Debut EP out now on Hyperboloid Records! <3 <3 <3

1. Bloom
2. Pastel Spells
3. Tetra Master
4. Zantetsuken II
5. Pyramid Dust

"SEABLAZE shapeshifts between rhythms, bass and the fantasy inspired melodies, free from any genre limits, as free as the internet used to be. His debut release for Hyperboloid Records is a ticket to a colorful journey through seapunk influenced soundscapes, it is the #internetghetto, confined within your devices connected to the web, but still as free as you could only dream of." - Hyperboloid

<3 <3 <3 <3 <3

"ZANTETSUKEN II"  >> 【Disc 1: Kalm EP // Hyperboloid Rec.】

a track for Slipstream's DLC!
bandcamp here: https://effoharkay.bandcamp.com/album/slipstream-blue-hour
spotify: https://open.spotify.com/album/6clsJEC60qhWMz7PCaCv3h?si=0I5QP3LwT1KyILaQB0mCzQ

pls enjoy, ty

24 Hour Trip (No Harm In It)- SLIPSTREAM BLUE HOUR OST OUT NOW

ep song maybe :O

collab with maisie! we really love how this song turned out

https://soundcloud.com/maisie-marra

~ ~ ~ ~ ~ ~ 

words:

(maisie)
Give me a secret,
I'll give it a grave,
I'm trying to be good,
But I can't behave,

Things move too fast and I still can't wait,
I Should be at work but I've been to a rave,
I'm trying to be good but I can't behave
I'm trying to be good but I can't behave

(vera)
i'm feeling formless
field mouse performance
reflections in gutters
i remember the views from the outside
recursive patterns
years lost in absentia
i won’t remember
i won’t remember
the warmth of a stranger
lost in the strobe lights
these moiré patterns
suddenly feel right

i switched up the angle
i didn’t do much
but i think it’s over
i’m leaving the burrow

(lumin)
You gave me your secrets
and believed you were heard
it wasn’t a lie when I said it I just can’t hold myself to my word

But it moved to fast and I’ll take the blame
Im sorry that I missed this I’ve been to a rave
I’m trying to be good but I still can’t behave
I’m trying to be good but I can’t turn the page

(tammy)
this is where i stood when
you jumped at me
i didn't feel a thing when it came
don't you know that? because
i wish I wasn't there
constant violence
it's tearing out my hair
i don't want to tell you anymore
can you put me in the casket
it's over for me and you

weeklybeats 2024

safe rooms (feat. maisie)

Performed November 2015 at Science and Cocktails in Copenhagen (vimeo.com/141845796).

This started out as an experiment in developing new spectral transformations between pairs of sounds. One of the ideas was to Fourier transform loops of equal length, and slowly morph amplitude and phase independently. This yielded interesting results on selected pairs of sounds, but was completely useless on others. The whole thing was eventually discarded and replaced with a transformation that sounded interesting for almost all input: convolving loops with themselves. This self-convolution can be intuitively be described as multiplying every frequency component of a sound with itself, or 'squaring' the sound.

The approach was then: selected loops were resampled to have the same length, convolved with themselves, resulting in weird 'smeared' sounds. Human voices were vaguely recognizable as human, melodies were removed. Rhythms would generate new rhythms. Production quality and sound would be largely retained, which suggested picking loops from the same time period and genre to give a consistent sound.

The generated loops were mixed in Ableton Live.

Here is a list of loop sources - period and genre should be fairly obvious:

John Farnham: You're the Voice
Vangelis: Blade Runner - Main Titles
Tangerine Dream: 21st Century Common Man
Frankie Goes to Hollywood: Lunar Bay
Michael Jackson: Thriller
Jean-Michel Jarre: Arpegiateur
Michael Jackson: Baby be Mine
Yes: Leave It
Kenny Loggins: Playing with the Boys
Michael Jackson: Pretty Young Thing
Michael Jackson: Don't Stop Till You Get Enough
Vangelis: Soil Festivities
Tears for Fears: Shout
Tangerine Dream: Force Majeure
Jean-Michel Jarre: Ethnicolor
Yes: Changes
Jan Hammer: Payback
Tears for Fears: Mothers Talk
Kitaro: Tenchi Souzoushin
Jan Hammer: Colombia
Michael Jackson: Thriller
Toto: Africa
Yes: Owner of a Lonely Heart


SciCock SelfConvolution

💜💙𝔹𝕒𝕚𝕥 (𝕍𝕀ℝ𝕋𝕌𝔸𝕃 𝕊𝔼𝕃𝔽 𝔼𝕕𝕚𝕥) (ℝ 𝕆 ℂ 𝕂 𝕐 ℝ𝕖𝕞𝕒𝕜𝕖)💙💜

𝓐𝓡𝓣𝓘𝓢𝓣: M1dy
𝓑𝓟𝓜: 390
𝓖𝓔𝓝𝓡𝓔: NEO SPEEDCORE
𝓡𝓔𝓜𝓘𝓧𝓔𝓡: R O C K Y

FREE DOWNLOAD ⬇️
https://www.toneden.io/rockymusicghost/post/edits-remixes

FOLLOW ME 💙💜💙💜
linktr.ee/rockymusicghost

Thank you for listening!

>w<

💙SQUID MAN💜

Bait (VIRTUAL SELF Edit) (R O C K Y Remake) - m1dy

Copenhagen-based electronic music composer Jakob Schmid combines the harmonies and aesthetics of 70s and 80s new age music with deep basslines and beats of contemporary UK electronic music. The result is both melancholic and energetic.

Schmid has decades of experience in computer music, starting with using tracker software in the 80s, progressing towards creating his own experimental music software, including new types of synthesizers.

Schmid composed the music for multi-award-winning rhythm video game '140', a journey into a world of abstract shapes and beautiful harmonies, accompanied by pulsing beats at 140 BPM.

SciCock SelfConvolution

schmid