L O V E D

The Scissor and Thread's „Classics of the month“ playlist captures the label's lasting legacy, offering key moments and unforgettable tracks. Each track in this playlist carries the label’s unmistakable imprint: subtle, immersive, and built to last. From deep, meditative grooves to warm and welcoming sounds, these records continue to resonate beyond their release. A carefully handpicked collection of past catalogues, all in one place.

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Scissor and Thread: Classics

MyHouse_Francis Harris

Groove collection 1 - 13

Scissor and Thread Discography

Rotation! Rotation!

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Beginning with 2012’s Leland New York artist Francis Harris has been doing a deep dive into the sonic swells and contrapuntal granularities that articulate our most abstract, and sometimes slowest moving, virtualities. Through found sound, analog synthesis, and concise instrumentation Harris has delivered works that transcend the diagrammatic exposition often found in electronic music in an attempt to redraw the landscape of how such music is received and understood. Rather than valorize the fragment, the ambient, even in some cases the song, Harris’s albums offer networks of complex interiorities that endeavor to act as whole worlds unto themselves replete with memory, possibility, loss, and a radiant albeit tenuous hopefulness for the future. 

While previous albums, most notably Leland and Minutes of Sleep (2014) as well as two albums released as one half of the duo Aris Kindt (most notably the stellar Swann and Odette from 2017) have relied on singular thematic and narrative drives that were often of a personal, collaborative, or hermetic in nature, Thresholds is an album that aspires to sonic universality and the presentation of a fully formed psychoacoustical world. That being said it is not an “album of ideas”. Inspired by the ecological and political upheavals of the present and the role of speculative thought as an avenue of global transformation Thresholds is the work of a mature artist fully in control of his powers. Both expansive and nuanced the album widens the aperture of the affective possibilities of the electronic assemblage; themes skip from one track to the next, elevating and informing each other in tangible fields of abstract figuration. The titles, while often heady, concisely allude to strategies implicit in the construction and arrangement of the works: Cut Up, within the context of the album, is exactly that. Luck Takes a Step juxtaposes stately synths with just the right touch of playful fluctuation and latent atonality. The title track itself is a knotted mass of uncertainty and propulsive beats the breakdown of which is a nervous series of fits and starts that resonate not just within the track but as the fulcrum of the entire album: the threshold of our Threshold: 

“…we are caught up in our own original transversals of time to the point of dissolution, and that which remains a part of the contrivance of ourselves is ultimately that which crosses the threshold and is somehow, miraculously, reconstituted on the other side of it. Because it is via the threshold that we can best observe the conditions of experience as lived even as we cross to the other side of understanding, rejoining the ancient equilibriums of which we, in our depths, are comprised.” (From the liner notes) 

No track overstays its welcome and with the help of standout vocalist Eliana Glass, and instrumentation by Dave Harrington, Mark Nelson (Pan American), Will Shore, Greg Paulus and Gareth Redmond, and mixed by Phil Weinrobe, the result is a dizzyingly pure inward gaze that is first and foremost an album about connection.

Thresholds

Rebstock Fold

Francis Harris - Rebstock Fold

The Fade Out Line (Original)

A1. Blazing Sun

Leland kept finding new life. This second set of remixes moves the album into new directions. Matthew Herbert takes “Lostfound” apart and rebuilds it twice over, Black Light Smoke lights a fire under it with restless sounds and Steve Bug changing it into a deep tune. 

Leland Remixes Vol. 2

Pensum (Steve Bug Rемiх)

READ > https://inverted-audio.com/premiere-fka-boursin-listless-intertext-frank-tonys-housebeat-dub

Bristol-based producer fka @boursin joins the fold at NYC-based imprint @scissorandthread with a forthcoming 12" single named 'Listless Intertext', accompanied with an exquisite dub flex from label bosses Frank & Tony.

The original is a 12-minute drift through hazy deep house textures, half-caught conversations, dreamy synths and shuffling percussion. Instead of clear vocals, we get indecipherable fragments that lend the track a woozy, dream-state quality - like trying to decipher a distant conversation while slipping out of consciousness. It’s deep and loose, a slow-burner that feels just as suited to headphones as it does a smoky backroom.

