Far Side Of Town

Outlaw (Mastered)

Live At The Palladium

Don't Feel Like Going There Today (feat. Jason Ricci, Dan Signor)

This album was a riot to make and a dream come true as far as flirting with that vintage New Orleans sound. There is something magic about a tuba or clarinet that can transport you right to the French Quarter in the Big Easy. Vintage compressors and ribbon microphones help make the recording more authentic without a doubt. Modern miking techniques like close miking all the drums is not what I was going for on this recording. We used old style recording technics for a more traditional sound. This record is not just one style of blues but a few different classic styles. One common thread is the old time instruments throughout this new record. Fiddle, banjo, washboard, Weissenborn, lap steel and old fashioned hand claps all add to the old school vibe. Getting to record with veteran musicians who have been in the business much longer than I have been was also a treat and major learning experience for me. A lot of these gentlemen have been in the business since the 50’s and some of them are in their late 80’s now, but you’d never know it with the amazing contributions they make to this new album. This record touches a bunch of topics from, lost love, positive thinking, humorous themes, spirituals, and down right down and out subject matter. I’m very proud of the writing on this record and put a lot of time working and reworking the lyrics till they were just right. I wrote the title track (One Step Closer) for my aunt who was sick, and I got to sing it to her in hospice, so It really means a lot to me. I also like the topic of looking on the bright side and have a couple songs like (All You Got To Do) and (Walkin’ In The Sunshine). There are a couple cheeky songs on this newest project that will make you blush and giggle at the same time like (Do What You Did Last Night) or (Just What I’m Talking About). I wrote (Just What I’m Talking About) with Bessie Smith in mind. I never like to do the same thing over and over and always try to find new sounds and styles of the blues. Ive been to New Orleans many times and the music, art and culture have had a profound effect on me and my music.

9 Whats This World Coming To

Dockside

Vermillion River

Masters Of The Blues

Record Label: One Trick Dog
Produced by SaRon Crenshaw and Dev Avidon
Executive Producer: Monique Witt
Recorded at Systems 2, Brooklyn
Additional Recording at Avidon Audio Labs, New York
Mixed and Engineered by Dev Avidon
Mastered at Goldtone MasterWorks, Baltimore by Tony Eichler
Photography and Cover Design by Xiaofen Zhang

World Of Misery

Southbound I-95

When You Walk Out That Door

Fourth track from my debut EP Easy Way Out released June 2018

The Rain Came

Pete on keys and vocal, Paul Hartshorn on guitars, Duncan Kingston on bass, Craig Crofton on tenor saxophone, Eddie John on drums

Pete Gage "2015" Left over Blues (the album)

Blues Has Got Me (Gage)

Hobo Blues

Hobo Blues (feat. Big Creek Slim)

SaRon Crenshaw learned to play guitar at the age of ten. He is an extremely talented guitarist who travels the country playing Jazz and Rhythm and Blues. In the 70's and 80's he made his living playing bass for several bands in New Jersey, New York and South Carolina. He has shared stages with talented recording artists such as Lee fields, Roy Roberts, Denise lasalle, Bobby Rush, Jessie James, Tyrone Davis, and Chuck Roberson. He performs intensely at the Blues venues and festivals in the east coast for the past decade and has a large following in the Tri-state area. In 2010 and 2011, SaRon had the honor of opening up for Robert Cray and B.B.King on the big stages in Connecticut and won love from the audience with his acoustic performances. Saron's love is the Blues and he has been inspired by some of the greatest singers and players of all time, B.B. King, Albert King, Albert Collins, Stevie Ray Vaughan and Buddy Guy to name a few. SaRon plays a Gibson “Lucille” model guitar signed by B.B.King himself. He is a powerful entertainer and is never afraid to take his performance straight into the audience.