Beatport: http://bit.ly/ObjectsEP_bp
iTunes: http://bit.ly/ObjectsEP_iT

The release of Stiv Hey’s ‘Objects EP’ on SCI+TEC sees the young Italian achieve his next momentous musical milestone. Having released his first solo productions back in 2012, Stiv went on to feature his music on labels including Monique Musique, Harthouse and Black Swan Recordings and has seen his tracks win favour with the likes of Marco Carola, Richie Hawtin and Dubfire. 

The ‘Objects EP’ features a trio of tracks, each showcasing Stiv’s refined, dark grooves and accurate basslines. The sinister vocals of ‘Every Day, Every Night’ open the EP, backed by the atmospheric and hazy funk of ’Stoned To The Bone’. The beatless title track, ‘Objects’, is the perfect outro for the release and leads us into the regular SCI+TEC Tool collection. A must have for all DJs. 

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Connect with Stiv Hey
Facebook: www.facebook.com/StivHey
Twitter: ‪www.twitter.com/stivhey
SoundCloud: ‪https://soundcloud.com/stiv-hey

TEC131 - 2 - STIV HEY -  STONED TO THE BONE

based @ Lower Austria, with Bosnian roots,...  

____~.~____[•‘•].____{*~*}____(^.^)_____/•.•\______
- JUST 4 FUN - JUST 4 FREE - JUST 4 YOUR FEET 

—————> keepONraviN‘<—————
>>>>>>kEEP iT uNDeRGr0uNd<<<<<<

I just really like a bit of everything..you will have to turn it up though

Ahí estoy yo, es decir, Dragonscale. Una DJ de Barcelona con una reciente pero fructífera trayectoria. Mi sonido es puramente electrónico dividido en dos versiones de mí: una de lounge y otra de club.

La primera es refrescante con un toque cítrico, para no perder la chispa y alargarla hasta el anochecer. La otra es especiada con un acento picante, así la fiesta mantenga su esencia hasta el amanecer.

Sí, esa soy yo, sin aditivos ni colorantes artificiales.


There is me, that is Dragonscale. A DJ from Barcelona with a recent yet fruitful career. My sound is purely electronic split into two versions of myself: lounge and club.

First one is refreshing with a citric touch, so the spark cannot be missed and make it last until the sun sets. The other one, savory with a spicy accent, so the party keeps its essence until the break of dawn.

Yes, that is me, with no additives nor artificial dyes.



welcome.
send me a message for collab in art (sound/drawn)
Bookings & absurdities; 
Art -> https://www.instagram.com/bobsnewhouse/

SCI+TEC is the premiere electronic music label founded by internationally acclaimed recording artist and DJ, Dubfire. The label provides an outlet for Dubfire's own works as well as the discovery of emerging and established talent.

Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s.The first recorded use of the word techno in reference to a specific genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.In Detroit techno resulted from the melding of African American music including Chicago house, funk, electro, and electric jazz with electronic music by artists such as Kraftwerk, Giorgio Moroder, and Yellow Magic Orchestra.Added to this is the influence of futuristic and fictional themes relevant to life in American late capitalist society, with Alvin Toffler's book The Third Wave being a notable point of reference. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Stylistically, techno is generally repetitive instrumental music, oftentimes produced for use in a continuous DJ set. The central rhythmic component is most often in common time (4/4), where time is marked with a bass drum on each quarter note pulse, a backbeat played by snare or clap on the second and fourth pulses of the bar, and an open hi-hat sounding every second eighth note. The tempo tends to vary between approximately 120 to 150 beats per minute (bpm), depending on the style of techno. The creative use of music production technology, such as drum machines, synthesizers, and digital audio workstations, is viewed as an important aspect of the music's aesthetic. Many producers use retro electronic musical devices to create what they consider to be an authentic techno sound. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro technology are popular among techno producers.

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and electronic dance music.