Many Reasons - Joris Voorn

Robert Hood - Sleep Cycles

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Juan Atkins' Infiniti project combines raw tactility and puristic elegance with Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure.

Alongside fellow Detroit legend Terrence Dixon who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul.

The ongoing importance of this album is indisputable, essential both to techno and to Tresor.

BANDCAMP

Infiniti - Skyway

Infiniti - Walking on Water

Robert Hood - Detroit- One Circle

Parallel 9 - Technique

2529KM Records is a new dub techno label created by two friends and artists – Piotr Bejnar aka N1KT (Warsaw, PL) and Leon Lolishvili aka Boyd Schidt (Tbilisi, GE).

2529 KM stands for the distance between Warsaw and Tbilisi. The idea of the label to release compilations with artists from different countries and nationalities. Through music the label wants to unite different cultures and to create a group of friends all over the world, who support themselves in music and life.

The first release 2529KM 001 is the compilation from Idealist (Switzerland) - producer, DJ and label owner of Idealistmusic, Stojche (Macedonia) - Berlin-based artist who’s primarily inspired of the local electronic scene in Skopje, Boyd Schidt (Georgia) - one of the leading techno artists in Georgia, founder of 2529KM and N1KT (Poland) – new techno alias from the owner of 2529 KM and Otake Records.

A1 Boyd Schidt - South Winds

Having only a scant few releases to its name, L.B. Dub Corp, one of Luke Slater's lesser used guises, slinks in and out of the scene, dropping off quality EP's and remixes when you least expect it. Finding a new and appropriate home on Ostgut, the Take It Down (In Dub) EP has two spacey hitters. A slappy bass, a noise wash, and a growling kick are what kick off the title track, slowly giving way to a slightly pitched down vocal drop of "take it down." 

Not nearly as high in the BPM's as Slater's Planetary Assault System productions, "Take It Down" is a slyly warping beast. It has a pristine sludge to it that begs for an eyes-closed demonic shuffle, its brooding drone perfect for early hour madness. More than halfway through, though, the entire thing shifts to reveal a grimey, rinsed out synth that opens the entire 11+ minutes of the track up to a new feel and intensity. 

Where things really get interesting is on flipside "It's What You Feel." One of the most inviting basslines in a while partners with a steady synth pad for a cleverly produced house track. A steady groove paves the way for a classic piano line summoned from Chicago. This B-side monster is the perfect counterpart to the A, and makes this one of Slater's best efforts since his PAS EP on Ostgut last year. 

http://www.residentadvisor.net/review-view.aspx?id=7702
http://www.ostgut.de/label/record/53

L.B. Dub Corp - It's What You Feel - Ostgut Ton

PREVIEW | Sterac aka Steve Rachmad - Thera

Digital Justice - (A) The Theme From It's All Gone Pearshaped [Fragile 1996 - FRG14]

FRENETIC
fre.net.tic
Fast. and energetic in a rather wild and uncontrolled way.

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