Frank & Tony’s Housebeat Dub flips that energy on its head. The duo keep the mood intact but drive it forward with a fat, rolling groove tailor-made for those blurry hours on the dancefloor. Where boursin pulls you inward, Frank & Tony push it outward - a hypnotic, floor-ready workout that still carries the ghostly essence of the original. Together, they make Listless Intertext a release that blurs the line between introspection and propulsion, subtle listening and functional club heat.

fka boursin - Listless Intertext (Frank & Tony's Housebeat Dub) [Scissor & Thread]

Up next on Brooklyn’s Scissor & Thread is the latest EP from @Snad, aka Shyam Anand (also known as Spandrel), the Berlin-based artist whose discography already spans labels like Smallville, Minibar, 20:20 Vision, Phonica AM, TerraFirm, Running Back, Cabinet, Kimochi and Dungeon Meat with remixes for names including Seafoam and Chez Damier. 

A trusted selector and producer in the underground, Snad has steadily built a reputation for deeply considered productions that balance classic inspiration with his own forward-thinking edge.

The AM Yard EP opens with its title track, a warm, hazy cut rooted in the kind of bassline architecture that recalls Chez n Trent’s Morning Factory but reshaped with Snad’s signature dreamlike touch. 

Anticip8 fanchors the release with a more direct energy, rolling, insistent and focused on the floor, balancing stripped-down drive of dusty samples wrung through his digitakt with just enough harmonic flourish to pull the listener inward. 

On the flip, The Pursuit follows in a slightly different mode, drawing on experimental vocoder techniques and filtered percussion creating a hypnotic push-and-pull that feels as intricate as it is understated.

Rounding things out, label heads Francis Harris and Anthony Collins, under their Frank & Tony alias, reimagine The Pursuit with their Housebeat Remix, extending its atmospherics into an even deeper headspace that glides effortlessly into late-night territory.

AM Yard

Anticip8

Snad: The Pursuit (Frank & Tony’s Housebeat RM)

The Pursuit (Frank & Tony´s Housebeat Remix)

The Pursuit

Superunknown

Kickstand

A-Sides

Spoonman

Fresh Tendrils

The Day I Tried To Live

Limo Wreck

On Scissor and Thread’s fourth release of 2016, newcomer Villete takes a turn in the spotlight on their deep house stunner, ‘Girl Next Door’. The A-side opens with the swelling pads and earnest hi-hat of “Dreams”. A distant voice declares “everyone is devoted to their emotion, it’s me and my imagination” before a springy bass line drops in, ushering in the mantra “never be afraid to dream”. A brassy synth further envelops the listener into the track’s warm embrace as layers of percussion skitter in and out of focus. “September” takes a turn for the cerebral with its’ skipping hi-hats and airy pads. A springy bass line is accompanied by celestial synths that envelop the senses, making this psychedelic cut primed for after hours devastation. Villete goes even more cerebral on their introspective title cut, dialing back on the BPM, but keeping the energy high. A hushed bass and thudding kick take the backseat, allowing the hypnotizing, submerged pads and swirling, reverbed synths to take center stage, transporting dancers into eye-closed euphoria. The EP closes with the murky drum tones of “Rillia”. Droning pads, delicate claps, and a shy, skittering shaker keep things bubbling and light above the track’s thicker than molasses kicks. Deep house maestro Darand Land takes his turn on the aforementioned track, lifting it out of the murk and straight up to the heavens and drenching it in his sun-kissed, euphoric style.

Villete - Rillia (DaRand Land Rемiх)

Girl Next Door

September

Tough Love

Tough Love (Jonas Mantey's Triebkraft I Remix)

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DJ Aakmael 
Take It Back EP 

Scissor & Thread ramp up the heat with the debut release by Virginia’s deep house don, DJ Aakmael (@dj-aakmael).

Known for his infectious grooves and deep and intricate instrumentation for more than two decades, this four track EP is in no short supply of teased out, peak time, classic deep house.

The titular track wastes no time on the A-side with its hard hitting kick and springy bass holding court, while a hypnotic serpentine synth snakes along.

