Sobrecogedora, simple y envolvente. Me encanta

Wonderful melody singing. It touches my heart.

Susurrus =  low soft sound, as of whispering or muttering; a whisper; a rustling’

Susurrus

Mare Nostrum

mare nostrum

New wars are raging, now in Gaza, I wish I could hug all the people who suffer them in first person, for all the hugs not given. Hold me close.


SI DEBO MORIR

Si debo morir, tú debes vivir para contar mi historia,  para vender mis cosas, comprar un trozo de tela y algunas cuerdas, (hazlo blanco con una cola larga) para que un niño, en algún lugar de Gaza…

mientras mira el cielo a los ojos esperando a su padre que se fue en llamas —y no te despidas de nadie, ni siquiera a su carne, ni siquiera a si mismo— Ve la cometa, mi cometa que tú hiciste, volando arriba  y piensa por un momento que un ángel está ahí, trae de vuelta el amor.

1979-2023 Refaat Alareer

Si debo morir  deja que traiga esperanza… deja que sea un cuento.

Artwork cover by aura.songs

Hold Me Close

hold me close

The composition was inspired by the poem "Crossing the Water" by the American poet Sylvia Plath (1932-1963).

Crossing the Water

Black lake, black boat, two black, cut-paper people.
Where do the black trees go that drink here?
Their shadows must cover Canada.

A little light is filtering from the water flowers.
Their leaves do not wish us to hurry:
They are round and flat and full of dark advice.

Cold worlds shake from the oar.
The spirit of blackness is in us, it is in the fishes.
A snag is lifting a valedictory, pale hand;

Stars open among the lilies.
Are you not blinded by such expressionless sirens?
This is the silence of astounded souls.

Crossing the Water

ad21 is pleased to announce "Whispers of Winter," the new EP by German pianist Mats Raynard. This work captures an atmosphere of introspection and elegance, blending delicate solo piano pieces with compositions enriched by the warm depth of strings. An evocative journey that invites listeners to explore winter soundscapes filled with emotion and beauty.

Whispers of Winter

True Love

Music, piano, synths, mix: Vicente Bueso
Voices: versolun4

Nana de plata (ft. versolun4)

Video: https://youtu.be/AfVQB4Bo_v8
First, a confession.
I don’t play Etude No.1 as fast as Mr. Glass indicated in his score. The honest truth? It’s a little too fast for me—and for Mme Bechstein, as I call my piano. But perhaps that’s part of the charm of this version: it’s a bit slower, more grounded. And in that space, something opens up. The dynamic expression has room to breathe. The tempo becomes a gently rising tide, like waking up slowly, aligning fingers, mind, and breath into harmony.

Admittedly, this is a rather personal interpretation. I’m not entirely sure Mr. Glass would give it his blessing. But then again, it is an etude—and I find this piece simply wonderful.

Over the past weeks, it has become something of a quiet companion in the early hours of the day. I’ve worked from the published score, gradually sketching my own notation to help understand how the sections interlock, how the pulse shifts and evolves. This slow discovery revealed a surprising depth—a kind of secret logic running beneath the surface.

There’s something endlessly captivating about Glass’s harmonic language. It’s modern, never cloying, and crafted with quiet intelligence. His use of subtle shifts—almost imperceptible at first—creates patterns that, through repetition, become almost meditative.

This recording isn’t about perfection or polish and not meant to compete with the many beautiful renditions already out there, performed on the most luxurious grand pianos. It’s my personal take—played honestly, on my own instrument, at my own pace. A moment captured in sound, without the pressure to impress.

If you’re a pianist—especially one still finding their way, as I am—I warmly encourage you to spend time with this piece. It has a way of revealing itself slowly, like light unfolding across a morning room. And perhaps, in its simplicity, you’ll find something of yourself reflected there.

I’d love to hear how this piece resonates with you. Leave a comment if you’d like to share your thoughts or your own experience with Glass’s music.

Yours truly,
Sebastian Morawietz

>> Video <<

Studio Diaries: Glass Etude No.1 – My Morning Ritual

Today we welcome Almira, a Polish pianist, composer, with her new release “Golden”, a piece that unfolds with poetic grace and emotional subtlety. Inspired by the radiant energy of femininity, "Golden" captures both the delicacy and strength that define the feminine spirit. Like sunlight in sound, Almira’s expressive phrasing creates an intimate space to pause, breathe, and feel. 
A luminous journey of resilience, beauty, and power, now available on all streaming platforms. ad21music.

Woman Muse Series

Golden

Listen

Is it true?

Ink on the Edge

Grain of It All

Sometimes people are beautiful.
Not in looks.
Not in what they say.
Just in what they are
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Classical, Ambient, and Dramatic music, exploring contemporary soundscapes with dreamy pianos, lush strings, and evocative synthetic textures. A sonic journey, often enhanced by collaborations with a diverse range of musicians and producers, making each piece a fresh exploration of emotional depth and atmospheric beauty.&#13;
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Contact: vbueso@gmail.com&#13;

Nana de plata (ft. versolun4)

Science Teheran

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