Sunday Brunch

로우템포

Mad sexy cool

Bettye Swann

Sweet Dreams

Quiet Fire

Sunday and Sister Jones

Fuck me alone
I'll fuck u alone
Fuck me alone 
I've been messing your friends around 
To keep you all around
I've been smoking and sipping all these lickers and pills 
To see your face 
I man fuck me alone 
I dont care give me a kiss and we'll go 
somewhere else to tell and prove 
Give me little bit of a kiss
And we will take it far way

Alone

Love your self (To Faze)

1. denyah - easy baby
2. Tommy newport - sunday paper demo
3. Kyle Lajoie - Level Me (cover) 
4. Leisure - know you better
5. Minden - Sheila
6. Shoos Off - Dandelion

crisp summer air

Produced by Phoebe Hunt. Recorded by Evan Felts & Isaac Strycker at the Magnolia Motel, Brooklyn, NY
Vocals recorded by Andrea Perry at Cicada Studios, Austin, TX

1.      What To Do With This Love - written by Sarah Sharp / Mitch Watkins. 
Wilson Marks – guitar, Jared Engel – bass, Nicholas Falk – drums, Oliver Steck - Wurlitzer

2.      Easy -  written by Sarah Sharp /  Yaniel Matos
Wilson Marks – guitar & piano, Jared Engel – bass, Nicholas Falk – drums

3.      Right Through Me -  written by Sarah Sharp /  Yaniel Matos / Masumi Jones / Daniel Durham
Wilson Marks – guitar, Jared Engel – bass, Nicholas Falk – drums, Sam Reider - Wurlitzer

4.      For Your Love -  written by Sarah Sharp /  Yaniel Matos
Wilson Marks – guitar & vocals, Jared Engel – bass, Nicholas Falk – drums

5.      Kidding-  written by Sarah Sharp /  Buffalo Speedway
Wilson Marks – guitar, Jared Engel – bass, Nicholas Falk – drums, Sam Reider – Wurlitzer

04 For Your Love

Such a pretty house
And such a pretty garden
with no alarms and no surprises
with no alarms and no surprises, please.
such a pretty house
And such a pretty garden
with no alarms.
such a pretty house
silent, silent, silent.
-
비틀거리는 이유를 말해줄
적당한 미소를 짓자

이글거리는 절망속에서
답을 구하자

이른 나이에 짊어질 아름다운 단어는
옆집 개가 짖어도 슬픈 노래가 되네

입을 닫아서
난 이렇게 잘지내
두말 하면 입이 아프지
-
My love
It's such a pity moon. spinning in silence
My love
It's such a pity moon. spinning in silence
spinning in silence.
-
목 매달아서 자조섞인 이야기를 품자
반짝이는 밤을 되감아서 어제로, 어제로
-
piss off, you all
dig in. your fault
no pickett fence for ya
It make me glow up
I will keep quiet.
I ain't kissed red cup
I ain't kissed no one
I never threw up
hold by my side
mouth shut you fool
kill your mother's mood
I'm six feet under
shut the fuck you all
shut the fuck you all
silence. silence. silence
​

silence (sampling radiohead)

Big Boss Man

Don't Give In

check out the music video :)
https://youtu.be/78VgJ4X24wY

are you lonely
girl if only i could tell
but my minds an empty well
close to shore

take it slowly
girl if only i could sleep
i would dream
my minds a quiet stream
before the rain

i've been spending time with friends of mine
but i can't seem to keep you off my mind
it's not hard to tell you know me well
but too late will be your crime
be your crime

falling sideways
theres too many highways
i could take
and it feels like a mistake
to let you go

i've been spending time with friends of mine
but i can't seem to keep you off my mind
it's not hard to tell you know me well
but too late will be your crime
be your crime

Too Late

“Watching Sarah perform onstage is pretty analogous to the experience of being bewitched by a musical sorceress: conversational, charming, organic, at times whimsical and crazy, and always utterly captivating. When Sharp arrives, you listen.” – Songwriters Across Texas

Sarah Sharp has long been honored for her skills as a jazz singer. That is evident in her accolades. In February 2024, Austin’s premier Jazz singer, won her third Austin Music Award presented by the Austin Chronicle for Best Jazz.  But make no mistake – she also is a soulful songwriter and so much more. She masters Americana, Pop, and old-school country music, while exploring other sounds and collaborations. And, its hard to not fall in love with her whole persona. As one reviewer wrote, she’s a little bit Tina Fey. 

No matter what genre she sings, it will be authentically Sarah, and you’re going to get a well-rounded performance that has you both mesmerized and fully entertained. 

Talent comes honestly for the Houston-born and raised performer. “I grew up in a big Catholic family where I thought it was normal for people to end every gathering playing songs and singing four-part harmony.” It wasn’t until much later that she realized not everyone had a similar musical upbringing. 

Audiences can feel, in her unique style, traces of her musical influences. “We sang everything from show tunes to James Taylor,” she says, adding that she counts the Beatles, Simon and Garfunkel, Aretha Franklin, The Pointer Sisters, The Police, Sting, and Rolling Stones among other early influence. She credits songwriters Willis Alan Ramsey, Leonard Cohen, Bob Dylan, Elliot Smith, Eminem, and Beyonce for having a soulful impact.

Although a devoted ballet student, Sarah ultimately followed her passions to attend Berklee College of Music, the world’s preeminent college for the study of music. There, she began to lean on the best of the best to feed her jazz inclinations – Billy Holiday, and even more deeply, Etta James singing the songs of Billie Holiday in the record “Mystery Lady.”

Sarah carries all of her influences and her passion for music to the audiences she reaches and the performers with whom she works side by side.

“There is a flow, almost like a reciprocal loop, when the audience is truly connected, that both fills me up and allows me to give more. When the audience is there and we are connected, it elevates everything,” she says. 

As for her band and collaborators, Sarah says she has a deep love and appreciation for them and is honored to be making music with them. “There is a true love fest going on between us all on stage,” she says of her band, who she describes as quintessential jazz musicians. They are immensely talented in a way that allows them to bring a vital sense of improvisation to the music they make. “They never play a song the same way twice.”

In the co-writing realm, Sarah has had many successes. She wrote nine original songs on the Jitterbug Vipers’ “Phoebe’s Dream”. That caught the attention of NPR’s Michael Feinstein who flew them to New York City to be featured on his national radio show. Sarah also has written with Yaniel Matos, Mitch Watkins, Elizabeth McQueen, Katie Shore, Jacob Jeager, Kristopher Lee Wade and Matt Hubbard, among others.

As with her recent Austin Music Awards win, enthusiastic accolades have followed Sarah through her career including multiple awards for her singing and songwriting. The self-produced album “Phoebe’s Dream,” with then-band Jitterbug Vipers, earned Sharp Top 5 placements in Austin Music Awards categories for Best Female Vocalist, Producer, Songwriter, Album of the Year, Song of the Year, Band of the Year, and Best Jazz Band. Sarah also was a (two times, once with Jitterbug Vipers, and once as Sarah) top recipient of the Black Fret Award (now Sonic Guild) from the organization supporting “the creation and performance of extraordinary new music.”

“It’s so clear that the music you create is so inspired by your environment,” says NPRs Michael Feinstein. Of her song “Trouble,” Feinstein adds, “That is the kind of song that has such a classic quality to it and it’s a song that could have been written a long time ago, and yet it speaks so much to the world now, and I think it will speak to people whenever it’s heard.”

Sarah now has a library of songs she is eager to put into her next record. She is looking forward to a new era of Sarah Sharp.

04 For Your Love

SarahSharp