out a serie of remixes for @matteocoffetti's embryo furafura album

first remix out by @piezopz
buy it here: https://pampsychia.bandcamp.com/track/quentin-selva-fooza-piezo-mondialcasa-remix
:)

original track: https://soundcloud.com/pampsychia/3-quentin-selva-fooza?in=pampsychia/sets/matteo-coffetti-embryo

Quentin Selva Fooza (Piezo MondialCasa Remix)

IDENTITY SAMPLER II

Analyze, Reproduce

Plasma Sources is proud to present nosync’s Soundsystem Music, an EP which provides a fresh perspective on the high-fidelity and sci-fi influenced electronic music the imprint is known for.  

nosync’s (https://soundcloud.com/user-775234683) work sits in a truly unique space in the sound system/club music-o-sphere. This in large part is due to his heavy deployment of progressive metal instrumentation, from chugging walls of overdriven guitars to relentless double-time kick patterns. On paper, utilising this palette in a club-music context may seem like an impossible task. However, where others might see a chasm of disparity, nosync has deftly identified the bridge connecting these two genres, seeing in these two landscapes the same desired emotional state - despite the different methodologies used to achieve this.  

“This record attempts to make the case that the essence of what makes these sounds so obsessively loved are one and the same. Gripping dramatism and intensity are the overlapping themes that I have attempted to bring out here, through the record’s sound design and film-like structure.” 

Indeed Soundsystem Music as a whole feels wildly cinematic and is as much an exercise in atmosphere creation as music for sound systems, with nosync citing the video game Dead Space and its sequel as key influences for this body of work. From the claustrophobic, elasticated wind chamber of ‘Traced’ to the broken choir voices and FiS-esque ambient abyss of ‘Dead Land’, nosync has expertly matched the pace and atmosphere of these hugely iconic and utterly terrifying video games and channeled them into a purely sonic experience.  

The metal influences nosync brings to the table slice through the entire corpus of Soundsystem Music, although the linkage is perhaps at its most clear on ‘Airlock’, which features a full-on death-metal guitar chugging through the first half. In perhaps the most surprising switch-up of the entire EP, things suddenly twist into a guttural underwater club track a third of the way through.  

nosync’s love for the vast ecosystem of club/soundsystem music also comes through loud and clear on this release, from the grime-inflected leads and hyper-detailed polyrhythmic noise workouts of ‘Unregistered Hypercam’ to the reverberated metal clangs of ‘Kauket’s Arena’ which feels like witch-house on steroids - the soundtrack to some final boss battle with some type of nightmare-demon-entity.  

nosync has achieved something unique with Soundsystem Music. By drawing together a hugely disparate corpus of influences and pummelling them into a noise-fuelled apocalyptic aberration, he has created a sound which feels consistent, fully his own, and in many places, utterly dread-inducing. 
credits
releases February 13, 2024 

Written, Produced & Mixed by Nikolas Babić 
Mastered by Hypna 
Artwork by Joh000 // Jose Hernández 


© & ℗ 2023 Plasma Sources.

Soundsystem Music

unearth - Aberrations

https://sfx-space.bandcamp.com/track/wait-aya-dub-zo-mc-pherson
Brilliant surprise remix by the wonderful artist @aya_yco out on @s-f-x-0101
! A slow-burning roaring footwork drum and bass remix of my track Wait taken from the album Pitch Blender.
This one comes as a super yummy cherry on top of the already delightful Pitch Blender remix EP, with works by Scratcha DVA, Jana Rush, Kasimyn Gendang, Jessica Ekomane, Mc Yallah and me.
We've heard with immense joy these being played out there in clubs and on the airwaves. Thanks for the love!

