Sampling: Huajra- Inti illimani
Composicion letra- Atahualpa Yupanqui 
Producción: Daniel Klauser (1991)----Arun Ruz ( y la Cumbia)
Voz- Arun Ruz


1991 feat Arun y la Cumbia - Mis Antepasados

PRODUÇAO ORIGINAL SAVANNAH SOUNDS EM COMBINAÇÃO COM A MELODICA PODEROSA DE VICENTE OLIOSI AKA VIN SAVANNAH

2015

SAHARA 50 GRAUS

En colaboración México/Colombia nace este track publicado en el disco independiente #NuestraCultura de Santo Color.
Aquí les presentamos su remix oficial por el Dj y productor mexicano Uli Erre aka #SonidoErre.
A gozar!

CUMBIA MILAGROSA FT. LA ORROROSA (Sonido Erre RMX)

Compré mi track aquí --->   https://murua.bandcamp.com/releases
Buy my track here --->   https://murua.bandcamp.com/releases

Murúa - Revolución Cumbiera

Over the past ten years, Terrakota has forged its own pan-African and trans-Atlantic rootsworldkota sound. On its sixth studio album “Oxalá”, the band embraces its Portuguese roots while diving more deeply into their rock influences. A message of hope for humanity.

“Oxalá” is a Portuguese word, of Arabic origin, venerated in Brazil. It comes from the Arabic expression “inch'allah”, an expression often used in Portuguese (“se Deus quiser”). In Portugal, Oxalá stands for the desire for something to happen. Followers of the Afro-Brazilian religion candomblé know Oxalá or Obatalá as the first orixá (Nigerian yoruba god), creator of the world, men, animals and plants.

“Oxalá”, one word, one expression but a lot of meaning, a place where many cultures collide and intermingle. A word that comes from the Arabs, who were based in Portugal for centuries and left their marks, before it was introduced in Lusophone countries via the trans-atlantic slave trade. These darkest pages of human history somehow intrigue Terrakota, following the ancient trade routes, but turned upside-down, from the New World back to Africa, drinking from the fantastic musical diversity that has been spread around the world through slavery.

For Terrakota, Oxalá, that desire for something to happen, can be understood as a political statement, a desire for humans to go back to a lifestyle in harmony with the nature that surrounds us, for a world without borders where cultural encounters are the norm, a No Man's Land where no man can claim the land is theirs. The critical status of the human societies and the planet serve as a base for a conscious message to which the band will not renounce.

Portuguese roots
Terrakota's first albums were inspired by travels to Burkina Faso, Senegal, Mali, Guinea, while also incorporating influences from Latin America. The fourth album is clearly marked by their trip to India. This one is inspired by an internal travel, giving light to Portuguese songs built on top of their Afro-explosive melting pot: Afro-Brazilian rhythms, soukouss, reggae, afrobeat, gnawa, influences from India & beyond.
Africa remains the main source, the starting point from where the band looks for the perfect alchemy to get to their trademark modern roots sound, where all borders, distances and barriers are wiped out.

The band has again invited guests to make the music even richer, special people with whom the band has a privileged relationship: traditional Alentejo singer Vitorino, Indian singer Mahesh Vinayakram, French rapper Florian Doucet, beatmaker & producer Beat Laden, Kumpania Algazarra's horn section, and backing vocals by the Lisbon-based Selma Uamusse (Mozambique) & Anastácia Carvalho (Angola), without forgetting a brilliant text by the Angolan rapper Luaty Ikonoklasta.

