Here are catalogue tracks, home recordings and works in progress with Robert Mercer and William Herzog.

Our second album is called "Anchor", it comes out on September 2nd on Temporary Residence LTD. 

You can order the special edition colored vinyl at zammutosound.com


Hailing from Kansas City MO, and Seattle, WA, TVRBVL is made up of Andy Haller and Tim Benson.  They would really like it if you listened to their music.

KEXP – John Richards’ Review
The Morning Show
“One the best and biggest surprises for me this year was The New Law’s releases…beautiful, emotional, cinematic…  .Its near perfect”
The Stranger Review
Dave Segal – The Stranger
“Adam Straney and Justin Neff—produce deftly arranged, orchestrally inclined hiphop that evokes Ninja Tune’s glory years and Portishead’s doomed-romance aura (sans Beth Gibbons’s ruined croons, obviously). Hints of J Dilla’s clipped, staccato beatmaking also color the New Law’s tracks, which often demonstrate a cinematic scope and keenly emotive sense of atmosphere. URB picked them for its Next 1,000 Artists feature, and damn if the L.A.-based mag isn’t on point with that choice.”
URB Mag Review
URB magazine / URB.com (selected THE NEW LAW as Top Next 1,000 Artists)
“It’s refreshing to find a talented new ambient electronic artist. This duo is versatile as can be. They’ve been toiling in the Seattle underground for three years, now finally preparing to release their sophomore album. From the surreal saxophone of “Seattle Lights” to the foreboding death march of “Hell’s Gates,” they paint pictures with sound. Ambient is a word that’s thrown around a lot. The New Law has proven that they know the meaning.”
80bpm.net Review
Kaska Paluch (editor-in-chief – www.80bpm.net)
“The New Law is one of the best albums from underground I’ve ever gotten.”
Properly Chilled’s Ethan Georgi Review
ProperlyChilled.com
“If you remember the movie HARDWARE, the album cover might get you thinking of a sort of Bladerunner apocalypse sound. You might be right, but The New Law is way better than such a simplification. Really nice work!”
Weekly Volcano Review
Weekly Volcano, Tacoma
“Six thumbs up for a beautiful balance of dirt and space.”
Textura Review
Textura.com
“The New Law definitely rewards your time.”

A NEW KIND OF WEATHER

"The deconstructed, gorgeous cover of 'I Drove All Night' manages to sound simultaneously comforting and incredibly sad, carried by multilayered vocals as voluminous and warm as the thick textures that hold them." - The Wire

FOR OSTLAND

"Alternately uneasy, bloodthirsty and painfully beautiful, For Ostland is a conflicted record that adds an unexpected new voice to the modern technoid post-punk dialogue." - Resident Advisor

"The group unfurl smoldering cinematic soundscapes, strange slivers of shadowy sound, moaning fragmented melodies, all over a haunting heartbeat like pulse, a sort of slo-mo electronica, laced with strange hummed/sung vocals" - Aquarius Records Record of the Week

"'Ghosts And Lovers' takes a distant four-to-the-floor to cold hymnal territory. When the searing guitars finally hit, it turns into a shoegaze explosion that clouds everything – a burial and an act of pushing away." - RCRD LBL

"Filled with dirges of guitar reminiscent of Sunn O))), Godspeed-esque post-rock crescendos, and dense layers of droning synths, Ostland's charred landscape is ever-changing yet consistently desolate." - Ad Hoc

"So not only is [Ghosts and Lovers] overbearing, noisy, and emotionally crushing, but it's a Marissa Nadler cover, too." - The Needle Drop

GHOSTS AND VERSIONS

"[Mark Verbos' Sordid Future Mix] layers the vocals of the Nihiti version with the futurism of a late-night cyberpunk rave." - FACT Magazine

FACED WITH SPLENDOR
pink morning music video: http://vimeo.com/29935617

"Folky, but still a bit gloomy, the vocals are fantastic, lush intricate harmonies, slipping from croon to falsetto and back again, dark and dramatic, moody and moving, a little seventies British acid folk, a little bit modern psych folk, the strings soar and sing, adding tension and drama, the vocals and guitar often playing off each other..." - Aquarius Records

"A fairly surprising departure from their past psychedelic sound, the new EP presents an introduction of more acoustic elements, revealing nihiti's hidden expertise in simple songwriting." - Dazed & Confused

"Everything seems brightly lit and in focus here. From the song's natural evolution with varied acoustic instrumentation to the careful melody, nothing is out of place." - Tiny Mix Tapes

"Pinko Morning removes electronic elements from nihiti's music while retaining the dark undertones the band is known for. - Altered Zones


<b>OTHER PEOPLE'S MEMORIES</b>

"There’s not a lot on [nihiti’s] Other People’s Memories that sounds much like anything else currently happening, unless there’s some cadre of well-presented electroacoustic savants out there churning out music of this gloss and caliber." – Dusted Magazine

"nihiti… relies on the coexistence of electronic music with acoustic instruments to create a sound that is alternately tense, foreboding, and intricate in the most intriguing ways… A cerebral effort in line with This Heat, late-period Talk Talk, Gastr del Sol, and other heavy hitters of recent decades, and a group that is worth the considerable effort to investigate." – Other Music Featured Pick, 1/4/2011

"Song structures weave from straight up danceable near-goth anthems, to completely disassembled and almost entirely heartbreaking ambient pieces… completely disassembling the structural elements of [these] seemingly paint-by-numbers pseudo-genres and very, very genuinely and very, very creatively forcing something new to exist." – Insound.com Record of the Week

"nihiti’s album, other people’s memories is a luxurious excursion across dazzling dreamscapes, an amalgam of progressive rock, non poh faced IDM, and playful experimentalism which make you feel like you were somewhere else without being in between places." – 20jazzfunkgreats.co.uk

THOMAS AQUINAS TAKES REFUGE IN THE EDGE OF THE VOID

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