Ultimate HangOver

Chopin Nocturnes Op.9 No.2 in E Flat Major

Version for piano and cello of 'Void'. It is the first collaboration between the extraordinary cellist Eva Brönner and myself, and I can only thank her for all the emotion that she manages to transmit.
This piece is also available on all streaming platforms.

Follow Eva Brönner here: https://www.instagram.com/broennercello/

Regards!

Void (Cello & Piano) - Eva Brönner & Moisés Daniel

QUARTETTO d'ARCHI - Canone in D, J. Pachelbel

Raven's Call

part of your world [the little mermaid] piano cover

Heavyweight Champion: The Complete Atlantic Recordings

Bags & Trane

Rachel Portman - Ruth's Betrayal (OST Never let me go)

The Gentle Side Of John Coltrane

Nancy (With The Laughing Face)

Jazz Impressions Of Black Orpheus

Moon River (Album Version)

The Ark

Movin' Along

Ghost Of A Chance

I feel in love with him the way you fall a sleep.. slowly.. and then all at once.
I wanna be here with you.. this is how I wanna live..
You are my light.. It's you.. It's always been you..

It's You..

Cracking Shadows

Tristesse

Wes Montgomery - Bumpin' On Sunset (1966)

N. Paganini/F. Kreisler - Campanella for Violin and Piano - Andrey Murza

La traviata, Act I, Sempre libera degg'io (Violetta).

Licensed courtesy of Naxos Rights US Inc

La traviata, Verdi, Sempre libera degg'io

Inspired by fantasy, Italian operatic drama and sentimentality, Viacheslav Dalecourt’s style of composing and piano playing can be described as flamboyant, dramatic and sentimental. The sound he creates can be described as an imperious sweep with aristocratic poise and sensitivity.

Sasha is a man of eclectic interests and tastes. As a musician, there is a direct correlation between his eclectic tastes and his intention to work with different styles of music ranging from Classical, Jazz and Latin to Belcanto Opera and Chinese tradition vocal music. “Through my travels, I’ve been exposed and influenced by so many kinds of music and have experimented with all but I think I have settled on musical styles that are vibrant, dramatic and full of historical significance,” Sasha says, “My repertoire has evolved and expanded but I am still deeply connected to the Western Classical tradition.”

Sasha’s passion and aptitude for music was apparent at an early age but he also encountered the strange imbalance between his inner world of passion and restricted life experience: “I was a child, I knew so much, I felt so many emotions, but I had never made their acquaintance! I felt the tragedy in life, I felt abandon, exuberance, exaltation, but had not met these feelings in the outer world.” Sasha, speaking with the wisdom of hindsight, saw this emotional precociousness almost as a limitation of his early musical experiences. His development as an artist meant connecting these intuited emotions with real-life experiences, a difficult process of catching up with oneself in adolescence.

Whilst in his teens he studied at the Sydney Conservatorium of Music and once graduated embarked on a long trip abroad which is still continuing ever since. “Being a gypsy at heart I’ve found it hard to settle in one place for long and new experiences always beckons me to travel again.” His many travels has led him to discover so many world cultures and he enjoys immersing himself in its tradition, history, languages, art and of course its music.

Chopin Nocturnes Op.9 No.2 in E Flat Major

Sasha Dalecourt

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