wow I love these voices, are they original material ?

"Buzzer # 7" is a new mix by Jace Clayton a.k.a. DJ /rupture. It is part of an offline digital art exhibition currently on show around Gothenburg, Sweden. Visit http://h0st.se for details

DJ /rupture plays "Unnatural Star Arrangements"  at Trans-Pecos alongside Dutch E Germ, VHVL, and Lamin Fofana on Saturday, October 10, 2015. 
For more http://bitly.com/USA101015

Jace Clayton - Buzzer #7 (mix excerpt)

NTS: Precious Metals w/ ENDGAMƎ - Exploited Body Guest Mix

Blanck Mass - Rhesus Negative (NAKED Remix)
111X & Exploited Body - Untitled
Hyph11e - Black Pepper (Nahshi Tool 100 BPM)
Trauma - Anger Management
GRAŃ - Nunu vs Avbvrn Bootleg
Estoc - Angel In Isolation (ft. Matt Tescon)
ZEFGIRLCLUB - ARCHANGEL
APEAK - Depraved
Daniel Ruane - Lapse Reflection
Exploited Body - Contortion
Oli XL - Stress Junkie
A-V - Hitman (Ani Klang Remix)
Exploited Body - Brace Position
Osheyack - Praxaton
Hyph11e - Tinnitus

18.04.2018
Duration: 24:57

@therealendgame
@nts_live

Listen

NTS: Precious Metals w/ ENDGAMƎ  - Exploited Body Guest Mix - April 18th 2018

IVVVO - doG (HALC021)

1. THIS IS DOG
2. LIFE
3. UNTITLED ft Maxwell Sterling
4. NEVER YOU
5. 230518
6. DOUBLE
7. FOREVER YOUR MOUTH
8. NEW WORLD
9. RUSH
10. LAST DAYS ft Maxwell Sterling
11. FACE
12. PUNK
13. PEARL
14. BLADE
15. YOURS TRULY

Written & Produced by Ivo Pacheco
Mastered by Helmut Erler at D&M
Photography by Lane Stewart
Styling by Masha Popova
Artwork designed by Collin Fletcher & Lane Stewart for Halcyon Veil

IVVVO - THIS IS DOG

N1L - ПОТОП 🌊 EP (2019) https://bit.ly/2KE3Oo7
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Produced by N1L between 2017-2019
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Mastered by Raphaël Valensi
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Cover editing & design by FRKTL @shbadr

Versatile A/V artist and producer based between Riga and Berlin, N1L intersects eclectic"club" music experiments with post-industrial psychedelia and intense alien soundscapes. Having recently been focused on independent self-publishing, his previous releases have also been put out by acclaimed labels such as UIQ, Opal Tapes, among others.

ПОТОП (“potop ” , or deluge in Russian) presents seven pieces encapsulating dark apocalyptic themes, each setting the scene for a disorientating sonic landscape that references the genesis flood narrative found in the world’s ancient mythologies. Centered on Earth's return to a pre-anthropocene state of watery chaos, this allegory illustrates both punishment for man’s mortal sins as well as new beginnings born from the washing away of everything that has reached its final, obsolete stage.

ПОТОП

BUY via BANDCAMP

cracks in the monolith ПОТОП 🌊 EP (2019)

Gabber Eleganza launches his label Never Sleep with Multo Crudo by London via Brazil & Russia producer Lizzitksy. The label is “an organic step after seeing the original Gabber Eleganza archival project grow into a multi-platform endeavour”, with a remit to showcase new and old artists that symbolise not just rave and post-rave culture, but a wider DIY aesthetic. 

Lizzitksy’s debut release draws from a disorientating suite of tropes - blasts of harsh noise, hollowed out sub-loaded kick drum barrages, digitised 90’s Italian Trance melodies, sped up reggaeton snare rushes & post-hard core vocal manipulation. Despite the range of elements in play, there is still a clear aesthetic red thread present - the rhythmic building blocks of the various genres referenced are sliced, distorted and re-arranged but never to such an extent that their dance-floor rending capabilities are compromised, whilst occasional flashes of melody and feedback laden shrieks help unravel each track. 

“Dark Millennium DJ Tool” deploys slowed down noise-charged kicks and ear piercing synthwork before switching into an 8-bar grime breakdown, whilst “Untitled EX4” takes the 150 BPM+ broken hardcore rhythmic template currently being established by the likes of Slickback and E-Sagglia and perforates it with howling feedback and Shackleton inspired percussive work. “Beef6” and “Bad Vein” melt power electronics fuelled drums into a post Latin-Perreo mis-en-scene – with “UMS303”  and “Video Green” providing moments of melodic introspection.

Bad Vein

@xiaoquanxiaoquanxiaoquan
@xiaoquanxiaoquanxiaoquan
@xiaoquanxiaoquanxiaoquan

cover: @baaaeji

BEDROOM Mixtape 13 / ☯XIAO QUAN☯

OUT NOW on tape & digital on Genot Centre. 
Produced by https://soundcloud.com/helllllllllo. 
Mastered by https://soundcloud.com/wimdehaen. 
Album cover by https://soundcloud.com/galentipton.
Limited edition of 55 C34 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes.

