Ian Boddy has been at the forefront of the UK electronic music scene since 1983 when he both performed at the very first UK Electronica Festival in Milton Keynes and released his first vinyl album The Climb.

In the 4 years preceding this event he had been experimenting at an Arts Council funded studio in Newcastle whilst at University. His early work resulted in 3 cassette only releases on the Mirage label as well as several local concerts. These early tapes showed Boddy gradually forming his own style through a long self teaching process in the techniques of analogue synthesis and tape manipulation.

After the success of 1983 he went on to release another 2 vinyl albums, Spirits and Phoenix, as well as performing several concerts throughout the UK. However it wasn't until 1989 that his first CD release, Odyssey, came out on the EM label Surreal to Real. After Drive, his second release on the Surreal label Boddy formed his own record label, Something Else Records , through which he released a further 4 solo albums as well as reissuing his 3 early vinyl albums and the cassette only release Jade on CD. Furthermore he released three collaborative CD releases with some of Europes finest exponents of EM, namely Andy Pickford, Ron Boots and Mark Shreeve.

He continued to expand his concert appearences which have now surpassed over 100 events with concerts in the UK ( including several more UK Electronica appearances, two shows at the Jodrell Bank Planetarium & two at the National Space Centre), Holland ( five festival appearances ), Germany and three shows in Philadelphia, USA.

Alongside these mainstream EM activities Boddy has also built for himself a formidable reputuation as a sound designer having produced a series of sample CD's & virtual instruments for sampling specialists Time & Space. In late 2008 Boddy set up his own downloadable sample CD company with the Waveforms series of sample packs. Furthermore he is also involved in library music having composed 11 such CD's for the publishing company deWolfe as well as producing some music for a computer games company.

Thus we come up to the present with the formation of his DiN label in 1999. Unlike his private Something Else Records the DiN label was set up to allow Boddy to actively form different collaborations with a wide variety of musicians as well as release other artists music. DiN has achieved widespread critical acclaim for it's adventurous outlook at the world of EM and has seen 39 releases with Boddy being involved in 21 of these ( five solo and sixteen collaborative projects ). 

In 2008 DiN expanded it's catalogue with a series of download only releases featuring Boddy in concert both as a solo performer and with other DiN artists. 

vinyl only
no sync button please !!!!!!
ex membre des collectifs
-vision musicale (VM)
-les bienfeteurs de nuits
-la production des lendemains difficiles 


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Ov3rdrosis is the latest project of the artists twin: Edu and Trikoma.
After many years producing and djing all around europe..finally we are
focusing together to get our darkest and more industrial side of Tekno
-------------------------- ENJOY--------------------------------------

Equipment:
-Emx1
-Esx1
-Electribe sampler 2
-Microbrute 2
-Volca Bass
-Ableton 9
- td3
- Mixer, some pedals and plugins-

Pur produit de la scène underground, sa rencontre avec le
mouvement des free parties en 1995 lui fait remiser au placard
ses vinyles hip hop. 
Premier collectif et premières teufs avec le
HEV crew, puis c’est la rencontre avec pH:4 sound system, 15 ans d’aventure humaine et musicale. Désormais membre du Kraken Krew (PH:4-Dvil, Dklé, DZ, 3phazé, Frenetek,Nawak, Artnak), cet artiste qui passe avec une aisance déconcertante d’un style à l’autre n’a pas fini d’enflammer les dancefloors.
 Aux platines ou en live set une même marque de fabrique : un sens du groove hallucinant et une bassline redoutable.
 Préparez vos protège dents, ça  cogne sévère !

Quentin PETITEVILLE alias DJ YAK'Ô a toujours voulu composer de la musique tel un rêve d’enfant, en pensant que ce n’était pas possible.

Il a découvert le jeu vidéo « Music Creation for PlayStation » début des années 2000 et il lui a été offert des suites logicielles tel, que les eJay sur PC.

Une crise de créativité et d’inspiration s’est vite fait ressentir : cela venait sûrement d’un manque de culture musicale, à l’époque, et l’utilisation d’outils trop simplistes.

Puis est venu l’arrivé de l’Internet haut-débit, Quentin a pu donc partager ses compositions sur son site web et sur les forums dédiés à la Musique Assistée par Ordinateur : C’est la naissance du surnom DJ YAK’Ô.

Suite à la réception de critiques et de discussions très enrichissantes avec les différents membres, son style a pu se peaufiner avec le temps.

Des événements, plus ou moins heureux, dans sa vie personnelle l’ont obligé à pouvoir exprimer ses émotions intérieures. Ceci, lié à l’utilisation d’outils plus professionnels l’amène à vouloir travailler plus en profondeur le son et la structure de ses morceaux.

La découverte d’artistes indépendants, de groupes classiques de la musique électronique, tel que le groupe allemand Kraftwerk, pour ne citer que lui, ou alors les musiques de jeux vidéos, lui ont ouvert la voie de la créativité. Sa famille l’incitant à poursuivre dans cette voie.

Jusqu’à maintenant, il s’est contenté de publier ces musiques uniquement sur son site web mais aujourd’hui, il souhaite faire découvrir son travail à un nombre croissant de monde.

Il travaille seul actuellement car il s’agit pour lui de pouvoir « faire parler » ses émotions.

santu is following