this is a really cool track  lke how its put together

Full LP version by NY's Ninetndo cybercore Electro nuvwaver sonic blaster producer Oxygenstar. 
To fully comprehend the the force that drives OxygenStar (Carl Peczynski), one must travel back in time to ‘96 when MTV was still playing music. Inspired by Michael J Fox’s performance during the ‘Enchantment Under the Sea’ dance, Carl was immediately drawn to the sound of an electric guitar. From that day forward, Carl developed an ongoing interest in other instruments, such as piano and the drumset. Self-taught and just out of high school, he took to working on solo electronic projects. By the year 2000, OxygenStar quickly became the most important adventure of Carl’s musical pursuit and has grown far too large to be contained in his apartment.

chiptune, 8-bit, idm, electronic, progressive bitpop http://www.last.fm/tag/8-bithttp
/c64Chiptunes are within a genre of computer-generated music , which is characterized by a distinctive sound. Its origin lies in the home computer - and video games era. The original chip tunes from records that the sounds through sound chips of - - by today's standards quite simple synthesizers are generated and output, which generate the corresponding sounds in real time. Is the legendary SID chip of the Commodore C64 . The term chiptune was in the Amiga scene knows where, with the help of trackers, music and sound samples generated by each instrument. Compositions that attempted the style and tone of sound chips to maintain, were designated as chiptune to them by the classical mod files to differ. To this end, very short samples or defined note loops used.

Chiptunes have the advantage that the generated files will remain very small and therefore find use in demos and intros from the demo scene and cracktros of release groups from the warez scene, in which it is important to use as little disk space. 

[ edit ] tuner chip

True chiptunes still stand in a niche outside of techno , electro , industrial and others, but often to remember these genres. Even compared to ringtones is bordered from the scene and asked not to be taken in connection therewith. To make the claim that modern music with trackers with vocal samples and effects go far beyond that.

Some see the tuner chip technology and techno-wave in the 1990s merely a result of their work, an inflation of their earlier work and the degeneration of the original chiptunes for the mass taste, although some have also found success there.
[ edit ] Design Chiptune

Characteristic of chiptunes is the rare occurrence of actual polyphonic chords in the classical sense. In Chiptunes chords are usually about arpeggios formed to save tracks. This restriction is based on the fact that the first sound chips could play rarely more than three sound channels in parallel - to play a chord would often occupied all the available channels. Because of these "voices scarcity" have many tunes a very complex structure. In order to give sound more than just three instruments, the gaps in a melody, for example, the bass will be used to let there be heard a different instrument or an accompanying voice. Therefore located on a canal two or more melodies or voices. This technique lends itself to it, using rhythms with many early elements. In the field of SID Tunes has such a very funky style developed.

Another technique is to incorporate more voices, often on the channel, where the bass and drums are heard. Before the individual bass tones for a fraction of a second noise is set. This creates the impression of a kind of hi-hat on a drum kit. Examples of this style are at the High Voltage SID Collection (see link below) to see the composer Mitch & Dane.

A related genre is the Bitpop .
[ edit ] presence

By lifting the limit of modern channel tracker is available for tech-savvy composers now largely no more restrictions. Compared to proprietary formats such as MP3 , no compression artifacts. Comparable echo and reverb effects provide only lossless formats.

Through any mix of self-defined notes and instruments - unlike even the MIDI format - (assuming phonetic skills) and the possibility of even simple samples to human voices revalue can theoretically each composed polyphonic piece of music even today as Mod realize.

Working on an MP3-to-mod converter to fail, however, usually because the computer already played the instruments and samples can not be clearly defined. Provided that the orchestra performed compositions, however, notes there is an exact rebuild as a mod just a matter of time invested in it.


Buy Me on Bandcamp!

Oxygenstar "Harmony Palace" Vinyl+ Digital

From Robot Fest 2014 Compilation Album (https://soundcloud.com/terminal_explosion)

