LYRICS

Living times
Lifetime's gone,
Crisp at dawn
Mellowed by the sun.

Golden horizon, all at stake,
People arrive at the fray.

No one knows the roots of our past.
No one shows, we've given our best.

Times have come
Times have gone,
Past tense
Is the chosen form.

Till the plain, caught up surrounding 
Our heart, our soul, our own.

No one knows the roots of our past.
It goes to show it's gone too fast.

Shear moonlight through my window.
Riding sideline, drawn-out timeline.
Taste so quaint, virtuoso.
Hello blueprint: unchecked, untried.

See the way
Script what may,
Humbled by the song
Promises go on.

What is this, hold on exist,
Gotta love our land, our smile, our pain.

No one knows the roots of our past.
No one grows enliven the guest.
It goes to show it's gone too fast.
No one knows the roots of our past.

The Roots of Our Past

Party Overture

Bolero's sands ✞*:･

Recorded in Modesto, Ca.  Featuring Alto Saxophone solo. Gibson 335 Electric Guitar solo. Trumpet solo. Fender Electric Bass. Roland Synthesizer Bass.  Fender Rhodes Electric Piano Rhythm. Gibson L5 Electric Jazz Guitar Rhythm. Drums Full kit trap set. Percussion Tambourine, Zildjan 22" Ride & Crash Cymbals. Ago Go Bells, Bongos, Cowbell.

Carmel

Moon Beam

Moonbeam

This song sounds like it could be in one of those bad 60's Elvis movies.
A late night jealousy motel song.
From the Album: "Arrhythmia & Blues" 2024

Lyrics:
Don't leave me lonely
I love you only
We're playing the blame game
Every night

Ahh, well, we go out
Almost every Saturday night
And it always ends up
Ends up in a fight
Because I see that you're making eyes
With every man in sight
(You're manipulating me, Baby!)
(You're really pushing all my buttons)
Don't leave me lonely
I love you only
We're playing the blame game

I'm out for a walk
A woman comes up to me
She says: I want to take you back to my secret sanctuary
I see you're looking for a thrill
Come back to my Bastille
I'm gonna do bad things to your body
And bend you to my will
And you say with those crazy eyes of yours
"Oh no, that man is mine!"
(Oh, baby)
(Baby baby baby)
( I don't even know who this woman is)

Don't leave me lonely
I love you only
We're playing the blame game

You're waking up the neighbor
Saying things that you can't take back
We've got to stop playing this blame game with each other
Gotta gotta gotta gotta gotta
Stop playing
The blame game

The Blame Game

Real Good trouble

Massive thanks to Magic Mike Fox  for his musicianship, producing, production and most of all just for being a top bloke.
And Nat Daniels for her massive contribution with her incredible vocals.
I have done many duets with Nat and every time it’s been a pleasure we have created many special moments.
Marry Me In Vegas was part 1 this is part 2 after Vegas with Real Good Trouble. 
Months after the non event of the grand marriage. He missed her after jilting her and not making the flight he felt like he needed to explain he just wasn’t ready for what she wanted. 
He never had the chance as she disappeared, shutdown her socials, changed her number and left.
Months passed without contact and then this phone called happened.

REAL GOOD TROUBLE (After Vegas)

I can’t believe you’re back in the city 
We called called our own
You wouldn’t recognise my number 
When I was calling,  calling on your phone
You said I’m sorry it’s been too long now 
And too many stones thrown 
I changed my number then picked another 
It was a stagecoach to Basingstoke 

Chorus 
So if you wanna get into 
Some real…. real Good trouble 
And leave our past behind
Then I’m ready & primed
For real good trouble 
For real good trouble….. Every Time! 

(every time.. oh baby baby baby... every time)

2nd Verse
After Vegas I needed to leave 
I should of worn my heart on my sleeve
Every minute of everyday 
I thought of you and what I would say 
I got a job found a place 
And for a while I was the new face.. 
And all the great moments that got us through 
Were never the same without You! 

Chorus 
So if you wanna, get into
Some real…. real good trouble 
And leave our past behind 
Then I’m ready & primed
For real good trouble 
For real good trouble … Every Time!

Every time.. oh baby baby baby... every time..
Real good trouble... 
Real good trouble... 
Real good trouble... 
Every time.. Every time!

Real Good Trouble (After Vegas) Fox, Brownie & Daniels

Guitar Track without beats using Echo effect to keep time.
The Grail could mean the reaching of wisdom and peace.

The Grail (2002)

Uke, Mandolin and a couple tracks of syths...mashing. The clicks are me clucking my tongue...

The title? I got no idea where that came from...

Image is obviously AI

Ist Kan Bulle

Suburbia

Chill Beat

Ambient trance with a slow, immersive groove built for deep listening and late-night focus.

Floating Over Mist

I was interested in music in my early youth... so I soon got my first synthesizer and set up a small home recording studio.
over the years i played keyboards in 5 bands...the direction was rock...pop...blues and soul.
in the meantime i have discovered my enthusiasm for creating my own songs.
it makes me happy when I can compose...arrange...mix...produce and create something new.
it's like a passion to experiment with different styles of music... and it gives me a lot of joy.
the only limit is your imagination...
is my motto.
and everything is possible...you just have to try.

music is pure magic...and part of the soul...
no one can escape her
let the music guide your mind...and that's the only way you'll get the freedom...you've always wanted

Party Overture

𝐏𝐚𝐬𝐬𝐢𝐨𝐟𝐥𝐨𝐫𝐚