I want to buy these tunes

Free Download : https://drive.google.com/drive/folders/1vpMh7VH-l8Om2NupIIFlsTfnke41W7HZ?usp=drive_link

Watch more on YouTube : https://www.youtube.com/@x-tram

Strange Way

Out of focus

ZAMAN

Rinse FM Podcast

Download

Swamp 81 with Benton, Benny Ill & Jonny Banger - 11th March 2018

Order Of The Muffin  - Transformed(Danny Electro's Bass Boom Bottom RMX)

Mateis e. aqir - Golden Illusion

Written and produced by Mateis e. Aqir in Barcelona.
Mastered and recorded by Robbert van der Bildt in Amsterdam.
Photography by Ilya Ilyukhin.

Golden Illusion

Mateis e. aqir - Drum Islet

There's a good bunch of intense, dark and extreme, grinding electro-techno gems on the "Raval Rave Breakers" first compilation. While Boris Divider's 'Collapsed Cluster' recalls of the more clinical approach of labels like Raster-Noton, Eel manages to deliver a fresh mix of styles on 'Sraight Edge', where Old Skool Breakbeat and EBM draw an unforgettable match made in heaven. Last track on the A side comes from Classicworks boss Neuhen, but is Patricia (Opal Tapes, Spectral Sound) who remixes it: in "Supress" we can find all the magic tricks of the NYC based producer: eery atmospheres, gently distorted drums and a warm feeling of cozyness. On the flip, RNXRX delivers "Aktion Intertia", one of the most psychedelic jams he's ever did: an industrial acid track as catchy as it can be. Oakland's "Heroine From The North" sounds a bit like when New Beat became faster and more agressive, being mixed with styles like EBM and trance.

A1 - Boris Divider - CollapsedCluster

ltd 150 vinyl copies and digital
A1. Flotation Aid - Celebrities
A2. Vlaysin: Open Your Mind
B1. Sestrica: Ssense
B2. Proxyan & Lewski: Cereology

Order

V/A - Resistance Is Futile - Flesh Or Die 01

illektrolab "illahertz" EP Sampler. Released on Shipwrec Recordings Vinyl/Digital. Cat# SHIP043 - Available on illektrolab bandcamp/buy link

"Illahertz EP" Sampler. Vinyl Sold Out/Digital Only

A rough selection of crusty old beats from over the years recorded to tape using a Coomber 393. Free to download as 320mp3.

BIDDY BAIT MIXTAPE (393)

Hi, here is the first full stream of EMS's "Rythmus Machine" , and tons of info about this overlooked producer. Also we have his limited Edition T-shirts for sell, 8$  on bandcamp. Buy one T'shirt and get the full Wav. file of the LP in return. Pretty good deal and great way to support the Artist and the Wunderground!!

http://satamile.bandcamp.com/




EMS is one of our most diverse and talented artists on the label. I found him living above Strange? Records in 1995 making his own modular synths, vocoders and drum machines for his electro productions. Stephen Machnowski currently has 3 eps on Satamile Records and a full length 2x12. He falls into the category of genius electro producer with records that have charted amongst the worlds top DJ’s and radio stations both nationally and internationally. It’s rare to find someone such as him who can build the exact modules from transistor up, write, engineer , perform live and dj!! 

XLR8R (USA) May 2004
"...six exceptional cuts in which minimal groove, analogical modulations, subtle vocoders, gloomy melodies and heading hypnotic bass lines combine perfectly, EMS introduces his definition of a both deep and funky syncopated music. The final result is just simply amazing!!

Dave Clarkes Techno Tip Sheet 
TOP FIVE ELECTRO 
1) Non Stop DJ's "Furious Ep" 
2) Blotnik Brothers "Elapse Current Loop" (Satamile) 
3) Manasyt "Sore" (Touchin' Bass) 
4) Ems " Synchronaut" (Satamile) 
5) RA-X "The Overthrow Ep" (RMR) 

EMS - SYNCHRONAUT - SATAMILE - 2xLP (SAT017) 

"EMS - Synchronaut" and "Blotnik Brothers - Elapse Current Loop" are two of Dave Clarke's 
TOP 5 electro picks 
--May 7, 2004 www.daveclarke.com (UK) 

"...more ears are primed for real electro than ever...ems brings unrelenting beats and time tested robotic vocoders to the dancefloor" 
--Review XLR8R (USA) May 2004 