Giving it extra back at you now! Go hear it now
Red-flavoured artwork by Alessandra Leone

Pitch Blender remixes

Wait (aya Dub)

@assyouti - Kraken Sight [PNMTU010]
Artwork by yyed [https://instagram.com/_yyed/]
BANDCAMP [https://paynomindtous.bandcamp.com/album/kraken-sight]
YOUTUBE [https://bit.ly/kraken-sight-yt]
***
Assyouti (he/him) is an Egyptian DJ and producer born and raised in Cairo, a bustling city whose perpetual chaos and overwhelming noise pollution have been channeled into the artist’s unique music productions, developed around endless warping and manipulation of rhythmic and vocal samples. Now based in Berlin, Assyouti has been bringing his remarkable mutant bass music around local clubs as well as the most renowned festivals for the scene such as Uganda’s Nyege Nyege and Berlin’s CTM. After his debut EP "Shakhrama" (High Digital, 2022), and the follow-up “The Disintegration of Eric Omelette” (Shepard Tone, 2023), we’re beyond excited to present his next endeavor called “Kraken Sight”, releasing July 5th on our platform and marking our tenth outing so far.

Keeping up with Assyouti’s trademark feature of arranging broken rhythms, deranged percussions, and heavily distorted bass into articulated sound aggressions, the release is composed of five tracks sketched with a harsh industrial-infused sound palette, and refined through the surgical juxtaposition of tension, sudden release, and further sonic assault. Kraken Sight describes the descent into a dangerously dark ocean, inhabited by lurking creatures ready to swallow the listeners in the bottomless, obscure depth. Masterfully managing to convey an ever-present tension, Assyouti’s latest effort summons oppressive and abrasive soundscapes to lead to inescapable feelings of unease and discomfort, where light struggles to infiltrate and brighten the black, desolated abyss. 

All tracks are mixed by Assyouti and mastered by Wim Dehaen [https://soundcloud.com/wimdehaen].

Kraken Sight

Bandcamp

Assyouti - Sunken Sleeper

Hollywood birders Harry and Tom deliver four DJ unfriendly tracks aimed squarely at the parish hall. Sonic forage-ables and contemporary barndance to storm cruck frames across the Tunbridge Wells - Pontypool connection.

‘Drum, Botany & the Brash’ is the product of six months of outings and studio sessions by Forest Casual, a collaborative project by Harry Murdoch and Thomas Morley. These songs assemble nocturnal field recordings, barely metric rhythms, the May Day dawn chorus, wilted bouzouki and wood-pigeon wub. Two heads colliding to create a third, completely distinct from its makers.The resulting four tracks are dub infused soundsystem folk for the funglist massive, just don’t call it Folktronica. Entrenched in the music are many musical tangents explored in Harry’s basement, anecdotes of work and play on the ropes, and memories of jumping fences and squinting at woodpeckers. 

Harry Murdoch makes music as hmurd and has released with TT Label, Gin & Platonic, All Centre and more. He co-runs the label Cherche Encore and is in the band Hard On Yarn Sourdonk Communion. Harry is chronically ill. He mostly makes music with code.
Thomas Morley is a free improviser currently exploring composition by experience and relationship. He is 1/2 of microband ‘mosspit’ and provides side-person duties for artists in need of pads and foley. Hailing from South Wales, Tom finds catharsis by abseiling on heritage buildings and playing 5-string banjo.

Written and Produced by Tom Morley and Harry Murdoch
Artwork by Sheonagh Baird

Forest Casual - Transients Cadw

PREMIERE : B E N N - Tear the silence [katharsis]

Taken from SBKT068: Swimful - Diecast
Release date: 26th March 2025

The long awaited follow-up to 2022’s ‘Rushlight’, ‘Diecast’ is a new 4 track club EP from Swimful, with remixes from Iceboy Violet, Grandmixxer and DJ Narciso.

Swimful - Atlantis

azure expression clips #ez2dj

Doomed

ZULI — All Caps (UIQ0012)
12” + DL
Pre-Order — https://zulimusic.bandcamp.com/album/all-caps-uiq0012

Released 12th March 2021

Mastered by Rashad Becker
Insert Design — Dave Gaskarth

Forest Casual - Transients Cadw

Scorpio Red

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