Really good track. Kept me listening 🙏🏼

Lovely Track & Wonderful Musicianship !!!

#Fabulous merging of timbre and textures Sanshu !!

All the dissonance works to create unparalleled tension. :)

"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

same shit, different year.........another one of my favs from the great man.....cheers for having a listen


The Lonesome Death of Hattie Carroll
WRITTEN BY: BOB DYLAN
 William Zanzinger killed poor Hattie Carroll
 With a cane that he twirled around his diamond ring finger
 At a Baltimore hotel society gath’rin’
 And t   he cops were called in and his weapon took from him
 As they rode him in custody down to the station
 And booked William Zanzinger for first-degree murder
 But you who philosophize disgrace and criticize all fears
 Take the rag away from your face
 Now ain’t the time for your tears
 
 William Zanzinger, who at twenty-four years
 Owns a tobacco farm of six hundred acres
 With rich wealthy parents who provide and protect him
 And high office relations in the politics of Maryland
 Reacted to his deed with a shrug of his shoulders
 And swear words and sneering, and his tongue it was snarling
 In a matter of minutes on bail was out walking
 But you who philosophize disgrace and criticize all fears
Take the rag away from your face 
 Now ain’t the time for your tears
 
 Hattie Carroll was a maid of the kitchen
 She was fifty-one years old and gave birth to ten children
 Who carried the dishes and took out the garbage
 And never sat once at the head of the table
 And didn’t even talk to the people at the table
 Who just cleaned up all the food from the table
 And emptied the ashtrays on a whole other level
 Got killed by a blow, lay slain by a cane
 That sailed through the air and came down through the room
 Doomed and determined to destroy all the gentle
 And she never done nothing to William Zanzinger
 But you who philosophize disgrace and criticize all fears
 Take the rag away from your face
 Now ain’t the time for your tears
 
 In the courtroom of honor, the judge pounded his gavel
 To show that all’s equal and that the courts are on the level
 And that the strings in the books ain’t pulled and persuaded
 And that even the nobles get properly handled
 Once that the cops have chased after and caught ’em
 And that the ladder of law has no top and no bottom
 Stared at the person who killed for no reason
 Who just happened to be feelin’ that way without warnin’
 And he spoke through his cloak, most deep and distinguished
 And handed out strongly, for penalty and repentance
 William Zanzinger with a six-month sentence
 Oh, but you who philosophize disgrace and criticize all fears
 Bury the rag deep in your face
 For now’s the time for your tears

The Lonesome Death Of Hattie Carroll

“Savanna - Erin”  by Luke 

I have 5 granddaughters..
this is for granddaughter number 3.. 
I will be writing a song for each in hopes they will be listening to their own song one day with their grandchildren…Love Grampy Luke 

Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
this is not a real photo , but Ai photo created by Luke
Beats by Luke©️
Luke  H.  S c h ü ß m a n n©️

“Savanna-Erin”  by Luke

Live Reflexion#031

Music: Little Man & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little Man

Lyrics:

I was so sure I had it all
And didn't need anything else to smile
But it was only an illusion of my joy
Dependence on others
Living like a toy..

Chorus:
I need to take control of my life
Find out what makes me smile and gives me pleasure
I can't let others decide my time
Create the joy in my own life..

It was so easy to lean on the others
And forget my own responsibility
For my own happiness and smile
I had to stop for a while
And think

What do I need? 
What makes me smile?
What gives me pleasure, and joy in my life..?
Can I do it all by myself?
Will I be able to do it well?

Chorus:
I need to take control of my life
Find out what makes me smile and gives me pleasure
I can't let others decide my time
Create the joy in my own life..

Can I do it all by myself?
Find the joy in my own life....

The Joy In My Own Life

X-Techno Fandango

My Method of Composing and Producing

I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Suite for Woodwinds and Percussion No. 2

Nova

voici une musique que j'ai composé en 2006 qui n'avait pas de texte à l'époque, j'ai écrit ce texte en portugais dernièrement et l'ai proposé à Julien Apelian qui avec son immense talent a fait les claviers et refait les batteries et percussions ainsi que l'arrangement, mastering.

paroles, voix et musiques : Steph Ouna
Voix : Lena https://soundcloud.com/user-262019520
Claviers, percussions et batteries, arrangement, mastering : Julien Apelian https://soundcloud.com/audio-colors

Uma mistura de culturas
Sonho com todos os países
Todas as linguas
está no meu coração
Encha-nos com canções e alegria
Através da força e da diversidade
A música nos leva a outro lugar
Um planeta sem barreiras

Refrain :
Se precisa de tempo
Quer acreditar
Precisa de esperança
Deus nos escute
Somos feitos de po
Sem fronteiras imigrantchis

O mundo é enorme, Deus o faz grande
Toda a riqueza eterna que ele nos deu
Por prazer e partilla e felicidade
E nunca conhecer o fim
Um milhão de estrelas na via láctea
O sol, o mar, o céu, os sonhos

en français

Un mélange de cultures
Je rêve de tous les pays
Toutes les langues
c'est dans mon coeur
Remplis-nous de chants et de joie
Par la force et la diversité
La musique nous emmène ailleurs
Une planète sans barrières

Refrain :
Si tu as besoin de temps
Je veux croire
Besoin d'espoir
Dieu nous entend
Nous sommes faits de poussière
Pas de frontières pour les immigrants

Le monde est immense, Dieu le rend grand
Il nous a donné toute la richesse éternelle
Pour le plaisir, le partage et le bonheur
Et ne connaît jamais la fin
Un million d'étoiles dans la voie lactée
Le soleil, la mer, le ciel, les rêves

Nova

Dom toner jag får. 1413 ( 1993 ) Margareta Theorin ( Margareta )

good morning, honey

BT MwR True Credits Theme

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

X-Techno Fandango

Sanshu Seiso [Experimental Artist]

Recent comments

fr0ggy5

Naïve Composer

Falc.one

30GradX

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