"The album is a poignant snapshot of the state of electronic music as of 2020, inspired by the weight of hardcore subcultures being rediscovered, subconscious pop culture references, reflections on economic, political, and social structures in a hopeless search for meaningful communitarian experiences, glittering social anxiety, dystopian paranoia, and much much more." (https://soundcloud.com/paynomindtous)

"adammmmmmmmmmmm's album is a multifaceted, dense complete piece, using processed dance floor idioms, sharp granular sound design and some very unusual sample selection ranging from euphoric trance to bratty pop punk/sad boys vocals. It’s wild af and we hope you will like it as much as we do." (https://soundcloud.com/mixmag-1)

“adammmmmmmmmmmm’s new album fuses euphoric dance music arpeggios and vocal snippets that were wrenched from the pop-punk autotune-emo-sad-boy continuum at an advanced point of synthesis." (https://soundcloud.com/pw-magazine)

In "ok im real i think" (GEN041), adammmmmmmmmm plays a high-stakes game of far-reaching density, acceleration and saturation. Instantly blasting off, this album is a showcase in extreme kick drum technology, a detuned synth stab pandaemonium, a granular fission chamber full of dense clicking sounds, seemingly originating from some digital slime dimension. This notion of saturation is not just in reference to the in-your-face full spectrum sound approach, a conceptual saturation procedure is notably at play too, via euphoric dance music arpeggios and vocal snippets snatched somewhere on an advanced synthesis point of the pop punk-autotune emo-sad boy continuum. This way, a high velocity sense of conceptual concentration is obtained, with extreme stretching modes resulting in chipmunk chatterings and source material skrewed beyond all decent reason. But don't let these suggestions of multiplicity and apparent incongruence create the illusion this is just a particularly goofy and extreme collage exercise: relentless energy and coherent construction lift this up to the level of an alluring complete entity.

// adammmmmmmmmmmm (https://soundcloud.com/helllllllllo) about the album
“ok im real i think is an affectively charged tangle of sounds that fabulates fragmented worlds, reminding us that the individual is a product of the collective. The intimate energy manifested through the natural-physical-virtual-digital materialization of sound finds its way into your ears, skull, body and mind. adammmmmmmmmmmm invites you to decompose into its eclectic, collective nature and dissociate so that we can heal together. We are closer than we think, close your eyes, and let these tracks massage you until you decay.”

// https://soundcloud.com/galentipton about the cover design
“The piece depicts a figure baptized in collective chaos, simultaneously emerging from and dissolving into this raw emotional energy. I wanted to capture the maximalism and drama of the project and how overwhelming yet grounded it is; a vat of healing acid for the listener to sink into and find peace in being one with the storm.”

Buy // Stream

adaa - i...

Baby Blue - live on c- TV

* Announcing CANVAS007 *

Lugh - Re Munus (LP)

Format: Digital/Vinyl
Cat.No: CANVAS007
Release Date: 23rd of October 2020

Vinyl and Digital pre-order:
canvas-index.bandcamp.com/album/re-munus

‘
There is grief, exultation and relief inherent in belonging to community. Re Munus reflects on the tone of deep gravity with which the re munisation of the de munised is unravelling. The generations which dismantled their social contract, achieved immunity, revoked solidarity.

Severe circumstances foment collectivity, suffering and empathy, interrupting the ethereal dream of social weightlessness. Re Munus sketches sensations and observations during a time of reorientation, rediscovery of lived sensibility on a relational scale. An encounter with sensations which we had said defined us—the tangibility of which we had forgotten, believed to be confined to the past. There is tension between the physical withdrawal and lived intensity which permeates these works.
’ Lugh

Personal drift. There is a multitude of presences guiding you through this record as a listener, not without their own doubts as to where they are leading you. A murky social space. Time-compressed club experiences within layered acoustic dimensions; consolidated, captured and played back into the same space. I am sitting in several rooms simultaneously. Death metal screams in an Animal Crossing world modelled on our own.

The choral rush of ‘Million Dollar Cowboy’ from Lugh’s Hélico EP (2018) re-appears again in ‘Braises’ and ‘Free Fall’, deeper and re-figured. Sometimes the record also haunts itself—each element heard having been through a process so long and many-staged, it’s as though it has already lived.

These compositions hold within them a flawed attempt to communicate on every level. The desire of language as expressed through music—towards shared meaning. Paradoxically voiced and voiceless, it denies textual, verbal description, instead crying out through the cracks in forming its own liquid tongue. Clone choirs simultaneously rehearse in an open space below. A slow walk through this spectacle. It’s an anguished record as much as it is at times tranquil. The movement between voices detached and embodied becomes playful—often warping them far beyond recognisability.

Beautiful artefacts. Stomach churns in the face of a burnt-out horizon. Cantering & sneezing. Air is driven into the corners and creases of a gold-plated, reverberant structure. The neural network claps to keep itself in time. Gutter Synthesis organ lament; tears of the duffing oscillators. There are moments on this release when tensely divergent fragments are barely held together. The prominent human voice mixing with the heavily re-sampled voice—it’s an incredible lift. Superimposed night and day. Sonic creatures living within the material, sharing time and space. Tenderness and together-ness.

Michael Speers and Olan Monk

Music by Lugh O'Neill

Vocals on ‘Vertiginous Leap’ and 'Free Fall' performed by Marie Requa Gailey

Artwork, graphic and product designed by Zuzana Pabisova

Mastered by Ali Najafi

Underwater recordings from Zuzana Pabisova's underwater sports camera feature on 'El Rocio'

The ‘Gutter Synth’ designed by Tom Mudd features on 'Americans', 'Irony, Chastity, Obedience' and 'Index Veri'

@lu_gh

www.c-a-n-v-a-s.com

Jace Clayton - Buzzer #7 (mix excerpt)

SCI-FI & FANTASY

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