Thanks to the appearance of both the mp3 format and the public Internet in the 1990s, illegal file sharing exploded onto the scene, prompting the soon-after emergence of the streaming economy. We are still wrestling with the implications of this “digitally post-scarce” world and finding our way through the trials of making a living in this new economy.

To view the videos this audio is taken from, as well as related links and slides, visit: https://is.gd/LbqkFA

If you’re interested in purchasing the online textbook for this course, find instructions on how to do that at https://sarahwallinhuff.com/history-of-technology-in-music

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Unit 11c: File Sharing, Streaming, and TikTok

Sarah Wallin Huff has enjoyed her work as a composer for concert halls and soundtracks since 1993. Her original compositions have been performed throughout the States and abroad, including the Exeter Phoenix Auditorium in Devon, England; the Mosman Art Gallery in Sydney, Australia; the Zipper Hall in Los Angeles; and the National Opera Center in New York City. As a violinist, violist, and 6-string electric violinist, she has extensive experience playing with diverse ensembles, as well as performing on various recording projects, large and small.
- Multiple GMA medal award winner
- Second-place winner of the Charles Ives Award (The American Prize)
- "Her music positively buzzes with energy…There is no doubting that Sarah Wallin Huff has a distinctive voice that is well worth hearing..." (Fanfare Magazine)
- "Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here…" (Baby Sue)
- "Sarah’s music has a classy, understated sound, yet it is baroque and ornate" (Artist Rack)