Copy of Daily Drops

Usually Quiet: "'Voyage En Rouge' marks the debut single of a collaborative side project initiated by myself and Satin Jackets towards the end of last year, when we first met in my Berlin studio. The vision evolved over countless hours of dialogue and listening to our favourite classic house music, a genre deeply ingrained in our musical background. Reflecting on our formative years during the rise of deep house in the 90s, we traced back to our humble beginnings in the music industry. Despite embarking on diverse paths, including collaborations with other artists from different genres, we felt it's time to reconnect with our roots.

'Voyage En Rouge' serves as the first release in a series where we focus on the intial jam and spontaneous energy cultivated during our studio sessions. Embracing analog gear and capturing samples directly into the DAW, we consciously stepped away from overthinking, overproducing and overprocessing. Our ethos revolves around simplicity: raw, pure, loop-centered, groovy compositions without excessive transitions or effects. We consciously ignore social media and spotify trends, instead offering a contemporary take on traditional jam sessions and mixtape arrangements."

Voyage en rouge

Bleed For You

We Always Had Tomorrow

ANOTHER TIME

Stream 'The Green' now : https://idol-io.ffm.to/thegreen-siennaclub

Un éclat de néon, une mélodie suspendue dans l’air, une atmosphère brumeuse où passé et présent se frôlent. Sienna Club, c’est ce lieu imaginaire où les guitares scintillent et les synthés flottent comme des souvenirs. Entre éclats de lumière et ombres fugaces, la musique capture cette douce nostalgie, celle des étés analogiques et des nuits qui s’effacent trop vite. 

Premier single du groupe, « The Green » évoque ces pensées qui surgissent sur le chemin du retour, quand la pluie brouille les lumières et que la nuit s’étire encore un peu. Porté par des nappes envoûtantes, une basse vibrante et des percussions groovy, le morceau oscille entrevibrations nocturnes et envie d’évasion.

The Green

Sienna Club - The Green

Closer To Me

Control

Control (feat. Seint Monet)

Round & Round / At Eighty-First

At Eighty-First (Original Mix)

'Automatic (Midnight Version)', out now on Counter Records: https://roosevelt.lnk.to/aut-midnightSo

Follow Roosevelt -
Spotify: https://found.ee/rv-sp
Apple Music: https://found.ee/rv-am
Amazon Music: https://found.ee/rv-aa
YouTube: https://found.ee/rv-yt
Bandcamp: https://found.ee/rv-bc
Soundcloud: https://found.ee/rv-sc
Instagram: https://found.ee/rv-ig
TikTok: https://found.ee/rv-tt
Facebook: https://found.ee/rv-fb
X (Twitter): https://found.ee/rv-tw

#Roosevelt #CounterRecords

Automatic (Midnight Version)

All Night

SAINT LAURENT WOMEN'S WINTER 25

Drone:Nodrone

Drone:Nodrone (Daniel Avery Remix)

Freiheit in Klang / Freedom in Sound (German & English)

Youtube Music Visualiser

https://www.youtube.com/watch?v=y-hYbW4s-aY

Deep Bass House with groovy kicks, deep basslines, lush chords, and soulful vocals.

Emphasizes the liberating power of music, embodies the progressive and inclusive spirit of Berghain, Berlin, where the rhythm becomes a conduit for personal freedom and self-expression.

[Verse 1 (English)]
Neon flickers on concrete walls, 
Boots shuffle in the midnight crawl.
Eyes meet under the city's gaze, 
Hearts pounding in rhythmic phase.

[Pre-Chorus (German)] Ein Blick, ein Nicken,
die Tür öffnet sich,
Die Nacht beginnt, wir verlieren uns im Licht.
(A glance, a nod, the door opens, 
The night begins, 
we lose ourselves in the light.)

[Chorus (English & German)]
In Berghain's embrace, we find our truth,
Dancing shadows, shedding youth.
Freiheit lebt in jedem Klang,
In this rhythm, we belong.

