W-Deep Karma

The night I met Inoxx & The Toxx, the city was drowning in its own reflections.

I was chasing what the department called the “Epic Journey case”: people who didn’t jump, didn’t run, didn’t die — they just stepped out of their lives after looping the same anonymous track on repeat. No body, no note. Just headphones on a pillow and a playlist full of ghosts.

Every scene looked the same. A laptop still warm. A browser paused on the same profile. One track spinning in the history, over and over: instrumental, trip-hop, strings, radio static and a heartbeat that wasn’t quite human. The last victim had renamed it “Nocturne: A Night of Wonders,” like they thought it was a private joke.

The trail pulled me uphill to a mansion that shouldn’t have had lights on at 2 a.m. Inside, the air tasted like old secrets. A grand piano waited by the fireplace. On the lid: three glasses, one half-empty, like someone had drunk their courage and left.

They were already there.

A punk with a green mohawk sat at the piano, leather jacket, Union Jack on the sleeve, fingers resting on the keys. By the window, a woman in a red dress watched the city. Her blue hair caught the glow from outside. Between them stood a tall figure in a velvet suit with an old computer monitor for a head, screen humming softly.

“Rough night, detective?” the monitor crackled. “Doesn’t look much like a Summer in Paris to me. Sit.”

I didn’t remember telling them I was a detective. I sat anyway.

The punk started to play. Slow, smoky chords. The kind of music that makes good decisions feel optional. It curled around my thoughts and dug up things I’d tried to bury. Regrets. Almosts. The people I hadn’t saved.

“That’s the one from the file,” I said. My voice sounded further away than it should have.

“In one version,” the woman murmured. “Out there they give it new names. Someone called it The Bright Side of the Moon once. Someone else named it after a person they should have let go. Some write Beware of the Quiet Girl in the title and pretend it’s not about themselves.”

She finally looked at me. Her eyes were too calm, like someone who’d seen every ending and stopped being surprised by any of them.

“The music doesn’t take them,” she said. “We don’t take them. They come here on their own. We just… give their feelings somewhere to live.”

In the corner, a tape machine turned, big reels spinning in a lazy circle. The labels were handwritten: track titles, dates, initials. I recognized some from the case files. One bartender had told me, “That song, it’s like it knows what you almost did.”

Then I saw it. My own initials. Same careful handwriting. Same date as tonight.

On the monitor, the image shifted. I watched myself open the front door, step into the room, drip on the carpet. Same coat. Same tired eyes. Same bad feeling dragging behind me like a second shadow. Behind that, another version of me. And another. Each one slightly different. A word changed here, a hesitation shaved off there. A dozen takes of the same scene.

“If you’re here,” the screen said, voice dropping into the mix, “it means you pressed play again.”

Time folded in my ears. I tried to stand, but the chords held me in place. I understood, suddenly, why no one left a note. You don’t write a goodbye letter to a song. You just hit play one more time and let it do the talking.

“That’s the real Epic Journey,” the punk said quietly, not looking at me. “Not running away. Finally letting the soundtrack match what’s inside your head.”

Moonlight slid across the room, erasing the corners. For a second, the salon didn’t feel like a place at all, more like the inside of a track: loops, echoes, reverb, tiny details you only hear on the tenth listen.

“That’s how it works here,” the woman in red said. “Nobody goes missing, detective.”

She leaned back into the shadows as the tape clicked and locked into place.

“They just stay in the song.”

Hi! open for collaborations and in any style 😉

https://on.soundcloud.com/y2z383meyQjZ5MC17
with jusuisse 😌

https://on.soundcloud.com/dVrP9fvESkSETh797
with [Metal] (Meditations)😊

https://on.soundcloud.com/5SeWShkHvAV4chnd9
with Chris 🤘

salut ouvert pour des collaborations et dans n'importe quel style 😉

No compromise. Raw.

When you find it hard to find music to really relate to, just make it yourself.

I like to capture the most present feeling of the day in a track.

Straight from the heart.

"All these machinery making modern music can still be open-hearted" Neil Peart

i am mainly a composer of piano works. However i do also experimentation with sound  and electronics.  Most of my works are recorded on piano and then enhanced slightly through digital means.  But all of the compositions are my own works.
                                                                                  
                                                                                      ~ HI

new release of doble cd hinge voltage in bandcamp:https://juliusgranell1.bandcamp.com/album/hinge-voltage-umbra

Julius Granell , born in july. It has been 13 years that he lives on the Island of El Hierro, Canary Islands.origen Barcelona
There, his life and music is inspired by nature, people and animals of this region. In his home studio he works on sounds , develops and records them.
His musical evolution is based on strings and their fascinating behaviour.
After having played in several bands in Barcelona, he nowadays creates his sounds, primarily ambient, in solitary. 
contact: roskotrosko@gmail.com
https://juliusgranell1.bandcamp.com/
artwork of profile head image by stella hagemann 
https://www.instagram.com/stellahagemannn/?locale=us&hl=am-et
https://www.flickr.com/photos/132613441@N02/

follow me on :
www.youtube.com/@Blaffy91


Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

No AI is used to generate sounds whilst journeying on these cacophonic adventures.

FREEDOM OF OPINION - FREEDOM OF THOUGHT - FREEDOM OF EXPRESSION

Some say I don't mince words. I sometimes say terrible things, as well as sweet and superfluous ones. I can love and hate, but I always maintain respect for those who love me or provoke me.

Currently, the world is changing dangerously. Those responsible are not always who we think. And those who deserve punishment are undoubtedly those who cause it, but even more so those who instigate it.

I like Americans and I like Russians. What I appreciate much less is the politics of these countries, their leaders, their underlings, and their administrations... In France, it must be admitted that things have been a real mess for the past few years, and there's nothing we can do about it. We joined the European Union, which now imposes its directives, which dark and idiotic "governors" implement without a word, since their countries are no longer sovereign.

We knew the USSR (Union of Soviet Socialist Republics)... and now we are 27 countries in the UESR (Union of European Socialist Republics).

This UESR is a monumental mistake, not the very beginning, but the one it has become, an entity that relentlessly pursues its devastating expansionism, which also allows NATO bases in the countries of the union, and which the Russians consider a direct threat. Well, I understand them!

Remember the Cuban Missile Crisis from October 14 to 27, 1962, a diplomatic and military confrontation between the United States and the Soviet Union. The Soviet Union was "too close" and represented a direct threat! It was almost the beginning of World War III, so the Soviet Union withdrew its missiles. Let the United States do the same now by withdrawing its NATO nuclear missiles, which it has deployed throughout the European Union.

The European Union promised us peace—which is, after all, why it was created—but now it wants war. It must be said that what the European Union has lacked (from the very beginning!) is a common defense, which was not the case for the former Soviet Union or even for the United States today.

The United States of Europe is like the frog that wanted to be bigger than the ox. Without a common defense, it is headed for certain doom, or it relies on NATO for its defense, but the game is no longer the same and would be much more dangerous for the entire world. This is where forced expansionism leads.

Peace on Earth to people of goodwill - ❤️🕊️🙏

Pier WILL 

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

This is the Blagovrecords record company page. We do the recording, digital processing (mastering and mixing), assist in the preparation and composition of the material and publish our musicians.

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

W-Deep Karma

Sanshu Seiso [Experimental Artist]