Daily relaxing, enjoyable music

روزهای خوب کودکی
تقدیم به دوستان بمرانی ، هنگامه مفید و تمام کسانی که صدای او را روزهای خوب کودکی می نامند.


Naked Socks

Good days of Childhood روزهای خوب بچگی

Singer: Sara Naeini
Lyrics: Farhad Aslani
Composed: Reza Tajbakhsh

Sara Naeini - Delta

پاسخم گو به نگاهی که زبان من و توست

www.facebook.com/faarjam.music

Special thanks to Erik Oexman (Drums) and Ramon Sitoci (Bass) .

Amsterdam | آمستردام

Music & Words : Faarjam

Recording/Mixing By Raymon Brugman

Faarjam - Che Faide? (Single)

Arrangement & Vocal: Hani Niroo 
Alireza Karimi: Sound design

در فکر تو بودم

سیمین قدیری
آهنگ: فریبرز لاچینی
 ترانه سرا: احمدرضا احمدی  
آلبوم آوازهای دیگر

من نوشتم بارون

اجرای تمرینی . Rehearsal Session 
ویدیو: http://www.youtube.com/watch?v=3AJhQWzJEvA
پلت‌بند در فیس‌بوک: https://www.facebook.com/pallettmusic

لینک دانلود: http://www.4shared.com/mp3/AkIBdA68/Triangle.html

Pallett Band . Triangle ~ پالت بند . مثلث

اجرای دانشگاه هنر ~ ۱۳۹۱

لینک دانلود: http://www.4shared.com/mp3/Hz91EAae/Delam_Mikhahadat.html

Delam Mikhahadat . Pallet Band ~ دلم می‌خواهدت .  پالت بند

موسیقی از گروه |پالت| برای نمایش

«روایت ناتمام یک فصل معلق»

نویسنده و کارگردان: هومن سیدی
مشاور کارگردان:حبیب رضایی

بازیگران:
باران کوثری
هومن سیدی
آزاده صمدی
هوتن شکیبا
نوید محمدزاده
امیر جدیدی
نفیسه میرشمسی

______________

"صدا برداری" و "میکس" : صادق تسبیحی

"استودیو اورفه"



(Don't Go, Stay …) نرو، بمان ...

Music and Lyrics by Faarjam
http://www.facebook.com/faarjam.music

Faarjam - Zahr (Single)

www,mahanmirarab.com
Mahan Mirarab: Fretless guitar
Robert Jukic: Bass
Wolfi Rainer: Drums

Mahan Mirarab (Jazz guitarist, Fretless guitarist, Composer, Architect)

Born on 13 July, 1983 in Tehran, started his first experience of art with painting, he spent his childhood during the war of Iran-Iraq in 80's. He started his first musical activities with playing piano at the age of 12 and after a year he switched to classical guitar. At that time there was no opportunities in Iran to listen to jazz music but at the age of 16 he could find the access to some tapes of Wes Montgomery and he started transcribing his tunes. In spite of lack of any approach to the basic learning instrument or any kinds of media in the form of books or any kind of recordings, he started to learn jazz. Although there was no teacher and school of music in Iran and the first step of his learning process was really hard, later after the development
of media in Iran in Mid 90`s he had the opportunity to listen to other jazz musicians and Kept continuing transcribing and analyzing the music of jazz legends like Charlie Parker, Bud Powell, Clifford brown, John Coltrane and many more.
Nearby tacking the first steps of learning music, according to his excessive passion to get influences from Persian traditional music, he started to play one of the main Persian musical instruments, called TAR. The influences and inspirations that he achieved from getting involved in learning traditional music have an indispensable role to shape his character as a musician, that is not only interested in jazz music but also is always grateful for Persian folk and traditional music. The main idea of playing
fretless guitar is on the one hand the difference between Persian and classic scales, because of existence of quarter tones in Persian music which makes it possible to be played by F.Guitar, and on the other hand it derived from his intention to find an appropriate and sufficient instrument that can accurately describe and express Iranian identity in his musical character.
The summer of 2003 was an important point of jazz music in Iran because the Legendary Armenian Pianist, Vahag Hyrapetian, organized the first jazz workshop in Iran since the Revolution of 1979.