"...six exceptional cuts in which minimal groove, analogical modulations, subtle vocoders, gloomy melodies and heading hypnotic bass lines combine perfectly, EMS introduces his definition of a both deep and funky syncopated music. The final result is just simply amazing!!" 
--Review by Atome.com (France) May 17, 2004 

"‘Crack In The Sun’ is a brilliant opener, almost hittting Detroit territory due to its warm analogue synths that play a lush sequence and modulate throughout the track, while underneath a stripped and jacking electro beat rolls with the sub bass, class groove. Also head for ‘Ginetik’ which has one of the warmest swooping basslines that hugs the beat with classic arpeggiator-esque synths that deliver a killer electro atmosphere. My fave has to be ‘Ellipticophasic’ which has an amazing and hard beat backed by acidic synths to drop what is probably the hardest cut on the album, it stands out so much due to the punchy drums that will rock a dancefloor solidly, ace New York electro shizzle." 
--Review by Boomkat.com (UK) May 2004 

"A full six track double pack that's bursting at the seams with cracking dancefloor electro grooves. After two great singles they cememt their place as key players for this top new york label. Hefty grooves, deep basslines and a more than liberal sprinkling of wicked sounds. Recommended." 
--Review by Smallfish.co.uk (UK) May 2004 

* The very first Satamile signature strikes back in full length version! After releasing three magnificent EP's, ''Exoplanet. Voice. Transistors'' ''Robotronic Rhythm''and ' 'Colonized'' on Andrew A. Price NYC based structure, rare and precious talent Stephen Machnowski signs here a dancefloor and mental electro deluxe album in its own and inimitable trademark. In six exceptional cuts in which minimal groove, analogical modulations, subtle vocoders, gloomy melodies and heading hypnotic bass lines combine perfectly, E.M.S introduces his definition of a both deep and funky syncopated music. The final result is just simply amazing! Grade A to sumptuous ''Crack In The Sun'', ''Ginetik'' and ''Ellipticophasic'', three tracks that confer ''Synchronaut'' opus its essential status. 
--Review by Dropshop.com (USA) June 2004 

Radio Plays: 
Kiss 100 Dave Mothersole 5/11/04 
Kiss 100 Tayo 
Kiss 100 Rev Milo 5/16/04 
Spin 103 Barry O'donoghue 5/20/04 + 5/27/04 
Passion FM Dan Bean 5/15/04 

Selected DJ Comments 
Keith Tenniswood - "The EMS ting I got is ace!!!" 
Tomaz (switch) - "I really love this! Ginetik and Getghetto are the best tracks. Chart and 
Airplay (Charted #10)" 
Percy X - "Love one of the trax on this LP, still playing loads of em" 
Mark Broom - "Yeah into it. Satamile can't put a foot wrong for me...going from strength to 
strength. Big up the NY Possee" 
The Hacker – “Good album, pure electro. I like it!” 
DJ Hyper – “Love it” 
Ade Fenton (Advanced/Atomic Jam) – “Best tracks are ‘Illusion Mode’ & ‘Ginetik’. I prefer 
the harder tracks on the album” 
Xander (Romp) – “This is the business. 9/10” (Charted #7) 
Barry O’Donoghue (Hotpress/Spin 103) – “Absolutely fantastic. Two tracks on this week’s 
show. Word.” 

Grooves Magazine 
Following up on the original vinyl released earlier in 2004, the CD version of Synchronaut adds five new tracks. With a distinctively deep, dark analog sound that harkens back to a mix of early acid, Detroit techno, and classic Elektroids, the record is packed with the classic 4/4, relentless 16ths of percussion , and robotic vocals of the 80's b-boy sound. Brisk and biting, tracks like "Close Encounters" and "Get Ghetto" establish an oppressive futurist vision early. But "Plt_lounge_eur" is a lovely, almost nostalgic electro piece that lubricates the ear canals, being plush and synthetic at the same time, and "Rhthmus Machine" slows down to an introspective crawl, its sensuous knob-twiddling making the piece grow and rise like a post-massive dawn. EMS has put together these extra pieces with as much care and attention as his homemade instruments. Highly recommended. 
Written by Alex Reynolds
credits

