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Heart Won't Move

Heart Won't Move (Noyark Avantgarde Mix)

Beautiful Life

Beautiful Life (Madism Remix)

Trouble, in many ways, is a return to our origins in taste, influence and collaboration. Working with Owl Eyes and Bag Raiders’ Jack Glass, to reference some turn-of-the century dance-pop was such a natural fit. We’ve always had a spatial nostalgia for the 2000’s, so any excuse to inject its sound into today is one we’ll take.

Trouble

Trouble (feat. Owl Eyes)

‘This album is all about ebbs and flows. It’s been a very interesting few years to say the least, both personally and in terms of the world. I always kept coming back to the concept of Tides, the cyclical nature of everything and the way sadness gives way to happiness… and vice versa. It all works out in the end though… and regardless of what’s happening, the sea is still there, a constant in the madness.’

Working closely with string arranger Thomas Lea (Adele/Bonobo/Rhye), Catching Flies, real name George King, has created his most emotional and cohesive project yet. A beautiful, moving record, with sounds that unmistakably come straight from the heart, it’s all held together by a singular sense of purpose and that trademark intricacy. ‘I wanted it to feel as intricate and as layered as possible. I tried to really push myself musically. The challenge was – how do I make this sound much bigger than a guy sitting in a room with a laptop and a MIDI keyboard?’

Typically wide-ranging in genre, the album highlights his ability to effortlessly manoeuvre and experiment across the spectrum of electronic music, from hip-hop to house, from soul to neo-classical. The album is led by new single ‘Halo,’ which sees him at his best - a melodic mesh of harp samples, vocal chops and a soaring string quartet finale. It’s highly textured, deeply melodic and effortlessly marries live instrumentation with warm electronic beats. ‘Spring’ utilises a vocal sample he found whilst touring China, and ‘The Last Phone Call’ merges a spoken word voice-note from a friend with a vocal recorded on his iPhone on Hampstead Heath - ‘I was pushing my bike and heard this guy singing in the distance, hidden in the trees… I had to EQ out the sound of my bike wheels turning to make it work.’ ‘Macerato’ was made in lockdown with a couple of friends, whilst the album track ‘Tides’ caused the most headache - ‘it went through about 20 different versions and ended up having 270 tracks of audio - there’s so much in there that you don’t necessarily hear on first listen.’ The album also includes the ‘absolutely brilliant’ (Lauren Laverne, BBC6 Music) hit single ‘GLY’ which has received over 20 million streams to date and came with remixes by revered British dance/pop band Hot Chip, and Ninja Tune’s DJ Boring. Also featured is piano piece ‘Diamonds,’ which has gathered artist support from the likes of Nils Frahm and Jungle. The album will be released in combination with a live video performance featuring a string quartet and a harpist.

Tides

Friday Lake

n a nostalgic nod to the golden era of club music, the collaborative effort between Satin Jackets and Usually Quiet has emerged as a testament to the enduring charm of deep house. The magic unfolded at Riverside Studios in Berlin, the creative haven where Usually Quiet, also known as RobRox, holds court as a music producer and mixing engineer. The studio's magnetic atmosphere seems to have seeped into every beat of the singles, infusing them with an authenticity that is palpable. 

Satin Jackets, no stranger to the realms of deep house and club music, has seamlessly traced back his roots to deliver a sound that is both timeless and contemporary. His musical evolution mirrors the trajectory of the genre itself, and in this collaboration, he finds a kindred spirit in Usually Quiet. The result is a harmonious blend of classic beats and modern sensibilities, a testament to the enduring allure of deep house.

RobRox, having grown up amidst Munich's vibrant club scene in the 90s, brings a wealth of experience and a keen understanding of the genre's evolution. His work and experience at Riverside Studios adds an extra layer of depth to the singles, creating an immersive experience for the listener. The tracks serve as a bridge between the past and the present, a musical journey that transcends time and space.

In the collaborative synergy between Satin Jackets and Usually Quiet, two shimmering instrumental deep house tracks were born. Crafted at Riverside Studios in Berlin, these compositions blend house roots with precise production finesse.

Not Your House

Interstate

Dive into the sonic waves of Satin Jackets and Tailor's second single on Satin Jackets’ own imprint,  as they once again prove their musical alchemy. The dynamic collaboration between German producer Tim Bernhardt, the creative force behind Satin Jackets, and soulful UK-based Singer/Songwriter Tailor continues to redefine the boundaries of Nu Disco, resulting in this new title called “Oceanside”.

With previous hits like “Somewhere In Paradise,” “Relapse,” and "Spell," Satin Jackets and Tailor have established themselves as a formidable pair. "Oceanside" is a captivating journey through shimmering synths, sultry vocals, and infectious beats that effortlessly transport listeners to a coastal dreamscape. Tailor's evocative lyrics, combined with Tim's masterful production, create an enchanting atmosphere that captures the essence of a sun-soaked beach party.

As Tailor sings, "But that sunlight got me open wider then," the song invites you to lose yourself in the rhythm and let the music carry you away. The track is a perfect blend of sophistication and dance-floor appeal, showcasing the duo's ability to craft not just tunes, but timeless hymns. With "Oceanside," Satin Jackets and Tailor prove once again that they are at the forefront of the Nu Disco movement, ready to keep audiences’ attention long term. Buckle up and let the waves of "Oceanside" wash over you, leaving you in a state of blissful musical euphoria.

