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Robin Rimbaud (Scanner) is an artist and composer working in the UK, whose works traverse the experimental terrain between sound, space, and image, connecting a bewilderingly diverse array of genres – a partial list would include sound design, film scores, computer music, avant garde, contemporary composition, large-scale multimedia performances, product design, architecture, fashion design, rock music and jazz.

Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit musical comedy Kirikou & Karaba (2007), designed the sound for the new Philips Wake-Up Light (2009), and campaigns for Stella McCartney (2017), Chanel’s Fall-Winter collection (2012) and Jaguar (2014).

In 2019 he designed the sound for the Cisco telephone systems used in offices around the world, whilst his sound work in Vex House in London was voted as RIBA House of the Year. His work Salles des Departs is permanently installed in a working morgue in Paris.

Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Dangermouse, Coil, Laurie Anderson, Carsten Nicolai, The Royal Ballet, Wayne McGregor, Merce Cunningham, Hermes, Hussein Chalayan, Philips Design, Mike Kelley, and Miroslaw Balka. His work has been presented throughout the United States, South America, Asia, Australia and Europe.

Improv Comic Actor Story Teller Multi Media Artist DJ Producer Dancer Activist Alchemist Mad Scientist Shaman Jedi Knight & The Fall Guy For Chemtrails! Started Rock The Port Records in 1999 to put out what I call Electronica Artistica Musica multi media fusion of all forms of electronic music and art work! Please check me out on WEMFRadio.com twitter and youtube at itscrazytrevor

Bruno Bernard
Compositeur - Artiste sonore acousmatique et musique electronique.
Elève de Christine Groult, Camille Roy, Dan Lustgarten, Nicolas Vérin, il s’intéresse tout particulièrement aux environnements sonores, à la complémentarité entre image/son/spectacle vivant, Bruno Bernard milite également à la prise de conscience de l'importance du phénomène sonore par l'écoute active et la poésie qui s'en dégage.
Bruno Bernard a été sélectionné et nominé en 2002 au 29ème concours de Musique et d’Art Sonore Electroacoustique de Bourges.
Performer, il se produit régulièrement au sein de divers projets, ainsi que dans diverses collaborations interdisciplinaires et en solo.

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