released 26 April 2004 
Stephen Machnowski, Frankford+Wayne Mastering, Gabe @ B'constructive design, Roland 909, 808, Juno 106, Satamile
tags



http://www.electromusic.com/studio/
Technical History
The electromusic specialist began designing and assembling his studio in New York in 1994. The initial purpose was to have a live setup that he could use to construct songs directly on the dance floor with few pre-written sequences.
Many of his synthesizers and drum machines were self-engineered from recycled, discarded electronics; converted into chaotic but solid techno music machines. From the transistor up they were engineered for raw bass power and allowed stray noises and malfunctions to become part of the recording or show.
The main foundation pieces of equipment at the time were his "CMS-01" modular synth, "Modularhythm System-3" drum machine, and "Sputnik Voice Processor SVP-02" vocoder. After his first couple records, EMS started to incorporate some commercial synthesizers into his studio to fill out tracks for the third record with plenty of live-performed layers without having to multitrack, but instead doing a 1 shot composite recording. Some of his most-used additional instruments were the Oberheim SEM, Sequential Circuits Pro-1 and Roland SH-101, which contained several modifications and enhancements.
CMS-01 Modular Synthesizer
The CMS-01 contains the following modules: VCO(2), VCF(2), VCA(3), AR Envelope, ADSR Envelope, Sample&Hold, Ring Modulator, Patch Bay, Trigger Extractor, AC/DC Mixer, LFO/HFO, VC Glide, Comparator, Envelope Follower, VC Slew Limiter
VCO 1
Based on an old design which is mostly discrete, this VCO is quite temperature sensitive. This one was fun trying to keep in tune every time someone opened the door or cranked up the fog machine. Cold makes the pitch go flat on this unit. Other than that, it has a very warm sound and has a massive frequency range.
Listen to: Rhythmus Machine
VCO 2
Standard 1970s "3340" oscillator design with sub bass.
Listen to: EMS acid/switch mix
VCF1
Diode ladder filter.
Sample & Hold
Labeled S&H, this little component helped a lot at shows. To fill the silence between live or DJ sets this one was patched in to VCO2 with a slow clock for sample rate and the voltage was output to a self-oscillating VCF1. Lots of blips and bleeps that could be tweaked to sound like computers from early scifi movies. Some notes could shake the floor with bass where the next could hang on almost inaudible high frequencies.
Listen to: Sample and hold example
LFO
Well, this might as well have been called HFO since it was mostly used as a high-frequency modulation source often applied to a VCF. The sound from that kind of patch is described as "talkie" because at certain settings you can almost hear vowel sounds. The component is on the bottom left, look for the small blue LED.
Listen to: Gemini

Bandcamp!! Buy It!

"Spyware" by EMS for Satamile Rec.

Threads favourites Strange Signals and Earful of Wax go b2b bringing you the finest in UK sounds.

Strange Signals w/ Earful of Wax - 06-Sep-20

Sello: @aajarecords
Productores: @eversonlondon

Música electrónica de tintes vanguardistas dub y techno profundo slow nos deparan con el estreno en exclusiva para DJ MAG ES del productor Everson. El inglés, co propietario de Aaja Records, ha estado haciendo un track por cada de día del confinamiento y ahora ha comenzado con este original titulado G - Riddi y que verá La Luz en Aaja Records.

Pre order: https://eversonuk.bandcamp.com/track/g-riddi

#getmoreplays #scfirst #SoundCloudRadio #house #mreux #bailar #newmusic #discover #acid #club #sports #workout #top50 #blumoog

Pre order:

PREMIERE:  Everson - G Riddi [Aaja Records]

Episode 8 of Mood Support on Orbital Radio featuring your host Alec Sander and special Guest; Oedura - Tracklist available via the Mood Support Facebook page: http://bit.ly/3c79UN3 
🧬🧠
11th of October 2020
🧠🧬
Sydney (AEST) - 3pm-5pm
London (GMT) - 6am-8am
New York (EDT) - 1am-3am
Tokyo (JST) - 2pm-4pm
Berlin (CEST) - 7am-9am
🧬🧠
Clinical studies show that this supplement is extremely effective*
🧠🧬
Broadcasted on www.orbital-radio.com
🧬🧠
Tracklist available via the Facebook page @ www.facebook.com/moodspprt