The A2, What Iz Deep House, is a lesson for those who don’t know what true deep house is. Woozy, edgy chords take the spotlight as a dissociated voice slurs, “what is deep house?” A relentlessly thick kick, along with sharp as razors hi-hats and snaps, throttle the track into peak time territory.

On the flip, Sands is an aquatic affair, with its reverb laden pads and piano chord stabs submerging the floor in pelagic atmosphere. The persistent, euphoric bassline bump effortlessly slides its hooks into the listeners ears before a celestial piano melody pierces through the depths.

Frank & Tony take things even deeper with their late night Breakaway Dub, applying their signature bass line touch and hi-hat shuffle in what may be their best remix to date.

sat033
17 Nov 2017

A1. Take It Back
A2. What Iz Deep House
B1. Sand
B2. Sand (Frank & Tony’s Breakaway Dub)

Take It Back

What Iz Deep House

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@cfrancisharris

Francis Harris is a founding member of the Scissor & Thread label - a Brooklyn-based imprint established 2011. Previously releasing under the alias Adultnapper, Harris established Scissor & Thread as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including Black Light Smoke, Bob Moses and Aris Kindt. Harris’ own output has gone from tightly wound tech house bombs as Adultnapper to intricate and expressive musical journeys, and has seen him branch out with a new label - Kingdoms - a home for adventurous music from across the board.

More We Cannot Do is a perfect example of Harri’s feel for depth and dynamics - the track is seeming submerged warm amniotic fluid - cocooned in compression that the listener can get instantly lost in. A think, subby bass provides much of the groove, with skittering percussion on top and luscious fragments of melody. Minor Forms, the EP’s title track is cut from similar cloth - emerging form a subtly distant place to inhabit a melancholic, beautifully evocative space - somewhere between ambient, jazz and the dancefloor. Valentino Mora offers up two exquisite reworks of Minor Forms to complete the EP. Mora, the Berlin based Uruguayan producer, brings his own layer of depth to Harris’s originals - the Underwater Rephrase version adds a propulsive kick and manages to shimmer and shake in subtle, beautiful ways. The Cosmic Trans Rephrase is somehow even deeper - a bubbling bass pulse anchors the track while pads drift in and out, adding to the blissful, meditative whole.

sat034
23 Feb 2018

Tracklisting:
A1. More We Cannot Do
A2. Minor Forms
B1. Minor Forms (Valentino Mora Underwater Rephase)
B2. Minor Forms (Valentino Mora Cosmic Trans Rephase)

Minor Forms

Francis Harris - Minor Forms

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Francis Harris is a founding member of the Scissor & Thread label - a Brooklyn-based imprint established 2011 as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including black light smoke, Bob Moses, Frank & Tony, DJ Aakmael, Desert Sound Colony and Aris Kindt, to name a few.

Harris’ own output has gone from tightly wound tech house cuts as Adultnapper in the early days, sublime deep house
as Frank & Tony, intricate and expressive musical journeys as evident in his two solo-albums 'Leland' and 'Minutes Of Sleep', and ambient shoegaze with two Aris Kindt albums, co-produced with Gabe Hedrick. Most recently Harris branched out with a new label - Kingdoms - a home for his love of a more adventurous sound.

Now we are proud to present his new solo single, the frst since the release of 'Minutes of Sleep', 'Minor Forms' which includes two remarkable remixes by Valentino Mora.

'More We Cannot Do' is a perfect example of Harris‘ feel for depth and dynamics - a track that feels submerged in a warm amniotic fluid cocooning the listener in a thick subby bassline, providing much of the groove, with skittering percussion on top and intricate fragments of melody throughout leading to a wonderful moment with live vibraphone provided by New York player Will Shore.

'Minor Forms', the EP’s title track is cut from similar cloth - emerging from a subtly distant place to inhabit a melancholic, beautifully evocative space - somewhere between ambient, jazz and the dancefloor. Joining Harris is Greg Paulus on Trumpet, a long time friend and collaborator adding his signature touch to an already moving piece.

