Esta cancion es muy sexy, me encanta la voz♥

Song Of The Day / Tageslied @guteshoerenistwichtig: https://guteshoerenistwichtig.wordpress.com/2017/03/08/tageslied-hezen-oil-fire/

Stumbled upon. World class. Great voice & great control. Do us a favour and produce as much as you can bear.

a @culprate remix of this track would ruin me so hard

Subscape's new release 'I Would Have Loved You' is set to be released on September 8 and it comes packed with some gully remixes. Today we have the premiere of Awe's cut and this jam goes hard.

Expect mutated Rustie-eqsue builds and explosive bass-inclined drops that will do damage in any club. Check it.

http://www.mixmag.net/music/exclusive-music/premiere-subscape-awe

Premiere: Subscape 'I Would Have Loved You' (AWE Remix)

[Verse 1]
Can I hold you close? Just for a minute?
In this quiet moment
Can we be in it?
Our life so simple
Does it bring you joy?
Even when your days are busy
I'm not annoyed

[Chorus]
Can I hug you tight? Just for a little while?
Want to be with you
Wear a constant smile
In this world so loud
Can we find some peace?
In your arms
My love
It feels like sweet release

[Verse 2]
Can we live together
In a tranquil space?
Where worries disappear
Without a trace
Our love so pure
It makes my heart glad
While you work hard
I'll cherish what we have

Can I Hug You Tight by Yuan

COOLMUSIC//1

http://bit.ly/coolmusic1trailer

LYRICS::
###############################

ASHTRAY

bun sash today, got bare hash for days,
no one gonna take my bun sash away,
it's stowed in my mind head, locked from the stealers,
people always tell me my face looks like an ashtray.
ashtray don't come without no bun sash clothing,
don't hit me up i'll hit you down with an ashtray.
Nevermind the beat what u hear on the road,
iallabout the tune that you hear on the pathway

Actin like a halfway wasteman trying to make a,
looking like a markbay bad one seekin out a;
but u can't find a top recipe,
think twice got one ready mans already half made...
...it, it don't need no cleanin up or washing round,
get the bun sash up
don't lock it up safe and sound 

###############################

REMIX STEMS::
http://bit.ly/ashtraystems

think twice:
:: http://twitter.com/ellisdoesmusic
:: http://www.facebook.com/thinktwotime

EMP:
:: @empman


think twice x EMP - ashtray

LSN - Killin Me

OFFICIAL MUSIC VIDEO: https://www.youtube.com/watch?v=x4jsTKHPPYM

Music & Lyrics by HEZEN
Mixed by Marta Salogni
Mastered by Pete Maher

Oil Fire

HAVELOCK ‘Chamber’ EP
Release Date: 16th February 2018
Label: 20/20 LDN
Format: Digital
Cat No: 2020LDN008

Having thus far mainly featured as a guest on music released by long time supporters Ivy Lab, the Chamber E.P marks the first solo excursion for 28 year old Nick Jackson a.k.a Havelock; arriving via the same 20/20 LDN imprint that housed all of his collaborative work. 

Featuring a span of BPM’s and aesthetics ranging from knocking 808’s to papal-inspired Jungle; the project makes for a relentlessly bleak and unsettling listen - featuring guest appearances from 20/20 mainstay Deft on the track “Chimes”, and Bristol-based instrumental grime producer Hi5Ghost with his remix of “Graphics”.

Born and bred in London, Havelock has been quietly honing his production for almost a decade, branching out from his initial explorations in minimal drum and bass into territory closer in complexion to noise-scene abstractions and alt-hip hop.  

Having cut his teeth DJing in clubs and bars during his stints in Amsterdam and Leeds, he went on to found the Buried Audio record label, responsible for releasing music from acts who would go on to become celebrated actors in the bass music landscape. Sitting in the same lane as a small cohort of pioneering outfits such as Darkestral & Exit Records, Buried audio went onto release some of the earliest works from artists such as June Miller (Ram Records) & Nick Modern (Metalheadz/Tempa) 

It was only after wrapping up Buried Audio and returning to London that the Havelock alias was born; his focus turned to producing music that encapsulated an increasingly far-reaching taste in obscure underground electronica. Drawing on influences from ambient, metal and abstract hip hop, his sound is loosely engineered by design and paints bleak landscapes with a tangible rawness and innocence. 

Tracklist:
1. Graphics
2. Chamber
3. Chimes (with Deft)
4. Fiction
5. Graphics (Hi5Ghost Remix)

https://soundcloud.com/nickhavelock
https://twitter.com/nickhavelock
https://2020ldn.com

Chamber E.P

Havelock - "Graphics" [2020LDN008]

@isascent

Mastering: @detmusic
Art: @oh-pryme_dehlda

The Maw, a 5-track showcase of limitless ability from Renraku veteran Ascent, brings idiosyncratic rhythms, imaginative textures, and rich synth lines together into something entirely his own. Coming from the halftime scene, Ascent has carried his mastery of underground music and sound design into IDM territory as a necessary effort to bring new ideas to the genre. 

