https://open.spotify.com/track/0p5jU4cvmCEOBEj1DobGdP?si=OeHK_uaSSVGMmfKOwcQauQ&utm_source=copy-link

Available on all digital platforms such as Spotify, Apple Music, YouTube Music, Deezer, Tidal, among others.

Cover instrumental y fotografía por Wladimir Martínez.

Todos los derechos a sus respectivos autores, originalmente por The Beach Boys de su album Pet Sounds.

Don't Talk (Put your Head on my Shoulder) (The Beach Boys Cover)

3: “Recurrence”

Poem by Dorothy Parker (1893-1967)

The gentle lilt of meter that frameworks this charming poem seems to lend itself to the cyclic nature of life and human experiences. We continue to travel forward: “Round and round the little way, Up and down the little hill.” Dorothy Parker speaks of finding love again below “renovated skies”, of continuing to write our story over the paling ink of old lies. We never know for certain what lies ahead of us on this road, whether we shall love more or less, be a little better or a little worse. But we can be assured that “Where, unwilling, dies the rose, Buds the new, another year.”


The emotions and reactions embodied herein are: thoughtful, acceptance, resolute, grave, free, wistful, faith, cyclical

Lyrics:
We shall have our little day. Take my hand and travel still Round and round the little way, Up and down the little hill.

It is good to love again; Scan the renovated skies, Dip and drive the idling pen, Sweetly tint the paling lies.

Trace the dripping, piercèd heart, Speak the fair, insistent verse, Vow to God, and slip apart, Little better, little worse.

Would we need not know before How shall end this prettiness; One of us must love the more, One of us shall love the less.

Thus it is, and so it goes; We shall have our day, my dear. Where, unwilling, dies the rose Buds the new, another year.

[Thus it is, and so it goes; We shall have our day, my dear. Where, unwilling, dies the rose Buds the new, another year.]

3: "Recurrence" (MIDI)

Take Me Home

In the grand expanse of the cosmos, envision a tempestuous surge of cosmic vitality cascading upon an outpost nestled within the cosmic embrace of Alpha Centauri. Fashioned from adaptive materials, products of the ingenuity of distant epochs, the outpost steadfastly withstands the tumultuous onslaught, manifesting a symphony of resplendent hues and luminosity.Amidst the void's chilling embrace, intrepid astronauts, representing a mosaic of diverse racial lineages and gender identities, anchor themselves firmly with magnetic footwear, grappling with undulating tendrils of energy, laboring tirelessly to restore equilibrium to the besieged outpost. In the distant reaches, enigmatic astral entities, their corporeal forms woven from celestial dust and adorned with thermal ocular organs, observe with a beguiled curiosity, drawn by the spectacle unfolding before them.Behold, a quintessential odyssey of the cosmos unfolds—a saga fraught with peril and exhilaration—a testament to the indefatigable spirit of humanity, as it endeavors to traverse the uncharted frontiers of knowledge and fortitude.

Outpost Alpha Centauri

Clockwise

"The Last Sunrise" is a somber, poignant orchestral track that captures the profound sorrow and solemn beauty of remembrance. This composition eloquently conveys the weight of lost lives during World War II through its deep, resonant orchestral arrangements, blending mournful strings with the solemn tones of brass to evoke a landscape marked by sacrifice and heroism. The track opens with a gentle, reflective piano motif, setting a tone of introspection and reverence. As the piece progresses, the strings swell in a slow, measured cadence, mirroring the rise of the sun in a symbolic final salute to those who fell in battle.

The arrangement is careful and deliberate, with each note crafted to honor the memory of the lost and the gravity of their sacrifice. The use of a full orchestra lends a regal, timeless quality to the music, suggesting both the magnitude of the historical impact and the personal stories of those who fought and fell. "The Last Sunrise" serves not only as a backdrop for commemorative projects but also as a standalone tribute that invites reflection on the costs of conflict and the resilience of the human spirit.

The Last Sunrise

Lyrics where given through me by Goddesses as a message for you!

Path Of Love

Bandcamp

All That I Can Get

Health

It seems to me that many people these days make more effort to separate themselves from others than to compare themselves with others. Both are triggers for unhappiness, in my opinion, but it's something more than that.

This song has very few bass parts. Most parts use an 8-string guitar. This is the result of avoiding the competition between the bass and the area of existence. I did slaps, thumbs, tapping, and all sorts of other things. It took me a long time to finish the song because there were so many parts I had to practice and I had tendonitis....hahahaha

lyrics

Only those who are allowed to exist are allowed to exist in this town.
Those that are not will be eliminated from existence.
I am forgotten by time.
I distanced myself from you.

Who would need me?
Who will look at me?
There is no one alive in this world.
Only cold nights and attacks will come.

A whale as cold as blue steel is looking at me.
He says if he's tired of me then he can be done with it.
But I am not mine.
What about my family? What about my elderly parents?
I can't finish it on my own.

My consciousness fades away.
Many diseases are eating away at my organs.
But I won't be allowed to die for another ten years.
I have to be there for my family.

Who would need me?
Who will look at me?
There is no one alive in this world.
Only cold nights and attacks will come.

Every morning we are transported on a crammed train.
Someone steps on my foot. I also push someone away.
Someone please carry me to that distant castle.
someone please help me
Soldiers who cannot fight are carried away.
Where are they going?

Those No Longer Needed

Falling From Grace

Sarah Wallin Huff has enjoyed her work as a composer for concert halls and soundtrack work since 1993. Her original compositions have been performed throughout the States and abroad, including the Exeter Phoenix Auditorium in Devon, England; the Mosman Art Gallery in Sydney, Australia; the Zipper Hall in Los Angeles; and the National Opera Center in New York City. As a violinist, violist, and 6-string electric violinist, she has extensive experience playing with diverse ensembles, as well as performing on various recording projects, large and small.
- Multiple GMA medal award winner
- "Her music positively buzzes with energy…There is no doubting that Sarah Wallin Huff has a distinctive voice that is well worth hearing..." (Fanfare Magazine)
- "Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here…" (Baby Sue)
- "Sarah’s music has a classy, understated sound, yet it is baroque and ornate" (Artist Rack)

3: "Recurrence" (MIDI)

Sarah Wallin Huff

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