Valentino Mora offers up two exquisite reworks of 'Minor Forms' to complete the EP. Mora, the Berlin based Uruguayan producer, brings his own layer of depth to Harris‘ originals - the Underwater Rephrase version adds a propulsive kick and manages to shimmer and shake in subtle unexpected ways providing a purely late night dancefloor take on the original.

The Cosmic Trans Rephrase is somehow even deeper - a bubbling bass pulse anchors the track while pads drift in and out, adding to the blissful, meditative whole.

sat034
23 Feb 2018

Tracklisting:
A1. More We Cannot Do
A2. Minor Forms
B1. Minor Forms (Valentino Mora Underwater Rephase) 
B2. Minor Forms (Valentino Mora Cosmic Trans Rephase)

Francis Harris - Minor Forms (Valentino Mora Underwater Rephase)

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Francis Harris - Minor Forms 

Francis Harris is a founding member of the Scissor & Thread label - a Brooklyn-based imprint established 2011 as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including black light smoke, Bob Moses, Frank & Tony, DJ Aakmael, Desert Sound Colony and Aris Kindt, to name a few.

Harris’ own output has gone from tightly wound tech house cuts as Adultnapper in the early days, sublime deep house
as Frank & Tony, intricate and expressive musical journeys as evident in his two solo-albums 'Leland' and 'Minutes Of Sleep', and ambient shoegaze with two Aris Kindt albums, co-produced with Gabe Hedrick. Most recently Harris branched out with a new label - Kingdoms - a home for his love of a more adventurous sound.

Now we are proud to present his new solo single, the frst since the release of 'Minutes of Sleep', 'Minor Forms' which includes two remarkable remixes by Valentino Mora.

'More We Cannot Do' is a perfect example of Harris‘ feel for depth and dynamics - a track that feels submerged in a warm amniotic fluid cocooning the listener in a thick subby bassline, providing much of the groove, with skittering percussion on top and intricate fragments of melody throughout leading to a wonderful moment with live vibraphone provided by New York player Will Shore.

'Minor Forms', the EP’s title track is cut from similar cloth - emerging from a subtly distant place to inhabit a melancholic, beautifully evocative space - somewhere between ambient, jazz and the dancefloor. Joining Harris is Greg Paulus on Trumpet, a long time friend and collaborator adding his signature touch to an already moving piece.

Valentino Mora offers up two exquisite reworks of 'Minor Forms' to complete the EP. Mora, the Berlin based Uruguayan producer, brings his own layer of depth to Harris‘ originals - the Underwater Rephrase version adds a propulsive kick and manages to shimmer and shake in subtle unexpected ways providing a purely late night dancefloor take on the original.

The Cosmic Trans Rephrase is somehow even deeper - a bubbling bass pulse anchors the track while pads drift in and out, adding to the blissful, meditative whole.

sat034
23 Feb 2018

Tracklisting:
A1. More We Cannot Do
A2. Minor Forms
B1. Minor Forms (Valentino Mora Underwater Rephase) 
B2. Minor Forms (Valentino Mora Cosmic Trans Rephase)

Francis Harris - More We Cannot Do

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HFN Reworked by Francis Harris

Francis Harris’ (@cfrancisharris) exceptional run of releases for his own labels Scissors & Thread and Kingdoms now extends to this perfectly formed EP for hafendisko, which sees him rework some of hfn music’s finest moments of the last two years.

Harris, the Brooklynite whose feel for subtlety and space seems to infuse all his work, takes on three of the Hamburg label’s cannon - kicked off with Kasper Bjørke’s (@kasperbjorke) ‘Cloud 9’, featuring Urdur.

Here Harris deconstructs the original and reforms it into a some quite removed from its origins - shuffling drum machines bring about a Kraftwerkesque feel, before beautiful tones and atmospheres reveal themselves.

The track seems to develop along two paths simultaneously, somehow creating a truly affecting piece of leftfield electronica.

Null + Void’s (@nullandvoidmusic) huge Dave Gahan (@dave-gahan-official) -featuring-track ‘Where I Wait’ has been heavily remixed over the past months, but also gets the Harris treatment. Completely flipped form the original, this is a haunting remix with tough and funky underbelly, utilizing Gahan’s vocals only sparingly.

