Name: Lenore by Kenneth Eggert
Duration: 5 min 42 s
Description: A piece for violin and piano, played by Moises Cunha (violin) and Allison Blumenthal (piano) at the SCA recital in November 2014 at the Dancz Center for New Music, University of Georgia, Athens.

A piece for violin and piano, played by Moises Cunha (violin) and Allison Blumenthal (piano) at the SCA recital in November 2014 at the Dancz Center for New Music, University of Georgia, Athens.

Lenore

View the score here: https://www.flipsnack.com/AE7BDC97C6F/224-slices-of-pi-ftumwnmjo/full-view.html
This is a serialized work based on the number pi, the first 224 decimal points in fact. This is a recording of the premiere performance given in June 2015 at the  nief-norf Summer Festival of Contemporary Music at the University of Tennessee, Knoxville. It was just named as a Finalist-Honorable Mention in the 2016 American Prize for Excellence in Composition Chamber Music Professional Division.

224 slices of π

Microtonal organ music accompanied by electronic instruments, featuring Garritan Classic Pipe Organs and Applied Acoustics Systems Ultra Analog VA-2. The tuning is marvel woo.

Cave of Marvels

For harpsichord with 2 split keys per octave, tuned in quarter-comma meantone (C C# D D# Eb E F F# G G# Ab A=415Hz Bb B). 
Matias Häkkinen, harpsichord. Chapel of St. Lawrence, Vantaa, Finland (first performance, 7 Aug 2017).
1. [0'0"]Tetradekafoninen preludi (Tetradecaphonic Prelude), 2. [4'10"] Urbaani yösoitto (Urban Nocturne), 3. [7'35"] Resitatiivi ja koraali (Recitative and Chorale), 4. [10'35"] Tetradekafoninen kapriisi (Tetradecaphonic Caprice), 5. [11'10"] Antiikin enharmoninen moodi (The Enharmonic Mode of Antiquity), 6. [12'50"] '2 U', 7. [15'05"] Koukkuja ja kertosäkeitä (Hooks and Refrains).

Enharmoninen sarja (Enharmonic Suite)

Two Superposed Quarter-Tone Improvisations With Barysax

Okay, it's been a while.  Working on all sorts of new rhythms.  This is on the eight-stringed lyre, tuned 6 7 4 8 9 10 11 12.  It's the eleventh harmonic that sounds funky- you can really hear its primeness.

Metric: rh 16, lh 31.

cauliflower

This work is a 16th Century Style Kyrie.  The work was performed by the Repertory Singers of the University of Georgia under the direction of Jean Gomez and Daniel Bara.  The work was a final project in a 16th Century Counterpoint class taught by Peter Van Zandt Lane.

Kyrie - Performed by the UGA Repertory Singers

Kaiho ('Saudade') for Carrillo Piano (upright piano with 97 keys, one octave divided into 96 equal steps). First performance at the Muziekgebouw aan t'IJ, Amsterdam, Feb 25, 2018. Ere Lievonen, pianist.
Uses mostly the scale of 18-21-5-13-18-3-5-13 steps in 96edo. The temperament system is known as Porcupine; fifths and minor thirds are tuned wide, and fourth is divided evenly into three steps.

Kaiho

One-movement work for chamber orchestra: piano, 2 flutes, bassoon, 2 horns, trombone, 2 violins, viola, cello, double bass.

Palongawhoya

Triadically-based modernist music usually suggests some variety of minimalism, but this intensely ergodic piece certainly does not belong to that  category despite certain points of contact with work that does.  

Title refers to two of the ten kinds of waterfall, the two noted for their high energy.

Cataracts And Cascades for piano six hands

This is a piece for piano based on Neo-Riemannian theory. It is a MIDI version performed by a VST piano from the Vienna Symphonic Library. You can also hear a real version played by Edward Cohen, a pianist from Scotland: 
https://www.youtube.com/watch?v=pn0t5N1mXdA

In the following links there are the PDF files with the explanation of what the fundamentals of this piece are:

Explanation in English language:
https://drive.google.com/file/d/1Le66JNBocRH9bBr3d-mRrqqa-uS4nYz4/view?usp=sharing

Explanation in Spanish language:
https://drive.google.com/file/d/1t1-xbA49NjBk-WL9LEtPrqxhYZs67-Ko/view?usp=sharing

Explanation in Catalan language:
https://drive.google.com/file/d/1GR9_w7Lw_8CjItXDzzLjpKw_Stx7xaoj/view?usp=sharing

Parsimonious Trichords

Nowadays I'm a classical composer, experimenting with unusual modes, Just Intonation, free improvisation, electronic composition, unusual instruments, and so on. I run the gamut from the fairly conventional to the seriously weird, but hey, its all music. I also do more contemporary jazz/rock, particularly when I play out. Please listen and enjoy!

Lenore

Kenneth Eggert

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