Oedura & Alec Sander

Next in our series is a festive special from @Programm_Ldn team @Budos and Poldance ✨ This mix is dedicated to our beautiful dog Finn who crossed the rainbow bridge this year. We’re serving up his favourites as an electric mix to dance around the kitchen to. On the menu, we have everything from Hip Pop to Soul to Cumbia to Dub. Some joyful music to throw some light on this year. With love from all of us at Programm ❤️

PROGRAMMIX005 - BUDOS & POLDANCE

Electro , what is it, and its  history with Satamile Records. Almost everyone in electronic music has heard of 
Kraftwerk, and it really was these Germans that set the DNA for which the genre of Electro would spawn in the years to follow. Electro during this time in the USA was more breakbeat oriented with a multitude of them coming out of NY, and later Hip Hop (much slower tempo) spawned partially from Electro. Much of the main inspiration came from Kraftwerk during its US tour at this time, early eighties. This DNA consisited of some certain defining charachteristics such as, Synthesizers, Sequencers, vocoders of which at this time were all analog. For gear, think Roland-909,808,606 (little electro firecracker), Oberheim, Doepfer, Juno-106 and Akai samplers. Another main characteristic to define Electro  was its heavy endeavor to Science Fiction or "into the future" characteristics.  Its important not to confuse Electro with Synth Pop, New Wave , Industrial or breaks, these are all seperate genres defined by their own unique DNA and fans  (Ecspecially Electro House, and ElectroClash, both of which are not Electro).  So in short, think pop-in and lock-in robots, on the Enterprise as they break it down for their head-spins into the future Galaxy. 

Satamile Records was born out of the Rave scene of the very early 90's, which in itself had qucikly adopted the Electro genre for the rave Events giving a boost and creation of countless Electro labels, that only released Electro. We are sort of a new Electro or hybrid electro is some case's taking the best from the past and creating a bigger and fuller sound for the times.  We also really owe alot to Ravers and Promoters during this time,  for their open minds ,DIY ethic and sharp foresight into "Whats Hot". It was these pioneers that supported so many new underground genres, such Breaks, Techno, Electro
Tekhouse, Dubtek (Minimal) and Ambient (IDM) and NOT the major label executives in their cushy offices so you  really have to give a bow to the first wave of ravers and the promoters,,,the best music entrepreneurs of their time. Many labels today simply would not exist today if these people did not support the music and the politics of Law did not stop these events from happening. 

In our early years Satamile was will on the way with its involvement in Electronic music production and live performance .  We were a consistent presence in the NY underground scene and alternative Club scene. Performing live with Modulars and drummachines, Dj'ing, throwing events, sponsoring Graphic artist for flyers, all of which re-presented in some way the new electronic culture.  Hosting nights at Filter 14 (Jacky 60), The Cooler, Baktun, The Kitchen, Gas Station, Robots, Open Air, and many more. We have produced over 400 Club events in NY city for artist such as Ellen Alien, ADULT, Monolake, Pole, 
Schematics, Tipper, Mixmaster Morris, Andrew Weatherall, Keith Tenniswood, Mark Broom, Orbital, Keith Tucker, and many more.

Staying true to its nature Satamile allways pressed Vinyl along with its CD release's. Vinyl is a superior medium, and the taste of DJ ' worldwide for its
superb qualities and usability.  We had CD's in the early 90's , but who wanted to play them, when you cold play vinyl instead, it was so much cooler than a 
CD, it spawned Train Spotting, and was far better for dj'ing. Toady most of our vinyl is pressed at Brooklyn Phono, 225,000 pounds per square inch. This is still true for today  so buy vinyl when you can it rules the night waves and you wont have to worry about your computer crashing on Final Scratch. 

Today satamile exist as one of the leading Electro labels in the world with over 25 artist from all around the world on the label it will be coming up on our 60th release shortly.  Along with the main label Satamile we also have sub-labels, Bot and SatRX  to serve different purposes, Bot for downtempo projects, and SatRX for remix's. 


Electro all night long.

Coming from the early Techno and Rave scene in the center of Germany is Jan a passionate but not a profesional Electro DJ and a music lover in general.

He builds robots for the German car industry to pay the bills. After his work day he likes to go down the rabbit hole to the universe of electronic music.

This Soundcloud account is for sharing his favourite Electro sounds.

"Spyware" by EMS for Satamile Rec.

satamile

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