Danish alt-pop trio ticktock (@ticktockgoestheclock) have their single ‘Hatefuck’ refixed also, and Harris zones in on the glitchy vibe and adds layers of claustrophobic depth to the production.

hfndisk48
31.08.2018
hafendisko

Tracklisting :
A. Kasper Bjørke: Cloud 9 (feat. Urdur) (Francis Harris Reform)
B1. Null + Void: Where I Wait (feat. Dave Gahan) (Francis Harris Reform)
B2. ticktock: Hatefuck (Francis Harris Lightbluemover Reform)

Null + Void - Where I Wait (feat. Dave Gahan) (Francis Harris Reform)

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**

After Francis Harris' third album 'Trivial Occupations' gained magnificent resonances during press and listeners - his “meandering, spine-tingling loveliness” (DJ Mag, USA) became an album of the year in several publications - here is the Remix-EP with two very special reworks.

While the left-field ambient waves of 'Trivial Occupations' still linger in the ears, Joaquin Joe Claussell and LNS tamper with the two bit more beat-driven 'Minor Forms' and 'St. Catherine And The Calm' for two new interpretations that totally break the chains.

New York based DJ, musician and producer Joaquin Joe Claussell, label-owner of both Spiritual Life Music and Sacred Rhythms Music is looking back on a list of countless works on Labels like Vega Records, Brownswood Recordings and Wonderwheel Recordings. Famous for his percussion-driven Afro-House tracks which are influenced by his Puerto Rican background, he also has a deep connection into New York’s local Jazz Scene. Claussell's Cosmic Arts Version of Minor Forms features the outstanding Jazz-pianist Bennett Paster with skillful and organic Piano lines. The track opens up with indistinct vocal chants and distant piano-tinkles alongside scattered drum hits. This moody, steady swelling beginning follows on the vibe of the original’s jazzy trumpets. As the bass, played by Claussell, hits at some point, the whole track turns into a fusion of  virtousic synth and piano melodies, underlined with excentrical drum rolls. A turn back into the lighter ambient-spheres finally ends the wildness.

"No different than how I approach producing remixes," says Claussell, "my goal first and foremost is to initiate a connection with the original composition. What this allows me to do is become intimate with the piece in a way that it almost becomes one of my own. Once the relationship is established, I then sketch out the ideas in my head - then on to the canvas - hence whatever format, whether that be DAW or Tape that I feel can most appropriately assist me in getting the job done. As it relates specifically to 'Minor Forms', I envisioned it becoming a journey that moves in 4-parts (Deep Wilderness, Morning Light, Jazzstosphere and back into the Wilderness). The ultimate goal was for the remix to become a story that continues moving through different atmospheric scenes and melodic emotions-all the while respecting the brilliance of the original story. An important part however, is that i need to feel the original composition before i entertain the idea of  agreeing to do remixes. And so, hats off to Francis Harris for creating an inspiring piece of music to begin with."

The lively breathing nature of 'St. Catherine And The Calm' is what Laura Sparrow aka. LNS is most fascinated about, so her approach for her remix was to “utilize Francis organic sounds and approach it both via hardware electronically, and using real instruments”, she says. Her Sister, Nadia Sparrow, who is a professional flutist played over the track, creating a goosebump-atmosphere, that is permeated by floating tape-delays of the originals’ piano and vibraphone. Calm and breakbeat-like drums provide the basis for this breathtaking harmonic adventure. LNS, originally keeping the spirit of Vancouver’s underground scene alive, is now at home in the Berlin’s equivalent. Not only her love for Detroit and UK-Techno during Djing, but also a great variety of musical influences mirror in her productions. On her recent releases on DJ Sotofett’s Label Wania and her self-released Recons One EP she shows off a interesting mix of short edged electro and leftfield electronica.

With almost thirty minutes playtime, Trivial Occupation Remixes leaves the impression of listening to an entire album that continues telling the story of the original.

Francis Harris - St. Catherine And The Calm (LNS R/ & Nadia Sparrow)

Sin Cos Tan

SIN COS TAN - AFTER ALL

Scissor & Thread is cut from a different cloth than your average dance imprint.