find on Bandcamp here: 
https://marineeyes.bandcamp.com/track/half-dreaming

i wrote ‘half dreaming’ last month when heavy rains came to southern california. 

this one-off single is a bit of a new hushed direction for me—using only tiny swells of my voice, osmose synth & field recordings. life feels extra fragile & precious lately and i hope listening (with headphones on) inspires you to take rest, and drift.

half dreaming

In an inspiring collaboration uniting artists from different corners of Europe and the Middle East, Palestine's Muqata'a, French-Irish Zoë Mc Pherson, and Lebanon's Rabih Beaini have merged their creative forces to remix the Belgian/Iraqi band Use Knife's influential album 'The Shedding Of Skin'.
'Peace Carnival', releasing on Berlin’s Morphine Records, challenges the narrative around peace through its percussion, glitches, distortions, and Muslimgauze-esque minimalism to critique and rethink perceptions of justice and freedom.
This year, Carnival's usual satire and mockery should be directed towards the so-called and one-sided 'peace'.

Use Knife is Stef Heeren, Kwinten Mordijck and Saif Al-Qaissy

Mastered by Rashad Becker
Graphic design by Jef Cuypers
Arabic lettering by Farah Fayyad
Distributed by Rush Hour
Morphine Records 2024, doser 045

Peace Carnival

Ptolemaic (Zoë Mc Pherson remix)

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ГОСТ ЗВУК w/ Nikolay Kozlov @ KURS radio 22.08.24

Sirens is the first collaborative LP of Kara-Lis Coverdale (Tim Hecker, L/B) and LXV (David Sutton). Following their respective solo cassette releases Aftertouches (2015) and Spectral Playmate (2014) on Sacred Phrases, Coverdale and LXV debut on Umor Rex with a collection of multi-textural and multi-source electronic music rich in narrative, melody, and spectral intrigue.

LP limited to 300 copies pressed on virgin vinyl. Packaged in an uncoated stock jacket with double sided insert, black polylined inner sleeve, and free download coupon. This is a pre-order for May 19th street date. PRE-ORDER HERE.

Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform instrumental writing and performance in feedback until intertwined, flickering between states of conflict and consonance. Apparitions of the schitzophrenic voice are at one moment fractured and cold and at the next full of warmth and vivaciousness, embodying velvet rituals of romanticism in the digital age.

Ultimately, Sirens is music for ambitious dreamers: surreal sound portraits sound like the warmth of the world laid over an ice cold virtual altar. LXV’s vocal truncations and fleshy sound palettes depict the archivation of the breath and aural fantasies of the flesh which Coverdale sets amongst a vast and unconfined landscape of deeper and unknown force. Harmonically active and dynamic orchestrations underpin post-sacred tonalities while brooding pipe organs, sphinx flutes, and hailstorms of metallic percussion characterize uniquely disjointed discussions between disparate compositional ontologies. At times violent and at others serenely peaceful and seductive, these pieces, at their most powerful moments illuminate a felt space between cybernetic energy and the body. 

Kara-Lis Coverdale and LXV — Informant

Rapunzels Fluch 2 OST - 12. Whats Wrong With You?

Picnic at the park

Award-winning sci-fi writer Geoff Ryman's was commissioned to write a new story for the BBC, investigating the portrayal of gender in utopian science fiction, as part of BBC Radio 4's Utopia season.

I scored the new work and a separate documentary exploring the subject. This is an instrumental excerpt from the score as many people had expressed an interested in hearing it again.

No Point Talking

Strange Slip In Time

Night Sea - Still [SSV17]

http://silentseason.com/ssv17/

- - -

@nightseaproject
Written & Produced by Johan Ismael & David Grunzweig (Oakland, CA)
Mastered by Giuseppe Tillieci at Enisslab Studio

Still

Info

Night Sea ~ Still [SSV17]