Lexicon of Lexeme

Freiheit in Klang Freedom in Sound

Freiheit in Klang  Freedom in Sound

"A Farewell" is the first single from Freedom Fry's upcoming album, "Best Friend." Single out May 28, 2025. Album coming June 25.

Freedom Fry - A Farewell

Spotify https://open.spotify.com/intl-pt/artist/3k44nm7bhMXXH6hTpGFWFn

Lyrics: 
Packed my bags with fading light,
No GPS, just half a mind.
Streetlights glow in late July,
Guiding hearts like yours and mine.

We’re nowhere bound, just driving slow,
Windows down, the radio’s low.
The map’s a joke we both outgrew
Nowhere’s perfect when it’s with you.

Gas station coffee, burnt but sweet,
Miles blur under tired feet.
The horizon’s just a dotted line,
A promise we don’t need to find.

We’re nowhere bound, just driving slow,
Windows down, the radio’s low.
The map’s a joke we both outgrew
Nowhere’s perfect when it’s with you.

© all rights reserved

Nowhere Bound

Midnights End is thirteen songs about fragility, masks, and the quiet violence of keeping yourself together. Dark, melodic, and heavy in different ways—each track feels like walking through broken glass at night. It’s not polished hope, just the sound of collapse turned into music.

Fading

KMT KI Media 2025 (19.08.2025)
Album Nr. 138 "Goðsagnir í Gögn by KMT" - Style: Electro, Industrial, Techno, Pop, Metal, Viking | Tracks: 32 (ai generated)
Lyric: Icelandic

Theme: "Goðsagnir í Gögn" varðveitir fornar norrænar goðsagnir í stafrænu formi. Í gegnum kóða og pixla lifna guðirnir og hetjurnar á ný. Hlustið á sögu um endurfæðingu goðsagna í tölvuheiminum.

Translation: "Goðsagnir í Gögn" preserves ancient Nordic myths in digital form. Through code and pixels, the gods and heroes come to life again. Hear a story about the rebirth of myths in the computer world.

Note: Unfortunately, I couldn't create Old Norse, but I could create Icelandic. According to the AI, this language is most similar to Old Norse.

Track 01: Valhallar Rök (Valhalla's Doom)
dark ambient, viking, ritual music

Track 03: Yggdrasils Net (Yggdrasil's Net)
glitch hop, shamanic, electronic

Track 05: Hamars Kraftur (The Hammer's Power)
industrial techno, hard techno, viking war music

Track 07: Valkyrjunnar Vængir (The Valkyrie's Wings)
synthwave, dream pop, retro electronic

Track 09: Úlfsins Bit (The Wolf's Bite)
drum and bass, industrial, dark electronic

Track 11: Rúnatöfra (Rune Magic)
ambient, electronic, darkwave

Track 13: Miðgarðs Myrkur (Midgard's Darkness)
industrial metal, viking metal, doom metal

Track 15: Svarts Söngur (Black Song)
darkwave, viking, atmospheric

Track 17: Æsir Cybernetics
cyberpunk, industrial, rap

Track 19: Víkinga Veldi (Viking Power)
futurepop, synthpop, electronic

Track 21: Norræn Draumur (Norse Dream)
ambient, dubstep, electronic

Track 23: Cybernetic Seiðr (Norse Dream)
EBM, industrial, darkwave

Track 25: Tölvu Ragnarök (Computer Ragnarok)
cyber metal, industrial metal, viking metal

Track 27: Goðsögur í Gögn (Myths in Data)
progressive house, epic, electronic

Track 29: Heimsins Endir í Pixlum (The World's End in Pixels)
trance, electronic, atmospheric

Track 31: Valhallar Rök (Valhalla's Doom) | Bonus
dark ambient, ritual, industrial

If you would like to use my music commercially, please contact me. No financial income may be generated from my music without my permission. My music is free for private and commercial use. However, I would appreciate it if you would credit me (Kurt Michael Treichl) as the author. Please also mention that this is AI music.

