Macarena Rosmanich, a Chilean composer based in Germany, is one of the most active international voices of a growing scene of Latin American female composers. Although her career has developed mainly in Europe, her eagerness to motivate future female composers in her country of origin, makes her have permanent contact with the contemporary Chilean scene. 
The concept of intertextuality is at the center of her work. Each piece is linked to other pieces, through elements that are then developed in a new context, generating a universe that interacts and evolves internally. This universe is not isolated, but also discusses or is inspired by narrative literature, poetry, art, as well as social and political events.  All this works as an engine that triggers a flow of sound relationships that give rise to her work. 
"The close relationship between compositional work and literature, has led me to conceive spaces that complement each other and merge into a unity through music. My approach seeks to provide the poetic form with a new temporal dimension, a sort of collaboration between sound and word that transcends conventional boundaries. In essence, my purpose is to blur the boundaries of pre-existing form and structure in a work, rearranging them in such a way as to configure a new work, thus redefining the essence of the original. This process not only involves a stylistic transformation, but also seeks to open up new routes of interpretation, allowing the musical composition to dialogue in a unique way with the poetry and, in turn, establish a richer and more dynamic connection with time."
Her work ranges from chamber and vocal music to works for orchestra and musical theatre. She has worked with numerous international soloists, orchestras and ensembles, such as Musikfabrik, Kommas, Via Nova, Mosaik, Recherche, Multilatérale, United Instruments of Lucilin, KNM Berlin, Vertixe Sonora, L'ART POUR L'ART, Reflexion K, Broken Frames Syndicate, among others. 
Her works have been performed in Latin America, Germany, France, Italy, England, Spain and Luxembourg. 
She studied at the University of Chile where she graduated with distinction and continued her postgraduate studies with composer José María Sánchez Verdú at the Robert Schumann Musikhochschule in Düsseldorf and later a master's degree in composition at the University of Freiburg with Johannes Schöllhorn.
Macarena Rosmanich lives and works in Cologne, Germany.

https://rosmanich.com/

Contact: macarosmanich@gmail.com

Dominique Pifarély modernized jazz violin, combining extraordinary technical skills with an inclusive idea of music-making. He has been soon very in-demand as a straight jazz player, but was soon in some of the more adventurous groups in Europe, too, including Mike Westbrook’s band (On Dukes’ Birthday, hatART) and the Vienna Art Orchestra.

In 1979, he began touring with bassist Didier Levallet and guitarist Gérard Marais as a trio. In the 1980s he began leading his own bands, as can be heard on 2 records, Insula Dulcamara (1988) et Oblique (1992).

In 1985, Pifarély started to work with reedist Louis Sclavis and in 1992, they formed the Sclavis/Pifarély Acoustic Quartet, featuring guitarist Marc Ducret and bassist Bruno Chevillon, and recorded for ECM. In the late 1990s, he started a duo work with pianist François Couturier, and they recorded a prominent album (Poros, ECM, 1997).

Dominique Pifarély is now focusing on different personal projects. Impromptu is a development of the collaboration with François Couturier, adding counter tenor Dominique Visse and a work on contemporary poetry. He also initiated numerous text/music experiences with french writer François Bon and actors Violaine Schwartz and Pierre Baux. The Dédales ensemble is a acoustic nine piece band. He founded in 2007 a trio with keyboard player Julien Padovani and drummer Eric Groleau.

In his mature style, the classical violin tradition and the swing lessons combine with a contemporary European sonic exploration ; his technical mastery and quick imagination allow him to move seamlessly between these worlds.

He regularly performs in whole Europe, and has been touring in USA, Canada, Japan, India, Middle East, Latin America or Africa.

malaussena.julien@gmail.com

https://www.julienmalaussena.com

https://enmossed.bandcamp.com/album/articulated-sound-energy

sing your songs for the kids you sad fuck

composer/improviser/curator (b. 1979). Miss Foreign Affairs. Gulpt. Ensemble PMV. EN/ES/CAT. had been using SC Pro until I let my subscription lapse and they wiped all my earliest pieces going back to 2011 so my levels of being bothered with here are understandably nil. come find me somewhere else.

Pianist, improviser.
Hupata!, Warelis/Govaert/De Joode, Ruido Oscuro, Polyband, Xavier Pamplona, Bazooka, Dust Bunny

EXIT_LAB is a laboratory, a place to meet and an informal platform dedicated to explore and promote art, performance and social action.

it is located in Anderlecht, Belgium (EXIT_LOFT) it was created 20 years ago by Pat Lugo and Marco MAL Loprieno.

Marco MAL Loprieno - instant composition, wind instruments,  toys, field recordings, sampling  and electronics; PAT LUGO - voice, photo, text and visual.  
"IN HISTORY AS IN NATURE WHAT IS ROTTEN IS THE LABORATORY OF LIFE " [Karl Marx, The Capital, book I, chap. XV ]

If you wanna know more about the most recent new music, i do time to time a mixtape with the music i love!

malaussena.julien@gmail.com
https://soundcloud.com/julien-malaussena

Sarah Claman (violin), Josafath Larios (percussion) and Sebastián Vidal (guitars) have gotten together in the spirit of musical game to present a sonic journey.

Treeplet is an international treeo, based in Barcelona. Their treeangle (New Zealand, Mexico, Chile) brings them inspiration that blooms on stage by use of tools such as rhythmic game, timbre exploration and improvisation.

Followers of sclaman