Beginning with textured and atmospheric “Kin”, Ascent makes contact with hip-hop just long enough to grab listeners’ attention before settling into a tasteful 2-step groove. Lush synth design, somewhat reminiscent of old school rave pads, pull listeners directly into the sub-heavy climax of this fantastic introduction to the release. 

Next up, the soon-to-be bass anthem "Control" shows Ascent's outstanding ability to combine his influences across all genres to form his own unique sound. Bearing syncopated beats and gnarled bass riffs, "Control" moves effortlessly across trap drum patterns, drum & bass synth stabs, and pseudo-footwork vibes to ensure listeners are always kept busy. 

"The Maw" follows up by revisiting the footwork influence found in the previous song while also managing an even greater emphasis on dynamic rhythm sequences. Serving as the titular track, it bridges the gap between classic electronic music and the up-to-date style only Ascent is capable of by incorporating expert production techniques and extensive knowledge of his inspirations. 

As a follow-up to the previous track's meticulous artistry, "Forsythe" leads the release into garage territory, rapidly switching between unique drum arrangements to constantly evolve the track throughout. Avoiding traditional motifs (yet still feeling welcome within this context), the melodic patterns found throughout "Forsythe" add flavors from mainstream electronic music to account for the musical tastes of a wide audience. 

The record’s conclusion holds true to the previous concepts, but lets its power fall into a weighty, sluggish vibe to move Ascent’s previously established abilities into even more unexplored territory. Interrupted only by an anthemic and trance-influenced breakdown, “Surface Tension” brings Ascent’s masterpiece to its finish with deep basses fused to crunchy sound design, a vintage-sounding melodic section, and a final section reminiscent of the halftime scene that The Maw is sure to inspire.

The Maw

Ascent - Forsythe

We start the year with an exclusive premiere! @Slugabed has a new release out next week and he's given me the chance to share one of the tracks with you. It's called 'root rot' and it's a wonderful blend of blissful melody and strange, distorted noise. It's hip-hop, but it's not. It's weird but beautiful. You can imagine the ghostly creatures on the release's cover dancing to it. He also answered some questions from me. I hope you enjoy reading his words and listening to his music.

Interview: http://bandcloud.org/exclusives#/slugabed-root-rot/

they exist!!!!

Slugabed - Root Rot (Bandcloud Exclusive Premiere)

get full ep

Subp Yao - Lock Off

Stream / Download: fanlink.to/OBSOLESCE

At first you feel the tickling of electricity on your skin. It is warm and intimate, coaxing out a hypnotic passage that crashes against glistening cold cement. Ghostlike voices reaching out of nowhere, immediately overdrawn by rumbling machinery with angular precision. You are burning, trapped in a derailed train wreck collapsing upon itself. Uncommonly uneasy. OBSOLESCE.

instagram.com/its_maere
facebook.com/i.am.maere

@divisionrecordings
twitter.com/divisionrecs
fb.com/divisionrecordings
instagram.com/divisionrecordings
open.spotify.com/user/divisionrecordings

OBSOLESCE

WE STICK APART

Stream / Download

"A place of reflection, remembrance, and new beginnings.
For my first LP, I wanted to express diversity across many styles and forms, and give you a sense of my various influences in music infused with my own sound.

For this Project I had the amazing privilege to collaborate with a number of artists that I hold great respect for: Monuman, Craze, Subp Yao, Survey, and Kilo. I can´t thank you all enough."

IÐAVÖLLUR
As mentioned in the Poetic Edda

The gods in Iðavöllur meet together,
Of the terrible girdler of earth they talk,
And the mighty past they call to mind,
And the ancient runes of the Ruler of Gods.

BALATRON: https://soundcloud.com/balatron-1
REVRT: https://soundcloud.com/revrt
MONUMAN: https://soundcloud.com/monuman
CRAZE: https://soundcloud.com/crazearoni
SUBP YAO: https://soundcloud.com/subpyao
SURVEY: https://soundcloud.com/surveybeats
KILO: https://soundcloud.com/kiloicecoast
YUKU: https://soundcloud.com/yukumusic

Artwork: Gustaf Holtenäs

BUY VINYL/DIGITAL

BALATRON  —  AMELIA´S DREAM   (CLIP)

Are you sitting uncomfortably?
Then I'll begin.


contact: sarahezen@gmail.com

Oil Fire

HEZEN

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