Thank you for your time. Enjoy your journey through my artificially created musical paradise.

© Album cover and music were created by Kurt Michael Treichl using AI support.

Best regards,
Kurt Michael Treichl (KMT KI Media | AI Music Austria) - Austria / Salzburg

Visit me for more on
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

07 Valkyrjunnar Vængir (The Valkyrie's Wings) v1

Mgmt: andres@paperclip.no
Booking: thomas.reade@allofloride.eu (World except), brent@good-direction.agency (US+CAN), watty@movidamusica.com (MX)

For over a decade now the name Satin Jackets has been synonymous with sublimely laidback Balearic house and sun kissed disco. The brainchild of German producer Tim Bernhardt who, following a successful career producing house music under a variety of different aliases, launched Satin Jackets as a vehicle to explore his lifelong love of disco and the clean, polished productions of artists like Chic and Trevor Horn.

“I had always been fascinated by just how glossy people like Nile Rodgers made their music,” Bernhardt explains. “It always sounded like the musical equivalent of a fashion magazine’s cover. I’d been making somewhat more underground music for a while but really wanted to go in totally the other direction and create this really smooth, polished sound.”

That first Satin Jackets release, the dreamlike You Make Me Feel Good, would set the tone for what was to come. Released on the iconic Belgian label Eskimo Recordings, which had previously helped launch the careers of artists like Aeroplane and Lindstrøm & Prins Thomas, it was an instant hit. Its graceful melodies, airy textures and yearning chorus became the soundtrack to the setting sun at parties worldwide.

With almost metronomic precision You Make Me Feel Good was followed by a string of acclaimed singles and remixes for some of the genre’s biggest names, including Goldroom and Blank & Jones, establishing Bernhardt as one of the most exciting new names in the nu-disco scene. While the face behind the mask may have remained a mystery, Satin Jackets’ warm, polished take on disco soon made the name familiar to music lovers around the world.

Taking things to the next level, 2016’s debut Satin Jackets album, Panorama Pacifico, firmly cemented Bernhardt’s position as both Eskimo’s flagship artist and as one of the biggest nu-disco producers around. Winning praise from the likes of Mixmag, DJ Mag and Groove, the album has gone on to click up over 75 million streams on Spotify alone, and Satin Jackets’ golden mask has become a regular fixture behind the decks at clubs and festivals from Mexico City to Seoul.

2019’s follow up, Solar Nights, would see Bernhardt further develop and refine the Satin Jackets sound. Rapturously received by fans, DJs and press alike, the album, propelled by singles like the global hit ‘Northern Lights’, proved that, much like the original disco artists that first inspired the project, Bernhardt was just as capable of crafting radio friendly pop hits as tracks for the dance floor.

While the pandemic may have put plans for global tours and festival appearances on hold, Bernhardt kept himself busy as clubland went into hibernation. Having relocated to Munich just before lockdown, a succession of singles that ranged from out-and-out pop collaborations to instrumental, chilled-out tracks as well as a series of live Lockdown Streams kept Bernhardt in touch with his ever growing legion of fans. Indeed, it was those Lockdown Streams and the response from his fans that allowed Bernhardt to rediscover, in his own words, “the connection between what I do and what people feel” and sow the seeds for what was to come.

Now as we emerge blinking into the new world, Bernhardt returns with Satin Jackets’ third album, the aptly titled Reunion. Where the first two Satin Jackets albums saw Bernhardt work to first develop his own sound and then elevate his productions to another level, Reunion reveals a musician and producer wholly at ease with both his abilities in the studio and artistic vision. 

From blissful instrumental tracks that seem to effortlessly float above the clouds, through to bittersweet wistful pop songs featuring the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up-and-coming British singer Tailor, Reunion is a strikingly confident album that layers new depths and dimensions to the Satin Jackets sound and sets the stage for the next exciting chapter of the Satin Jackets story.

Control (feat. Seint Monet)

Satin Jackets

Recent comments

Led Boson

Montse

00AA

MaseMatti

Related tracks