Made by Steel

Trillogy

Ill.gates + Opiuo + VENT - Trillogy

"Evil Robot Bass" by Oxygenstar

"Ballad of Intrinsic Pants" by Oxygenstar

"Jingle Jingle"  by Oxygenstar

Chiptune, 8-bit, idm, Electro, progressive bitpop ‘r are all words that can be summoned to describe this super-multi instrument talented artist “Oxygenstar” coming from the outer perimeter’s of the New York City area. Oxygenstar has been very active in the 8 Bit, chiptune underground music scene of the North West, defying categorization due to his unique diverse sound and headlining the "Blip Festival" 2012. Hacked Nintendos and gameboys to the max and driven to full melt down by some of the most diverse musical programming
imaginable. Oxygenstar is one of our greatest nds, skilled in playing the Drums, Keyboards, Guitar and a rampant programmer with a truly unique production sytle. Everything on this EP was created by Oxygenstar.Graduate with a music production degree all of this Synth Pop Nintendo Hack, is held together with excellent production
skills and true muicallity. His arrangements are perfect along with everything else on the EP . Lo- to the Max ,8 Bits being pushed to the extreme. Emotive electronic Noir, Bladerunner meets Electro, Gameboy, are but a few words to describe this Artist.
Fully Mastered by Complete Matering in Conneticut and Pressed at Brooklyn Phono in NY City round out the overall quality of this release.
Graphic Design was done by the notorious 310K Design Group in Amsterdam, well known in the music andgraphics world.

"Title Screen" by Oxygenstar_ Bot Records

Buy Me on Bandcamp

"Run For Your Life" by Oxygenstar

Mpc 4000, custom samples produced by Satamile

Beat Dat Break

Electro , what is it, and its  history with Satamile Records. Almost everyone in electronic music has heard of 
Kraftwerk, and it really was these Germans that set the DNA for which the genre of Electro would spawn in the years to follow. Electro during this time in the USA was more breakbeat oriented with a multitude of them coming out of NY, and later Hip Hop (much slower tempo) spawned partially from Electro. Much of the main inspiration came from Kraftwerk during its US tour at this time, early eighties. This DNA consisited of some certain defining charachteristics such as, Synthesizers, Sequencers, vocoders of which at this time were all analog. For gear, think Roland-909,808,606 (little electro firecracker), Oberheim, Doepfer, Juno-106 and Akai samplers. Another main characteristic to define Electro  was its heavy endeavor to Science Fiction or "into the future" characteristics.  Its important not to confuse Electro with Synth Pop, New Wave , Industrial or breaks, these are all seperate genres defined by their own unique DNA and fans  (Ecspecially Electro House, and ElectroClash, both of which are not Electro).  So in short, think pop-in and lock-in robots, on the Enterprise as they break it down for their head-spins into the future Galaxy. 

Satamile Records was born out of the Rave scene of the very early 90's, which in itself had qucikly adopted the Electro genre for the rave Events giving a boost and creation of countless Electro labels, that only released Electro. We are sort of a new Electro or hybrid electro is some case's taking the best from the past and creating a bigger and fuller sound for the times.  We also really owe alot to Ravers and Promoters during this time,  for their open minds ,DIY ethic and sharp foresight into "Whats Hot". It was these pioneers that supported so many new underground genres, such Breaks, Techno, Electro
Tekhouse, Dubtek (Minimal) and Ambient (IDM) and NOT the major label executives in their cushy offices so you  really have to give a bow to the first wave of ravers and the promoters,,,the best music entrepreneurs of their time. Many labels today simply would not exist today if these people did not support the music and the politics of Law did not stop these events from happening. 

In our early years Satamile was will on the way with its involvement in Electronic music production and live performance .  We were a consistent presence in the NY underground scene and alternative Club scene. Performing live with Modulars and drummachines, Dj'ing, throwing events, sponsoring Graphic artist for flyers, all of which re-presented in some way the new electronic culture.  Hosting nights at Filter 14 (Jacky 60), The Cooler, Baktun, The Kitchen, Gas Station, Robots, Open Air, and many more. We have produced over 400 Club events in NY city for artist such as Ellen Alien, ADULT, Monolake, Pole, 
Schematics, Tipper, Mixmaster Morris, Andrew Weatherall, Keith Tenniswood, Mark Broom, Orbital, Keith Tucker, and many more.

Staying true to its nature Satamile allways pressed Vinyl along with its CD release's. Vinyl is a superior medium, and the taste of DJ ' worldwide for its
superb qualities and usability.  We had CD's in the early 90's , but who wanted to play them, when you cold play vinyl instead, it was so much cooler than a 
CD, it spawned Train Spotting, and was far better for dj'ing. Toady most of our vinyl is pressed at Brooklyn Phono, 225,000 pounds per square inch. This is still true for today  so buy vinyl when you can it rules the night waves and you wont have to worry about your computer crashing on Final Scratch. 

Today satamile exist as one of the leading Electro labels in the world with over 25 artist from all around the world on the label it will be coming up on our 60th release shortly.  Along with the main label Satamile we also have sub-labels, Bot and SatRX  to serve different purposes, Bot for downtempo projects, and SatRX for remix's. 


"Evil Robot Bass" by Oxygenstar

satamile

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