.com/muterial/off-the-rails
A playlist of varied & wonderfully inventive renditions: https://soundcloud.com/muterial/sets/off-the-rails-collaborations

muterial & Xixistix: Avulsion (Off the Rails Rework)

Peace

________________________________________________________________________
Recording sessions from 29/11/2023 to 14/12/2023
3 tracks MOOG Modular (vst Arturia),
1 track PianoV2 (Arturia),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________

A long whisper... thus sums up all the cries that we did not hear or did not want to hear from all those who suffered a life that they should never have had, but who is to blame?
All of us have forgotten so much of what once united humans without it being perfect, that's for sure, but the teaching of respect, love and peace were instilled in us. It's up to everyone to see what they do with it next... and it's unfortunately... a long whisper...

01-12-2023-Pier WILL - in mmemory of François Verdys

Un long murmure... résume ainsi tous les cris que nous n'avons pas entendus ou que nous n'avons pas voulu entendre de la part de tous ceux qui ont subi une vie qu'ils n'auraient jamais dû avoir, mais à qui la faute ?
Nous avons tous oublié une grande partie de ce qui unissait autrefois les humains sans que cela soit parfait, c'est sûr, mais l'enseignement du respect, de l'amour et de la paix nous a été inculqué. C'est à chacun de voir ce qu'il en fera ensuite... et c'est malheureusement... un long murmure...

01-12-2023-Pier WILL - à la mémoire de François Verdys
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

Complex work - ❤️🕊️🙏 A Long Whisper

A Long Whisper

O-Nuit Noire Funk

Laura is my niece . The two people in the photograph above are my late mum n dad , Tom and Jean .This collaboration has been an emotional journey and our large family will now get to hear this contribution to the musical heritage of our family. She is a talented songwriter and International performer.
Laura's songs can be heard on SoundCloud and on her Website 
"Laura Oaks Music"  here  .........https://static.wixstatic.com/media/b9f94a_3ea687f1cb264bd3b08a3c1abdab4d8a~mv2_d_6600_4400_s_4_2.jpg/v1/fill/w_2500,h_1666,al_c/b9f94a_3ea687f1cb264bd3b08a3c1abdab4d8a~mv2_d_6600_4400_s_4_2.jpg
also on soundcloud here....https://soundcloud.com/lauraoakesmusic

There goes Tommy and Jean ( Collaboration songwriter performer  Laura Oaks a" Family Tree" tribute)

Another Foundation track. It was the bass synth that inspired the track, it made me think of an anti-gravity engine... 
The "machine gun" guitar is a Fender Telecaster bi-amped to give that meaty punch. The warbling guitar is a Deusenberg Paloma with a vibrato pedal, reverse delay and fuzz box put through a plexi amp.

The Edge

Wishy Washy.      (c2024)

The Smoking Trout's Quest for the Holy Dumpling continues! When we left our travelers they had just been given a tip that they needed to travel from New Mexico to Oaxaca for the next leg of their journey. This latest track is basically an instrumental interlude but it re-samples the holy dumpling ingredient list that was recited during the last episode by a "Sufi sitting on the sidewalk serenely spouting scripture from the Transcendental Dharma of the Holy Dumpling".

I started this one, Jeff infused it with some incredibly creative experimental guitar and electronic touches, Stephen killed it on rhythm and lead guitar once again, and joining us for the second (but not the last) time, Masa a.k.a. Tot reinforced the groove by adding a really nice additional drum beat.

* Stonerjazz @user-911083679 -- Vocals/Lyrics, Ebow & Mellotron

* TexMex Shaman @texmex-shaman -- Lead & Rhythm Guitar

* Tot - @tot-beat -- Drums & 808

* Tea R. Sea -- Synth & Production

-------------
Catch up with the first 5 tracks of our work-in-progress concept album, Quest for the Holy Dumpling: on.soundcloud.com/FR63a

Listen to the Smoking Trout's first album, The Land of Zed (2021-2022): on.soundcloud.com/WB34q
-------------

Words (HOLY DUMPLING ingredients):

Along with baking soda, salt, wheat and water
A heavy leavening of responsibility ls required ln the making--
and some mushrooms only growing ln Oaxaca

Oaxaca (Smoking Trout's HOLY DUMPLING #8) w/ Stonerjazz, TexMex Shaman, & Tot

Made in #Ableton (February 2024)

https://frozenlab.bandcamp.com/track/better-days

Genres;
#Electronic
#Pop
#Rock

Better Days (as Frozen Lab)

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
  In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  You can even watch a video of us all adding our parts on John's page right here. https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers
  Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do by Led Zeppelin (Eclectic Collective with John Anthony)

Art Expressed in Music – Renoir's Charm
February 2024
Duration: 3:00
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting: Luncheon of the Boating Party 
Remix of “Afternoon in Paris” by John Lewis with original composition 
Pierre-Auguste Renoir (February 25, 1841 to December 3, 1919) was a French painter originally associated with the Impressionist movement. His early works were typically Impressionist snapshots of real life, full of sparkling color and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women. Renoir mastered the ability to convey his immediate visual impressions, and his paintings showed great vitality, emphasizing the pleasures of life despite the financial worries that troubled him. Several of his masterpieces date from this period including Luncheon of the Boating Party.  Renoir had his first attack of rheumatism in 1894, and, as the attacks became more and more frequent, he spent more and more time in southern France, where the climate was better for his health. About 1899 he sought refuge in the small village of Cagnes; in 1907 he settled there permanently, buying the estate of Les Collettes, where he spent the rest of his life. In 1910 he was no longer able to walk. Although his infirmity became more and more constraining, Renoir never ceased to paint; when his fingers were no longer supple, he continued by binding his paintbrush to his hand.  Several months before his death, Renoir was able to go to Paris, where several friends wheeled him for the last time through the Louvre to view the masterpieces that he had venerated throughout his life. Renoir died in Cagnes-sur-Mer on December 3, 1919 at the age of 78.
For strings, piano, harp, accordion, clarinet, alto flute, sound effects and percussion.

Art Expressed in Music - Renoir's Charm

'losing control'
https://www.instagram.com/reel/C3y0xhZu_Ko/?igsh=OXlwdDF2ZngzMGxv

Painter: art

Will I hold you in my arms again,
as a lover, not a friend?
Can I keep control 'til then,
even if until my end?

But I can't and I won't, my love.

I'm losing control.

I'm goin' to explooooooooooooode.

losing control

Naviar Haiku 529

A distant mountain
Seen in the sunlight:
A desolate field

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.

Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Haiku by Takahama Kyoshi

Picture by Alessio Soggetti

Mountains Away from Here

Mountains Away from Here (NaviarHaiku529)

Yeast

20 - 5-2024

Slip And Slide

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

O-Nuit Noire Funk

Sanshu Seiso [Experimental Artist]

Recent comments

SENNID

SOUND23

Theo Bina

No Mates Ensemble

Related tracks