After parting ways with vocalist Romi and two sabbaticals, Terrakota has added fresh blood with the young and talented singer/multi-instrumentalist Gonçalo Sarmento, the gracious performer/dancer Diana Rego, as well as new drummer Márcio Pinto and percussionist Paulo das Cavernas. These new elements and the extra years of travelling for the veterans have brought Terrakota to an even more mature sound, concising lyrics and the guts to do some songwriting in addition to their explosive Afro-world sound.
The Portuguese globetrotters have reached new highs and are ready to take Europe by storm and get back to the international festivals to make the audience dance to their positive vibes and energizing live performance!

www.terrakota.org

Oxalá

Gira Giro

https://folcore-records.bandcamp.com/album/leda-edits-vol-iv

Here is a sample of what we can make. Help us make history by reversioning the work of the Argentine musicologist, Leda Valladares, in a double-vinyl phonographic edition that will take you across the sound universe of ‘canto con caja’ from the Andean highlands to the electronic music perspective, through covers and remixes by featured producers and singers of the Iberoamerican scene such as Chancha Via Circuito, El Remolon, Tremor, Tonolec, Intiche, King Coya, Soema Montenegro, Miriam Garcia, Qechuaboi, Cherman, Nixtamal, Doma Tornados, among others. 

Please support this project here: 
www.indiegogo.com/projects/el-camino-de-leda-compiling-leda-valladares-music#/
credits

Leda Edits

Huayño de Velorio - Silly Tang Dub

GGLP-011 | ONÇA COMBO "Onça Combo"

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01 • DIRIJO (Thiago Leiros Costa) 0:00
02 • EM DIÁSPORA (Thiago Leiros Costa / Stephan Thomas) 2:10
03 • UM DOCE BOLÍVAR (Thiago Leiros Costa / Stephan Thomas) 5:07
04 • MEMENTO MORI (Thiago Leiros Costa / João Cassiano da Silva / Stephan Thomas) 8:43
05 • A CORUJA BRANCA (Thiago Leiros Costa / João Cassiano da Silva / Stephan Thomas) 10:30
06 • VOCAÇÃO PAGÃ (Thiago Leiros Costa) 13:28
07 • CABOCLO ANDALUZ (Thiago Leiros Costa / Stephan Thomas) 15:28
08 • ADEUS SAMICO (Thiago Leiros Costa / Stephan Thomas) 18:23
09 • ADORÁVEL E CONFUSA (Thiago Leiros Costa) 25:22
10 • REPÚDIO À CENSURA EM TIMBUKTU (Thiago Leiros Costa) 29:06

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Thiago Leiros-Costa - Viola De 10 Cordas, Guitarra e Outras Cordas
Stephan Thomas - Sax Barítono e Tenor
João "Cassicobra" Cassiano - Zabumba, Derbak, Djembe, Pandeiro e Efeitos

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Gravação // Marcelinho Macedo e Paulo Tavares – Peixe Boi Estúdio (João Pessoa – PB) - Janeiro e Julho de 2015

Mixagem // Gustavo Mendes no Movido Estúdio (São Paulo – SP) - Novembro 2015

Masterização // Leonardo Nakabayashi no Estúdio Banzai (São Paulo – SP)- Dezembro de 2015

Arte da Capa e Tipografia // Verdeee

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more infos and free download at: onca-combo.gomagringa.com/

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ONÇA COMBO é um projeto musical de investigação da confluência de tradições estéticas e místicas indígenas, ibéricas e latinas encontradas no Brasil, particularmente no Nordeste. A Onça, um animal de grande protagonismo simbólico em toda a América - e em notável risco de extinção - é invocada aqui para honrar uma tradição estética livre e visceral, latina, brasileira. Buscamos explorar algumas misturas ainda pouco populares entre estas tradições, concentrados na vocação para uma música espiritual, livre e dramática que há na américa do sul. A rusticidade e a liberdade harmônica de parte da música folk (por vezes naïff) sul-americana é também uma influência central. Outro forte norteador é o Jazz, em sua definição mais ampla, mas com ênfase naqueles que buscam uma estética de espiritualidade e transcendência. 

Formado em janeiro de 2015 por Thiago Leiros-Costa (Violas e outras cordas), o projeto conta dois nomes notáveis da música paraibana recente: João Cassiano “Cassicobra” (Percussões) e Stephan Thomas (Saxofones). 


