Ten years ago, ‘We Are Your Friends’ reached our ears and pushed Justice to the front of the scene, a young French duo signed by Pedro Winter on the label he had just created: Ed Banger Records. The record that followed,✝, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like ‘D.A.N.C.E’, ‘Stress’ and ‘Phantom’, and its videos, allowed Justice to follow the 90’s French Touch and its filtered disco loop. 

Since the release of their debut album in 2007, Justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. Since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. The wall of vintage Marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of Justice totally revisited for the live shows. 


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Gaspard Augé has always brilliantly created intense musical universes that are conducive to escape. He is best known for being half of Justice, the duo that synthesized rock and rave in the mid-2000s and whose stage exploits have marked a whole generation.

His first solo album, Escapades, was released this year, and established his reputation as a master of maximalism, as a composer of electronic music whose imaginative tracks take us away from reality. His melodies are dreamlike landscapes and sentimental blasts that evoke an atmosphere of pagan rituals in orbit or a spaghetti western on a space station. But let's be honest, the producer had no desire to write an introspective album. "I've always wanted to make music that wasn't a reflection of everyday life," he says. "Because it's more exciting." 

The last we heard from Augé, he was winning a 2019 Grammy with Justice and Xavier de Rosnay for their album Woman Worldwide, a sort of reworked anthology of their songs from the past decade. "The great thing about the Grammys is that you don't know in advance if you've won or not, so it was a real surprise," Augé says. The deserved recognition of a common work that contributed to change the game. "We just slapped our hands together and said, 'We must have done something right,'" Augé explains. "And we said, now we can close this chapter."

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