It was a determinative event that was held for the first time in the realm of jazz music in Iran. Mahan attended to this workshop and also was asked by Vahag to play a duo concert with him.
Right after that he established his first Band as a Trio
set up with Dara Daraeei on bass and Amin Taheri on Drums. After some Concert Hamzeh Yeganeh a great Persian pianist and composer joined the band.
Beside his own project he cooperated with many concert and recording sessions as a side man during all this time. in 2008 he finished his studies in architecture in Tehran
art and architecture university and decided to move to Vienna. There he recorded his first Album with Wolfi Rainer(drums) and Robert Jukic(bass).This album is
a combination of Persian folk and traditional music with jazz .
The composition and arrangement of this project that started in Iran in 2006 is already
concluded and recorded in Vienna’s session in title "The Persian Side of Jazz" After moving to Vienna Mahan played with different Jazz and World music ensembles in Different European countries as well as United States.

9:40 am

Harmonia schindler's list

Listen to "Mara Yadat Hast". This is one of 7 tracks on our new album " Sher o Naghash" (The Poem and The Painter) . 

Join us on Facebook: www.facebook.com/circocafe

New Album is now available on iTune and CDBaby:

https://itunes.apple.com/ca/album/the-poem-and-the-painter/id586833739

http://www.cdbaby.com/cd/circocafe2

Video: https://vimeo.com/63278136

Mara Yadat Hast

Araam Araam (A Lullaby)

در هضم‌ِ بَزم - سوُم /آن شبِ اردیبهشت 
هر کس خاطره را یک جور نگه می‌دارد برای خودش. برای من این جور است؛ ترانه‌هایی با یاد و در هضم‌ِ بَزم‌ها.ـ 
سوم٬ حکایت‌ِ بازی با نام‌ها بود و یادها؛ حکایت‌ِ آن شب‌ِ شیرین و آن حال‌ِ فرهاد؛ حکایت‌ِ آن شبِ اردیبهشت ...ـ


آن شبِ اردیبهشت

گلنار… گلنار… کجايی کز غمت ناله می کند عاشق وفادار

گلنار… گلنار… کجايی که بی ثو شد دل اسير غم ديده ام گهربار

گلنار… گلنار… دمی اولين شب آشناييو عشق ما به ياد آر

گلنار… گلنار… در آن شب تو بودی و عشق و عشرت و آرزوی بسيار

چه ديدی از من حبيبم گلنار که دادی آخر فريبم گلنار

نيابی ای کاش نصيب از گردون که شد ناکامی نصيبم گلنار

بود مرا در دل شب تار آرزوی ديدار

تا به کی پريشان تا به کی گرفتار

يا مده مرا وعده ی وفا راز خود نگه دار

يا به روی من خنده ها بزن قلب من بدست آر

چه ديدی از من حبيبم گلنار که دادی آخر فريبم گلنار

نيابی ای کاش نصيب از گردون که شد ناکامی نصيبم گلنار

نشدی عاشق… نشدی عاشق … ز کجا دانی چه کشد هر شب دل من گلنار

لب خود بگشا… لب خود بگشا… به سخن گلنار دل زارم را مشکن گلنار

بازخوانی شهرام ملک زاده
اصل اثر:
آواز داریوش رفیعی
آهنگساز: مجيد وفادار
ترانه سرا: كريم فكور
در مايه دشتي 
https://soundcloud.com/top-music-7/dariush-rafiee-golnar

Golnar-گلنار

پالت- یادگار دوست

Papatiz - Jashne Eshgh

 خوشا فَصلی کِه دور از غم
هَمَه کَه شُنَه وا شُنَه
دَست وا دَست ، سایَه وا سایَه
شارَفتَه خُنَه وا خُنَه
.
بُدُو پیشُم بُدُو پیشُم
بُدُو اِی نوشُم و نیشُم
بُدُو اِی آخرین عشقُم
دوادار دل ریشُم
خَزُن زَرد ایسالُن نُوبَتی تَمُنِن
بَهار از راه اَرسیدِن زندِگی چه جُنِن

.
بیاین وا هَم بَشیم یاور
هَمَه هَمراه و هَم باور
دِلُن راه شُبَشِه وا هَم
جُدا نَبُوتْ دِل از دِلبَر
.
خَزُنِ زَرد ایسالُن نُوبَتی تَمُنِن
بَهار از راه اَرسیدِن زندِگی چِه جُنِن


Daily relaxing, enjoyable music

Sara Sarantontones