Name: "Tin Can" By the Blotnik Brothers for Satamile Records by satamile
Duration: 6 min 45 s
Description: Update: Buy a Blot Tshirt for 8$ and get the LP Download for free, Wav.format or any flavor you want. Vinyl and CD's as well. Buy the vinyl for 8$ and get the Digital for free as well. Limited!! Support the underground and great Indy artist.

Out now on 12" vinyl + digitally: lnk.to/UPH102

An infrequent but invigorating contributor to Phantasy, U returns with a beguiling new single entitled ‘Ecstasy’. Initially available as a limited pressing with a sleeve designed and printed by U themselves, this haunting return promises to draw the curious into two divine rhythms, transferring unknowable forces and mysterious energies.

The first side of the artefact portrays ‘Ecstasy’, a wide-eyed and spectral incantation rich in intimacy, whispering voices and earthy psychedelia. Somewhere between machine funk and folk canticle, a sonic gift perhaps for a field in England bathed in moonlight, else a dire basement dripping in energy, ‘Ecstasy’ leaves the system almost spiritually.

On the contrary, ‘Morpheus’ presents a tougher meditation, a creeping jam with an analogue consciousness, ghostly rave echoes and a conundrum at its heart. The dream seems so real, but what if you can’t wake from it after all?

Ecstasy

Buy the 12" vinyl

U - Ecstasy

808 State - Flow Coma

One Demon Won

Animal Wrongs

15-Laurent Garnier-69 - Desire

In 1978 Bernard Fevre decided to pretty much invent cosmic disco. The former library music producer had turned his hand to deliciously dark disco a few years before, but it was underground smash 'H-Friend' that really made him a force to be reckoned with on dancefloors the globe round. Well, apart from the fact that that record was, at the time, incredibly obscure. He then went from relative obscurity to total disappearance. 

In 2004 Rephlex reissued the Disco Club EP and a star was reborn. This time around, Alter K have decided to get a tonne of great acts to give Fevre a going over for a series of EPs. 

Today we're bringing you an exclusive listen to the "dance" EP featuring remixes from Africaine 808, Turzi, DJ Tide, and the legendary Andrew Weatherall. 


Buy HERE

H FRIEND (Africaine 808 Remix)

GRD004 - Solitary Dancer

Out 30th September 2016 on Vinyl & Digital - https://tinyurl.com/GRD004

For its fourth release, Harry Agius aka Midland's Graded label has signed its first new act in the form of Montreal-based Solitary Dancer. With ‘Desire & Apathy’ being instantly familiar to anyone who heard Midland's Essential Mix earlier this year— in which it subsequently proved to be a much asked about inclusion— this eponymously titled release marks the debut of Solitary Dancer, as well as Agius' second time stepping into the role of label A&R following Hubie Davidson's appearance on Graded's ‘Regraded' sub-label last year.

From the opening moments of the EP's title track it is apparent why Aguis welcomed this release to the label, with 'Desire & Apathy' highlighting Solitary Dancer's similarly shared talent for elegant, richly-sculpted sound design and a knack for propulsive club rhythms that eschew rigid 4x4 drum patterns. 'Desire & Apathy' takes a classic electro beat and through the use of elegaic pad washes and swells of sinister bass notes morphs it into persistently engaging shapes. 

The B-side's 'Paradise Found' is a suspenseful coralling of intriguing sonic elements, with its fractured beats combined with a cinematic sense of drama and melancholy that's brought to the fore on the beatless 'Rapture Version' which brings Solitary Dancer's first release to an impressive close.

Solitary Dancer - Paradise Found [GRD004]

Buy: http://bit.ly/2lA6M3m

Starting a club night dedicated to the enduring sounds of acid was a great move by @posthuman back in 2007, and smarter still was starting the label of the same name in 2014. Now @iloveacid celebrates 10 years of gurgling 303s with 'Ten Years Of I Love Acid', a stonking compilation of exclusive new tracks released on a highly desirable 303-style USB stick stuffed featuring acid greats like Hardfloor, TB Arthur and Cornish legend @Luke-Vibert, who provides this undulating breaksy beast.

https://www.gourangamusic.com
https://www.facebook.com/ilovegouranga
https://www.instagram.com/gouranga_music

10 Years of I Love Acid

PREMIERE: Luke Vibert - Jeepers H Christ [I Love Acid]

Steffi's fabric 94 mix is the first in the series that is made entirely of newly-commissioned tracks. This one sees Steffi teaming up with Martyn, with off-kilter hi-hats, a rising melody and a syncopated bassline at the heart.

