Music and artwork crafted by squishy fleshy human beings.
Thanks a million for your listens, comments, likes and reposts 🖤🖤🖤
This music expresses the joy of weaving sounds, textures and rhythms together.
Some older artwork made by models, when they were still silly.

T.D.

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"There comes a point in your life when you realize who matters, who never did, who won't anymore, and who always will. So don't worry about the people from your past, there's a reason they didn't make it to your future"

Rascal, DJ Rascal, Rascal Records are international trademarks. ™ ®

© 2000-2025 Rascal Records ™ Ltd. All rights reserved. Trademark and copyright notice

DJ Rascal from France is one of the most successful French DJ's of the 90's... 

10 times DMC DJ finalist 1988-2000 
Vice European DJ Champion 1989 
Luxembourg DJ Champion 1988
 
DJ Rascal ... A Living Legend ♔

DJ Rascal was one of the most emblematic DJ's of his generation and one of the most successful technically in France during the closing decades of the 20th Century. In 1988 he became Luxembourg Champion and Vice European champion next year in 1989, and then participated in the DMC technical Championship French final for the world championships no fewer than 10 times between 1987 and 2000. 
He was also a pioneer in many areas of DJing.  He invented the concept of "boys band turntablism" - team 
scratching concept - in 1990 with a first show at the Hourtin military base (France) a full year before the first appearance of Q-Bert in a U.S. TV show in 1991. Though Q-bert is remembered as the inventor of that style, he is not and it is time to render unto Caesar what is Caesar's. 

DJ Rascal was also one of the first to self-produce an After Hip-Hop & New Jack mixtape on Cd in 1997-98.  Up until then  K7 had been the dominant format employed.  The production of a 24 minute mix After 
Hip-Hop composed solely of breakbeats, intros, interludes and scratching helped to bring a unique 
atmosphere to the scene at that time. 

But above all, his greatest strength is his ability to adapt to any type of music programming as well as 
animation shows.  His 40 years of experience spinning in clubs, with and without micro-animation, combined with his sharp festive programming, and impeccable technique, make of him a complete DJ able to play any style – House, Techno, Lounge, Chillout, Acid Jazz, Soul, Funk, Disco, Rap / Hip-Hop, R'n'B, French or international variety, etc.   

It  would take too much space here to review the career of DJ Rascal in full, but if we were to summarize a few highlights, then we would certainly keep in mind the hundreds of scratch demonstration shows, concerts, entertainment & nightlife clubs in France, Belgium, Luxembourg , Spain, Switzerland, etc. There were also countless radio and TV shows, not to mention that he was one  of the pioneers of Hip-Hop and DJing in the late 80's along with DJs such as DJ Dee-Nasty.  He helped democratize Hip-Hop and the art of DJing in France with MC’s including Destroy Man and Johnny Go, Lionel D, as well as others too numerous to name. 
He is considered as one of the most respected DJ's of his time. 

Still, his story is not finished ... 
DJ Rascal plays on, and will continue to do so as we dream into the future.

Love making music for the fun of it. I hope you all enjoy what I create.

Driven by a passion for exploring, sharing and mixing House Music and all the vibes that contributed to it and all that it gave birth to. 

Communication and story telling via vibration and frequency 🙏 

AKA Nick from Brighton. 
during the pandemic I bought decks for the first time and finally  got involved. .. Supported The House Scene since the beginning - now sliding in vibes  from The Sahara to Ceylon & Saigon and back to Brighton .   from all over...    

Raised between North Africa, Brighton and The Middle East - and chased the vibe worldwide ever since -.
Most artwork is original and exclusively produced by Bernie

Vardath is a brand-new, one-person sonic laboratory that began transmitting in January 2025. Using generative-AI tools as both muse and instrument, Vardath stitches together glitchy percussion, crystalline pads and unexpected melodic detours to create music that is at once strange, cinematic and quietly beautiful. A self-described “truther,” he draws conceptual fuel from the alternative-history ideas of Jaydreamerz, Guy Anderson and Jeff Snyder2, turning those fringe perspectives into shimmering, other-worldly soundscapes.
Launched in January 2025, Vardath is the latest independent producer who treats artificial intelligence as a creative co-pilot rather than a gimmick. By feeding field recordings, modular synth phrases and text-prompted virtual choirs into custom machine-learning chains, he coaxes out music that hovers between glitch, ambient and avant-pop—a place where ghostly harmonies bloom out of fractured beats, and a single sample can be stretched into a cathedral of sound.
Vardath’s worldview is as unconventional as his workflow. A committed “truther,” he regularly explores the work of Jaydreamerz, Guy Anderson and Jeff Snyder2—figures who challenge mainstream narratives about history, cosmology and consciousness. Rather than preaching, he lets those speculative ideas seep into the music: pitched-down lecture snippets become rhythmic textures, while sweeping drones hint at lost civilizations and cyclic cataclysms.
With thousands of self-published tracks on Bandcamp and the major streamers, Vardath is still in a formative phase—but that rawness is part of the appeal. Each new upload feels like an open notebook page, inviting listeners to follow the real-time evolution of a producer who uses AI to question not only what music can sound like, but what reality itself might be.
• “AI-built dreamscapes for the curious and the conspiratorial.”
• “Where glitch meets gnosis.”
• “Soundtracks for slipping the consensus reality.”

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Followers of Scott Lissy