Oceanside

All remixes available for download on my Bandcamp: https://caiusmusic.bandcamp.com/album/strange-motions-remixes

Have U (Poolside Edit) (Feat. Jesse Ayo)

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LYRICS::
Driving in Cars, beat of my heart
You taking me far away
Out after dark, stare at the stars
There’s something in the way

That you hold me
Like I’ll never be lonely again

Gin Fizz
You can drop your baggage
Let me be your peach pit
Tell me I’m the sweetest, sweetest
New Kicks
Melting on the pavement
Let me be your peach pit
Tell me I’m the sweetest, sweetest

Oooh
Oooh

Sun on your skin, summer begins
Don’t know where we will land
But you’re like a wave, washing mistakes
Out with the sand

And you hold me
Like tomorrow ain’t guaranteed

Gin Fizz
You can drop your baggage
Let me be your peach pit
Tell me I’m the sweetest, sweetest
New Kicks
Melting on the pavement
Let me be your peach pit
Tell me I’m the sweetest, sweetest

Warm nights
We’re sun-ripe
It’s only you that’s
On my mind
Warm nights
We’re sun-ripe
It’s only you that’s
On my mind

Everything will be alright
Lets dive into the morning light
You may not always be mine
So I’m just living for tonight
Fall may come and make you cold
You’ll want another hand to hold
You may not always be mine
So I’m just living for tonight

Gin Fizz
Give me all your secrets
You love me the deepest
Tell me I’m the sweetest, sweetest
New Kicks
Melting on the pavement
Let me be your peach pit
Tell me I’m the sweetest, sweetest

Warm nights
We’re sun-ripe
It’s only you that’s
On my mind
Warm nights
We’re sun-ripe
It’s only you that’s
On my mind

Peach Pit (Louis La Roche Remix)

I know it's been a little while, but I finally have some new music! This is the first of a few songs I'll be rolling out over the next few months. Really hope you enjoy this one! 

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Skylight

Wild Ones

Listen Now

Wild Ones (Extended Mix)

For a decade now the name Satin Jackets has been synonymous with sublimely laidback Balearic house and sun kissed disco. The brainchild of German producer Tim Bernhardt who, following a successful career producing house music under a variety of different aliases, launched Satin Jackets as a vehicle to explore his lifelong love of disco and the clean, polished productions of artists like CHIC and Trevor Horn.

“I had always been fascinated by just how glossy people like Nile Rogers made their music,” Bernhardt explains. “It always sounded like the musical equivalent of a fashion magazine’s cover. I’d been making somewhat more underground music for a while but really wanted to go in totally the other direction and create this really smooth, polished sound.”

That first Satin Jackets release, the dreamlike You Make Me Feel Good, would set the tone for what was to come. Released on the iconic Belgian label Eskimo Recordings, which had previously helped launch the careers of artists like Aeroplane and Lindstrøm & Prins Thomas, it was an instant hit. Its graceful melodies, airy textures and yearning chorus became the soundtrack to the setting sun at parties worldwide.

With almost metronomic precision You Make Me Feel Good was followed by a string of acclaimed singles and remixes for some of the genre’s biggest names, including Goldroom and Blank & Jones, establishing Bernhardt as one of the most exciting new names in the nu-disco scene. While the face behind the mask may have remained a mystery, Satin Jackets’ warm, polished take on disco soon made the name familiar to music lovers around the world.

Taking things to the next level, 2016’s debut Satin Jackets album, Panorama Pacifico, firmly cemented Bernhardt’s position as both Eskimo’s flagship artist and as one of the biggest nu-disco producers around. Winning praise from the likes of Mixmag, DJ Mag and Groove, the album has gone on to click up over 75 million streams on Spotify alone, and Satin Jackets’ golden mask has become a regular fixture behind the decks at clubs and festivals from Mexico City to Seoul.

2019’s follow up, Solar Nights, would see Bernhardt further develop and refine the Satin Jackets sound. Rapturously received by fans, DJs and press alike, the album, propelled by singles like the global hit ‘Northern Lights’, proved that, much like the original disco artists that first inspired the project, Bernhardt was just as capable of crafting radio friendly pop hits as tracks for the dance floor.

While the pandemic may have put plans for global tours and festival appearances on hold, Bernhardt kept himself busy as clubland went into hibernation. Having relocated to Munich just before lockdown, a succession of singles that ranged from out-and-out pop collaborations to instrumental, chilled-out tracks as well as a series of live Lockdown Streams kept Bernhardt in touch with his ever growing legion of fans. Indeed, it was those Lockdown Streams and the response from his fans that allowed Bernhardt to rediscover, in his own words, “the connection between what I do and what people feel” and sow the seeds for what was to come.

Now as we emerge blinking into the new world, Bernhardt returns with Satin Jackets’ third album, the aptly titled Reunion. Where the first two Satin Jackets albums saw Bernhardt work to first develop his own sound and then elevate his productions to another level, Reunion reveals a musician and producer wholly at ease with both his abilities in the studio and artistic vision. 

From blissful instrumental tracks that seem to effortlessly float above the clouds, through to bittersweet wistful pop songs featuring the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up-and-coming British singer Tailor, Reunion is a strikingly confident album that layers new depths and dimensions to the Satin Jackets sound and sets the stage for the next exciting chapter of the Satin Jackets story.

Oceanside

Satin Jackets

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