Seu primeiro disco homônimo foi gravado ao vivo em sua maioria (em duas sessões em janeiro e julho de 2015). Sem ensaios ou arranjos pré-definidos, recorrendo a um método de composição e performance do universo do Jazz e da improvisação livre. Mixado direto na mesa analógica buscando um método que minimize lapidações e edições, o disco está sendo lançado pelo selo Franco-Paulistano Goma Gringa (Metá Metá, Juçara Marçal...). O disco ainda conta com capa do artista Thiago Verdeee. Seu segundo disco, "Ubi Sunt", se encontra em fase de produção.

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Onça Combo

GGLP-011 | ONÇA COMBO "Onça Combo" - full album

Oh Chuva - Paloma y Bonio

Semilla Tropical es un proyecto musical que nace con la intención de hacer llegar a todos los públicos, y en especial a los más peques, sonidos tropicales, ancestrales, andinos y selváticos. 
Con el sello de Tierra Candela, y y con Kazike en Estado de Trance (Guacamayo Tropical) como instigador de este proyecto, reconocidos artistas de la escena tropical nacional e internacional, como Chancha Vía Circuito, El Remolón (Argentina), Caballito (España), ... que llevan años haciéndonos bailar, soñar y volar, reúnen sus temas en este compilado para toda la familia.

Asagi Saundo - Mucho Por Vivir

Purchase Here: https://wonderwheelrecordings.bandcamp.com/album/jallalla

In 2017, Lagartijeando (Mati Zundel), released his second full length album ‘El Gran Poder,’ via Wonderwheel and subsequently hypnotized the masses with the way he laced the traditional Charango playing that he picked up traveling the Andes with the pulsing, digital-cumbia electronica that’d been popularized in the region by the likes of Chancha Via Circuito, Nicola Cruz, and beyond. El Gran Poder plucked Zundel from his small town of Dolores in Argentina and catapulted his sound onto a global stage. He was revered by the likes of The Fader and Bandcamp, who referred to him as an electro-folk alchemist - and that he is. 

On June 7, Lagartijeando casts a new spell with Jallalla, an ambitious new full length being released on Wonderwheel Recordings. Jallalla is a word used in Bolivia to celebrate something- and it’s a word that strengthens in meaning when more people say it together. Jallalla is an entire life in an album - beginning with what would be the sonic representation of pulling back reeds to discover a new path with the song Villazon-Potosi and its sparse electronic percussion gradually filled in with curiosity-giving winds. Following is joyful charango riff that becomes the base for the track La Frontera, which features the sweet, wispy voice of Minük, the Colombian artist Alejandra Ortiz, known as half of the duo Lulacruza. As the album progresses, it becomes more experimental with electronic elements, sneaking in bits of deep house and dub. The fourth track is called Caña, and is a collaboration with none other than Chancha Via Circuito. It’s minimal and haunting, playing with repetitive bass, chimes, and what sounds like owl sounds. Zundel’s beloved charango sneaks back in via the next track, Adios Potosi, continuing the trek with a sweet melodic mid-album break. On the track A Todo Pai, one that celebrates Latin American identity (a todo pai, un solo maiz, repeats the song), Zundel collaborates with Javier Arce - lead singer of the Costa Rican indie-funk band Cocofunka, whose peculiar and infectious voice adds new layers onto the album. The last few songs are a mix of meditative electronic tracks and life-giving dance-floor ready numbers, all lending to Jallalla being a celebration of life and the various adventures it contains. 

Jallalla is out on June 7 via Wonderwheel Recordings.

Jallalla

Lagartijeando - Titiwanacu

Fraccionando o Pife com a participação ilustre do Maguim do Pife @morangodone, e com samples de flautas dos índios do carnaval tradição da Parahyba misturados com texturas sintéticas digitais de ritmos nordestinos de cultura popular com influências de psydub e psychill.

Furmigadub + Maguim do Pife - Fracccionando O Pife

SAVANNAH SOUNDS 

reggae / roots / dub
REGGAE SOUND SYSTEM
#BRASIL






SAHARA 50 GRAUS

SAVANNAH SOUNDS

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