Buy album: https://scapeone.bandcamp.com/album/sunset-your-mindset
Stream: share.amuse.io/BLNelLDj89Tq

Across The Clearing

Violin-bow on electric guitar, analog bass synthesizer, effect pedals, unsynchronised loops, two tube amps, field recording (thunderstorm at night). All sounds, mixing and production: Velvet Something Superdark. 
Image: Face mask of a resuscitation dummy (photo: VSS)

Download

Heat

The raw material i sent to Axis Project.
He made the brilliant https://soundcloud.com/axis_project/axis-project-noxpox-platinum-bird from it

Hustenreiz

Gimmick/Spielerei

Over The Light Years

｢夢も見る ~ SONONEIRIC COLLAGE」

Concept music for a graphic novel.

Music composed and performed by Thomas O'Higgins Horna.
Produced at Kolima Forest Studios.

Cover art: "Number 3"(1948) by Jackson Pollock.
Edited by me.

This track is not to be used to train AI.

DREAMING TOO

ＤＲＥＡＭＩＮＧ ･ ＴＯＯ

I had a nostalgic day today. As I was just messing with my DAW did I also need to write down some fitting words to my "random plonks". I was first not going to open it but my friend known as SolarRae convinced me others.

Here are the words in writing:

There’s something about looking back about glancing over your shoulder at the road already traveled. It’s like tracing the edges of a dream, 
halfforgotten but still vivid in the way it made you feel. Time becomes less a straight line and more a circle, a loop where everything you were, everything you created, still lives, breathing just beneath the surface.

It’s strange how the past can feel more alive than the present sometimes. The spontaneity, the spark of an idea, the way the world used to stretch out in front of you limitless, unbroken. Back then, there were no barriers. No walls. Just endless possibilities, like the universe itself was unfolding just for you. It’s as if time itself wasn’t something to be measured, but something to be played with. You didn’t chase it; you danced with it.

Those moments they never leave you. They echo, like stardust still drifting through the cosmos. You were part of that great expanse once, untethered, where joy wasn’t something you sought, but something you radiated. You didn’t need permission to be free; you simply were.

And in that freedom, there was creation. There was no need to justify or explain what you did. You just did. Life was a blank canvas, waiting for whatever burst of color you felt like throwing at it. It wasn’t about making sense it was about being. The act of living itself was an art form, unfiltered, spontaneous, raw.

The beauty of it all is that those moments aren’t lost. They aren’t confined to some distant corner of your mind, gathering dust. No they are still there, woven into the fabric of who you are. They pulse beneath the surface, ready to be rediscovered at any time. All you have to do is close your eyes, take a breath, and there it is like light from a faraway star, still shining even after all this time.

Maybe that’s what nostalgia really is. Not a longing for the past, but a reminder that the energy, the creativity, the joy it’s all still within you. It never really leaves. It’s waiting, always, like a heartbeat, quietly reminding you that you’ve been free before, and you can be free again.

Nostalgic

Feedback line with Kaodpad emulation of a radio station trying to make contact.

R&N (6.2)

A deep sea adventure aboard the Bathyscaphe.

Bathyscaphe

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https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii