لا إِيمانَ بالحُبِ ولا بالصلاة . 
نموتُ بِلا حُبٍ ومع الحُبِ ".

أهوى الورد رفيق القلب وإن أدماني الشوك حبّا

ما أروعها   الصوت واللحن  كل شي .

ليه ساكت ليه عايزني ♡ اقولك ايه ♡ قلبي وروحي و اقولك تطلب ياحبيبي ♡ حُبك انت اللي بيسعدهم ياحبيبي ♡ ساكت ليه ♡ أوهبلك تاني ايه ♡ 

You are the only one ♡you are the one ♡ only only only you♡ never let me go ♡ ♡

محمد عبدالوهاب - سمير الاسكندراني Never Let Me Go

مَدَّتْ مَوَاشِطَها في كَفِّها شَرَكاً
تَصِيدُ قَلْبِي بِهِ مِنْ داخِلِ الجَسَدِ
وَقَوْسُ حَاجِبِها مِنْ كلِّ نَاحِيَةٍ
وَنَبْلُ مُقْلَتِها تَرْمِي بِهِ كَبِدِي

حسين الاعظمي -مقام النهاوند - مدت مواشطها

عمار الشريعي_أكتر واحد بيحبك

إلى كم ذا التمادي
بتوعدني وتخلف
***
وتُعرض عن ودادي
كأنّكَ لستَ تعرفْ
***
وكمْ تجرح فؤادي بما يُضني ويُتلف
حبيبي ومُرادي ودمعُ العين يذرف

من فرقة
Ensemble Morkos
للموشحات الأندلسية

The Morkos Ensemble was founded by Kamâl Morkos, a musician trained in classical Arabic music. Scholarly Arabic music ensembles generally comprise a voice accompanied by few instruments. It is a music in which improvisation plays an important role. The singer must know a wide repertoire of songs upon which to base his or her improvisation. The inspiration of the singer is dependent upon the synergy happening between the musicians and the audience during the performance. The "muwashshah" is a multi-rhyming and multi-metric poem that can be either in Arabic or in a dialect. These poems become song for solo voice accompanied by a choir. One of the goals of the Morkos Ensemble is to perform according to the tradition. A most appealing music.


Ensemble Morkos - lla'kam dha - إلى كم ذا التمادي

Schubert: Symphony no.8: W.Furtwängler 1952

تقاسيم - سيمون شاهين

A beautiful and rare album to find by Ziad Rahbani. Recorded, produced, and made in Lebanon, Bil Afrah is one of Rahbani's greatest works.

Ziad Rahbani - Bil Afrah 1977 - زياد الرحباني - بالأفراح

For amplified voice and orchestra, recording by Liann J. Kang, TMCO, conducted by James Ross 2025 Tanglewood Music Center

“Imagining a new way of interaction between the solo voice and orchestra, where the voice flows in and out of the orchestral textures, organically drawing melodic lines that constantly influence, and are influenced by, the texture and timbre of the orchestra: it seeks unity within individuality, and individuality within unity.” 
-Liann J. Kang-

أرضي ان مت حباً - هبة القواس

Sara ELmoatz

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Madame Butterfly

فلورِنتينا

ريّان .

Dua'a Momani

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