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Spend Something [OUT NOW ON ALL PLATFORMS]

The most currently relevant selections of the immediate now: it's new!

CONTEMPORARY MUSIC: MAY 2022

嘟嘟

06/22

being lost outside + ppl who vanished
https://open.spotify.com/track/0ALCVDMDDHKri421oWJu43?si=VaMkdEWHQ46ikc0E0S53cQ

stars over me

coyote (2015-2021)

visions feat. dolly (shinju)

purgatorio feat. saturn (joyfriend+maknae)

HOUSE OF CARDS

https://linktr.ee/stmauriceneptunelinguine

ipupa

Marina Herlop - Pripyat
Label: PAN
Cat.No. PAN 128
Format: DL
Release Date: 20 May 2022
Purchase: pan.lnk.to/Pripyat

Marina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India. 

miu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums - 2016’s Nanook and 2018’s Babasha - that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date. 

Listening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects. 

Added to this production expertise are songs of incredible grace and poise. Kadish is a spectral torch song rendered in emotional 3D by Herlop’s gorgeous voice; ubunto has a feeling of deep longing and lingering sorrow; and shaolin mantis is like a pop song refracted through disorienting production effects and percussive vocal cut ups. Pripyat is the perfect combination of computer production trickery and intimate emotional release. 

Songs composed, produced and performed by Marina Herlop. 
Mix: James Ginzburg 
Mastering: Joker 
Mix and mastering of 'miu (choir version)': Borja Ruiz 
Ukulele and ending synth in 'shaolin mantis': Adri González 
Electric guitar in ‘lyssof’:Òscar Garrobé 
Electric bass in ‘ubuntu’ and ‘miu’: Òscar Garrobé

shaolin mantis

Fade✧⁎away :(:

Fade✧⁎away :(: (Prod.Blastah )

@00scan @sus1er @johnyou.info.au @rudebabyrecords @video.loss @r.e.i.d.b @itswalkerrr
First Single off Scan and SUS1ER Album "Trying to do Better" 
Written, performed and recorded by Scan
Produced by SUS1ER
Mixed and mastered by Reid Babbington 
Lyrics below
https://genius.com/Scan00-spend-something-lyrics

Scan - Spend Something (prod. SUS1ER)

Exit (time to leave)is taken from DJ Pitch's forthcoming EP 'Spiritual Claustrophobia' - think covid fever dreams and an itch for club glory. Full record out on the 16th of June.

DJ Pitch - Exit (Time to Leave)

Spotify

used(Prod by SwaggyB)

for my one and only love lou, so you can sleep like a baby

diamond

LISTEN TO THE FULL THING ON BANDCAMP
http://djlostboi.bandcamp.com/album/got-lost

little prince

Babe Dont Go

Purchase at https://iamjustapupil.bandcamp.com/album/if-you-must-go
LOVE YOU ALL

You Will Be Everything

ALL I WANNA DO IS (TAKE UR $$$)

my rework of Tohji's Oreo 🥛

https://linkco.re/ddhXU5MP?lang=en

Tohji — Oreo (Malibu seven seas mix)

Augmented human 621#Scan
intersc4n@gmail.com