Enter the Haunt - Scottybass Original (Scottybass Music)

ENTER THE HAUNT, 2016 

SCOTT POWERS: COMPOSITION, BASS, RHYTHM GUITARS, DRUM PROGRAMMING, MIX AND MASTERING 

04 / 2016 

© 2016 - SCOTT POWERS 

Scottybass Music 

Enter the Haunt - metal - 140 bpm (scottybass demo)

A track my friend Mykrobe and I made together.  This is just a small glimpse of what both of us have to offer in the future.  Pun intended.  :D  We were going for that old school nostalgic retro feel that we all love and remember growing up with movies like Blade Runner and Terminator etc.  Sometimes I wish I could just take the journey through the machine back to it all.   

Please Like, Comment, and Share if you are moved by this track in any way and let us know what you think!  Thanks for your time and allowing us a chance to beat your ear drums in.

*Follow me on Twitter! I Follow all of my Followers back!
Twitter.com/EniokiOfficial

-Enioki

Download for Enioki & Mykrobe - Journey Through The Machine provided by https://artistsunlimited.com.

https://artistsunlimited.com/download/Enioki/Enioki__Mykrobe__Journey_Through_The_Machine

Journey Through The Machine (Feat. Mykrobe)

Our debut album, Youniverse (or the Hidden Worlds Within), is a journey throughout our different worlds. It reveals our feelings and thoughts through the sounds, words, images and atmospheres these worlds create. Everyone has their own (yo)universe, explore ours and add it to yours. Lose yourself in its many hidden worlds. Listen and find your way through the path of notes and letters to “rise as high as the very stars themselves”.

(Lyrics by Christopher Martinuzzi)
Take me to the river,
take me to those frozen riverbanks.
Take me to the river,
cold cold water and breaking ice.

Take me to the place
where we wrote our names on the water.
There might be the chance,
they could still be there on the water.

Do I miss you?
It's no question.

Frozen lake.
The pebbles on the ice form the letters we used to know.
Take me to the river
where the words were written on the water.

Do I miss you?
It's no question.
Because I can't be without you
'cause I miss you.

I am fallen again. 
Take me back.
Fallen again.

Youniverse (or the Hidden Worlds Within)

Miss You

COMMENT,LIKE,REPOST,SHARE THIS TO THE WORLD!

Lifetime Ft 732Halo (Prod. CASHMONEY AP)

South African World Hip Hop 
Artist on fire

Pernell Whitaker

KING K - Pernell Whitaker

For their third studio recording Other Desert Cities, Bay Station sought inspiration in the Mojave Desert. The 10 songs on Other Desert Cities were written over several week-long writing retreats in Joshua Tree, a desert town adjacent to its namesake National Park. Bay Station co-founders Deborah Crooks and Kwame Copeland use their experiences and impressions of desert life as a springboard for ten new songs that reflect the stark and natural beauty of the desert environment, and detail some of the strange, poetic, and distinctly American stories of its desert denizens, both animal and human.

As they did on their previous two releases, Your Own Reaction (2014 under their former name, KCDC) and Go Out and Make Some (2016 as Bay Station), Deborah Crooks (vocals, principal lyricist) and Kwame Copeland (guitar, dobro, vocals, harmonica) co-produced Other Desert Cities with Mike Stevens. Stevens also played drums, mixed the record, and recorded three of the tracks at his Lost Monkey studio in Hayward, CA. Along with Ben Bernstein (bass) and Steve Waters (guitar, backing vocals), they recorded most of the album at Gatos Trail studio in the Mojave, among the Joshua trees and creosote, with engineer Dan Joeright. Ben Bernstein also recorded and engineered “Fire Song” and “Trickster Moon” at Petting Zoo Studio in Oakland, CA. Upon joining the band in late 2017, bass player Chris Veenstra contributed to several songs on the record, as did guest musicians Michael McNevin (electric and slide guitar), and Joan Reuter (fiddle). The album was mastered by Ken Lee (JJ Grey & Mofro, Bill Frisell) in Oakland. 
Much of the album’s ten tracks depict imagined lives of desert dwellers; from wild coyotes and survivors of a building fire to road-tripping visitors.  “Sleeping Hard Waking Slow” explores aspects of unconditional and timeless love against a desert backdrop, sung from an unconventional point of view. “Look but Don’t Touch” is a straight-ahead rock song depicting the life of a stripper working at an adult entertainment store, while “Sands of Time” doubles down on a recurring theme of timelessness over a dance-worthy, samba-inspired beat. Crooks assumes the narrative voice, in turns affectionate ("Sands of Time”) inclusive and communal (“Everybody’s Business”) and mournful. “You didn’t want salty, you didn’t want sweet, you wanted the edge of that collision," she sings on “Trickster Moon”, at once appreciating a friend’s penchant for extreme experiences and comprehending, in retrospect, how those desires play out in a life cut short. “Bay Station Wiggle” displays the band’s penchant for cutting loose, skirting the edges of surf music in a guitar-driven romp evocative of Chuck Berry.

Other Desert Cities

Sleeping Hard Waking Slow

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Enter the Haunt - metal - 140 bpm (scottybass demo)

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