Rosario Cataldo was born in Sicily in Alcamo (TP) 09.14.1975, starts from very small to get interested in music thanks to his father, who at the age of 7 years gives him a hard eats of those times.
In the 80s began to listen to Rock, Pop, and the first techno music. In the 90's totally fascinated by the clubs and the music begins to make the buying of old DJ turntable belt and then move on to the famous SL mk 1200, inspired by a famous DJs such as Danny Tenaglia Producer, begins to hear and experience House Import American and sounds like the British Underground.
Immediately begins the DJ business in the best clubs and parties in the area, playing in the early Privè alternative music, in the company of great DJs of the moment
(Dino Angiolioletti, Copper, Sergione, MBG, Joe Montana, Terry Hunter, Dr. Felix, etc.).
Attracted by the first of the 90 drum sequencer begins the first production of Grouve with machines like Roland, Akay, Casio and Korg keyboards and so on.
In the early 2000s seem to put on his first real home studio located in the basement of a building in his country (UNDERGROUNDSTUDIOGarage), has to his credit in the early 2000s, 320 Grouve track, and to date about 110 discs editions SIAE com MBG Productions.
Switched to digital mixing in the mid-90 now offers live set mix with PC and drum maschine. Continues to produce his kind of music without rules inspired by the Underground electro house the latest generation.

Tempo O'Neil established as a singer, has been involved in the music scene from the early day of acid House and the beginning of (Ragga house) which became known as “Jungle”. Tempo had been involved with record label such as Big City Records, Brain records, Everyday junglist and (S.O.U.R.) producers of artist such as Shy Fx, Uk apache & Elizebeth Troy, to working with producers TuffJam (You’re my Inspiration EVA & Keep Holdin), London connection and Bagley studios label Crosstracks. Destination London town & Dubplate Culture (Zomba).
Tempo believe in the different elements of music and to him the elements started on Reggae sound systems age 14. His 1st and earliest experience started with smaller sounds and built up to Unity Sound with Demon rocker and Flinty Badman (Shut up & dance) to singing for Saxon sound system (As sugar Brown) and touring the countries and city in Uk & Jamaica, where he would hear artist and perform amongst top acts such as Maxi Priest, Smiley Culture, Tipper ire & Daddy Freddy.

Tempos songs in reggae always had a soulful edge and expanded a lot more in soul music and swing with other producers and musicians. That earlier experience was brought back from going to different studios around London he soon linked up with Carl MacIntosh of (Loose ends) which was an inspiration to work with.
Working in different studio's was and inspiration from watching people put music together reinforced the logic for tempo to go forward and produce his own music.
Seeing how smaller labels evolved and performing around Europe was the final step to start his own material. Labels such as schatrx (Barcelona) and Alienfunk/ Primary Sequence.

The new label is a beginning of another venture into his visionary view of music and the Elements, which made Tempo O’Neil.

The Liberation Party is a party movement that promise to keep true to all music listeners, we solubly swear to try our best to hold a platform to keep true music alive, use music to preach positive messages to all colour, race and creed.
 In our times we see clubs closing and some people attitudes in the music scenes changing. lives in a club or festival shall be lifted and not lost in any way but only for us to lose our inhibitions and be humbled by the tempo and the spirit of the music, our music.
 To all dj’s and pioneers and listeners we solute you!

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

Have been into djing since the early nineties, from rave through to jungle, then into garage, then into producing.

I have some releases with baldeelox records

 feel free to comment......

•South Bound Productions CEO•
•Head of back2trax•
•Co founder of FEVER productions•
•Old skool dj spinning since 87•

sarasmith is following