If you recall, exactly a month ago, on November 3rd, I have premiered a track by Roger Goula from the upcoming Various Artists compilation, titled Ambient Layers, which is scheduled to be released tomorrow, December 4th, on 7K! imprint. I retrace my words and see that I was processing the news about a second lockdown in the UK. Well, yesterday the stores have opened up again. So at least the government has kept its word and did not stretch it further. But things, of course, are not the same. It’s still suppressed, a little cold, a little dark, and slightly empty. And as the city’s waking up, I’ve got this beauty of a track to share and get us ready for another round. I hope that you have recognized this American [and Brussels-based] composer from his name alone. If not, let me remind you of his work with Brian McBride as Stars Of The Lid; with Christina Vantzou as The Dead Texan; and of course, with Dustin O’Halloran as A Winged Victory For The Sullen. And I’m not even diving into details of his film-scoring credits, which include Jóhann Jóhannsson and his Golden Globe-winning soundtrack for The Theory of Everything. Adam Wiltzie‘s most recent collaborative work, with its absolutely gorgeous contemporary classical and cinematic ambient treatments, and stunning live performances, has even got the monumental Ninja Tune to join on the party. For this single piece, Wiltzie revisits an earlier recording, a slow-burner of an orchestral immersion, reworked to the perfect intersection of where the neoclassical and ambient sounds reside.


‘How To Disappear Inside A Thirty Piece Orchestra’, was recorded in Budapest in 2014. It is an excerpt from the first recording of the Stars of the Lid follow up to ‘And Their Refinement of the Decline’. Subsequently, this piece was abandoned and left in the lurch as time elapsed. After some contemplation, Adam is letting the world have a taste of what could have never been, and what is possibly yet to come.


The compilation is already available for pre-order, and from the tracklisting alone, you can see that it’s an impressive roster of artists coming together to showcase the genre. Among the featured artists on the release, my favorites include Ryan Teague, Tilman Robinson, Robert Lippok, Michel Banabila & Machinefabriek, Pjusk, and Midori Hirano, and plenty others to discover along the way. This could be a beautiful opener for those just getting into all that is ‘ambient’ or a wonderful treat for those in the know at the end of this year. Oh, and I think I’ll be back [rather shortly] with yet another surprise!

Ambient Layers

How To Disappear Inside A Thirty Piece Orchestra

TRACK PREMIERE : Adam Wiltzie - How To Disappear Inside A Thirty Piece Orchestra

Ultra Eczema rarely reissues records: firstly, because we believe it’s hard to improve on a good original (and we would never want to republish anything that isn’t); and secondly, it’s called the Internet and you can find everything on it. Nonetheless, in 2015 we reissued Kraus’ ‘I could Destroy You With A Single Thought’, a CDR from 2004, because it was camping in our all-time favourite records list for a decade and the data on this erratic medium tends to erase itself, much like a troubled past.

‘A Golden Brain’ was published in the first wave of the Covid pandemic via Kraus’ bandcamp as a digital release. And once again we couldn’t help ourselves. This is Kraus at his best: if a bedroom could be a stadium, he would play the main stage!

Limited edition of 300 copies. Includes an insert, download code and a UE sticker.

Kraus - A Golden Brain - 04 A Golden Brain

Robin Rimbaud (Scanner) is an artist and composer working in the UK, whose works traverse the experimental terrain between sound, space, and image, connecting a bewilderingly diverse array of genres – a partial list would include sound design, film scores, computer music, avant garde, contemporary composition, large-scale multimedia performances, product design, architecture, fashion design, rock music and jazz.

Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit musical comedy Kirikou & Karaba (2007), designed the sound for the new Philips Wake-Up Light (2009), and campaigns for Stella McCartney (2017), Chanel’s Fall-Winter collection (2012) and Jaguar (2014).

In 2019 he designed the sound for the Cisco telephone systems used in offices around the world, whilst his sound work in Vex House in London was voted as RIBA House of the Year. His work Salles des Departs is permanently installed in a working morgue in Paris.

Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Dangermouse, Coil, Laurie Anderson, Carsten Nicolai, The Royal Ballet, Wayne McGregor, Merce Cunningham, Hermes, Hussein Chalayan, Philips Design, Mike Kelley, and Miroslaw Balka. His work has been presented throughout the United States, South America, Asia, Australia and Europe.

No Point Talking

scanner