Read more & buy: http://www.stampthewax.com/2017/06/01/premiere-doms-deykers-no-life-on-the-surface/
Listen on Youtube: bit.ly/no-life-on-the-surface

fabric 94: Steffi

Listen on Youtube

Doms & Deykers - No Life On The Surface (STW Premiere)

Update: Buy a Blot Tshirt for 8$ and get the LP Download for free, Wav.format or any flavor you want. Vinyl and CD's as well. Buy the vinyl for 8$ and get the Digital for free as well. Limited!! Support the underground and great Indy artist. 


bandcamp! T'sz+Vinyl

"Tin Can" By the Blotnik Brothers for Satamile Records

Producer Plastico has been experimenting and playing for a long time, with his unique sound. Now he lands on Melómana Records with Ghetto House, an album consists of four original tracks and a remix of the great Alejandro Paz. The album, oriented to the dance floor, is presented with the firm intention of giving a necessary and demanding twist to the dancefloor.
The whole of this album is the summary of many days fiddling with exceptional analog synthesizers, until finding a sound full of color, organic and meandering, which manages to filter through each pore of the skin until we are completely electrified. Each track gets the listener out of himself, open his mind and light the flame of hope, in a world where it seems that he has lost all idea of the future. And more, in a situation like the one we are experiencing, such an album is a breath of fresh air.
Plastico tries to transmit his particular personality and vital project in this deep and personal Guetto House, timeless and full of strength, to which we will go over time trying to decipher that magical and complex mechanism that manages to transcend all the expectations of dance music.

Artist: Plastico
Title: Ghetto House
Label: Melómana Records
Format: 12" Vinyl
Release date: 30/07/20
Purchase: https://melomanarecords.bandcamp.com/

https://soundcloud.com/user-312638042
https://soundcloud.com/melomana-records

Listen On YouTube

PREMIERE #1083 | Plastico - Ghetto House [Melómana] 2020

Artist: Japanese Telecom
Title: Japanese Telecom
Label: Intuit-Solar
Format: CD
Cat-No: ITU 1005
Release Date: 2000

Japanese Telecom

Japanese Telecom - Japanese Animation

Electro , what is it, and its  history with Satamile Records. Almost everyone in electronic music has heard of 
Kraftwerk, and it really was these Germans that set the DNA for which the genre of Electro would spawn in the years to follow. Electro during this time in the USA was more breakbeat oriented with a multitude of them coming out of NY, and later Hip Hop (much slower tempo) spawned partially from Electro. Much of the main inspiration came from Kraftwerk during its US tour at this time, early eighties. This DNA consisited of some certain defining charachteristics such as, Synthesizers, Sequencers, vocoders of which at this time were all analog. For gear, think Roland-909,808,606 (little electro firecracker), Oberheim, Doepfer, Juno-106 and Akai samplers. Another main characteristic to define Electro  was its heavy endeavor to Science Fiction or "into the future" characteristics.  Its important not to confuse Electro with Synth Pop, New Wave , Industrial or breaks, these are all seperate genres defined by their own unique DNA and fans  (Ecspecially Electro House, and ElectroClash, both of which are not Electro).  So in short, think pop-in and lock-in robots, on the Enterprise as they break it down for their head-spins into the future Galaxy. 

Satamile Records was born out of the Rave scene of the very early 90's, which in itself had qucikly adopted the Electro genre for the rave Events giving a boost and creation of countless Electro labels, that only released Electro. We are sort of a new Electro or hybrid electro is some case's taking the best from the past and creating a bigger and fuller sound for the times.  We also really owe alot to Ravers and Promoters during this time,  for their open minds ,DIY ethic and sharp foresight into "Whats Hot". It was these pioneers that supported so many new underground genres, such Breaks, Techno, Electro
Tekhouse, Dubtek (Minimal) and Ambient (IDM) and NOT the major label executives in their cushy offices so you  really have to give a bow to the first wave of ravers and the promoters,,,the best music entrepreneurs of their time. Many labels today simply would not exist today if these people did not support the music and the politics of Law did not stop these events from happening. 

In our early years Satamile was will on the way with its involvement in Electronic music production and live performance .  We were a consistent presence in the NY underground scene and alternative Club scene. Performing live with Modulars and drummachines, Dj'ing, throwing events, sponsoring Graphic artist for flyers, all of which re-presented in some way the new electronic culture.  Hosting nights at Filter 14 (Jacky 60), The Cooler, Baktun, The Kitchen, Gas Station, Robots, Open Air, and many more. We have produced over 400 Club events in NY city for artist such as Ellen Alien, ADULT, Monolake, Pole, 
Schematics, Tipper, Mixmaster Morris, Andrew Weatherall, Keith Tenniswood, Mark Broom, Orbital, Keith Tucker, and many more.

Staying true to its nature Satamile allways pressed Vinyl along with its CD release's. Vinyl is a superior medium, and the taste of DJ ' worldwide for its
superb qualities and usability.  We had CD's in the early 90's , but who wanted to play them, when you cold play vinyl instead, it was so much cooler than a 
CD, it spawned Train Spotting, and was far better for dj'ing. Toady most of our vinyl is pressed at Brooklyn Phono, 225,000 pounds per square inch. This is still true for today  so buy vinyl when you can it rules the night waves and you wont have to worry about your computer crashing on Final Scratch. 

Today satamile exist as one of the leading Electro labels in the world with over 25 artist from all around the world on the label it will be coming up on our 60th release shortly.  Along with the main label Satamile we also have sub-labels, Bot and SatRX  to serve different purposes, Bot for downtempo projects, and SatRX for remix's. 


"Tin Can" By the Blotnik Brothers for Satamile Records

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