SoundsTracks

Orchestral

I really adore music made by Scott Johnson. Especially these songs: Nocturnal, Launch, Evolution and Sin. They all have deep and clear emotions.

Scott Johnson

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                                   ▲▼   <b>IF YOU LIKE WHAT YOU HEAR CLICK THE REPOST BUTTON!</b>    ▲▼ 
     
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Video: http://www.youtube.com/watch?v=8xKGjMgu6a4
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Thank you all SO MUCH for the support you guys have given us this year.
We would be nothing without you all.

Today we want to give you a small Christmas Gift that we have been working on for some time. We hope you can enjoy some of the best DUSTLA tracks in one orchestral piece!

We wish you a merry Christmas and lots of happiness in 2014!
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1. Rocket Pimp ft. Marie L - Out My Way
2. Nishin Verdiano & ak9 - Bitch Please
3. Let's Pretend - FUKDUP
4. Geezy - Hashtag ft. Egoraptor
5. ak9 & Tyler Hunt - Shadow ft. Bombs & Bottles
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Special Thanks to Artur Merge & Mike Yakovlev for their involvement on this project.
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www.dustla.com

Download

DUSTLA Unleashed Orchestra

From the updated version of The Score (Part One). The Score features over an hour of soundtrack themes from the gentle opening through to full and epic hollywood.
 
Download at Bandcamp: http://dexterbritain.bandcamp.com/

www.dexterbritain.co.uk
www.facebook.com/thedexterbritain
www.twitter.com/dexterbritain

To license this music for your project please contact The Music Bed, or see dexterbritain.co.uk for information.

Ascendancy

License on Musicbed: https://www.musicbed.com/songs/the-great-wonder/10227

Follow Ryan Taubert:

Instagram: www.instagram.com/ryantaubert/?hl=en
Twitter: twitter.com/taubertryan
Facebook: www.facebook.com/ryangtaubert
Spotify: open.spotify.com/artist/79jExF7jUg31BFtXAmru1k
Soundcloud: @ryantaubert
Website: www.ryantaubert.com

The Great Wonder

Track 4 from my album "Science and Religion"

This is among one of my personal favorite tracks of the album. I decided to go for a celebratory and worldly sound for the song, and wanted a simple yet catchy melody to go along with it. For those closely following the album, this song fully introduces what I like to call the "Evolution" theme (not the main theme heard in the song, but the motif at 0:21) which was previous heard in "Science" and will be heard later in "Amor Est Spiritus Qui Nos Alet" and "Clash".

Evolution

Track three of my album "Science and Religion"

Creation

This is a super sneak peak from the album of the same name 'Aeterna: Epic Dramatic Trailers' -- to be released on the LiquidCinema label at the end of this month. (May 2014)

Max Cameron, ASCAP, 100%

Aeterna

Launch

Another Epic Music made by me! Hope you like it :)

Youtube Link : https://www.youtube.com/watch?v=z2WU-yV4EJI

Attributes

A track from the upcoming EP " Horsemen: Hatred" (Epic/Trailer/Hybrid).

Buy on iTunes

Repulse

Video version: https://www.youtube.com/watch?v=tY5Wk7FwJuo&list=PLlkP29Qb2m4tMvn5Z0nrfe0FivUddSRDX&index=9

Nocturnal

A reel of tracks from games, films, trailers, ads, and more that I worked on in late summer, fall, and winter of 2014

2014 Reel

First track from the upcoming album The Catalyst.
Album "drops" next week!

UPDATE: Full album is now available for free on YouTube: https://youtu.be/LA70oNkJ9sI

Protectors of Earth (feat. April L Gibson)

For licensing, please contact: info@colossaltrailermusic.com

FAITH from Colossal Trailer Music’s album MEMORIA INVICTUS (CTM012)

Composed by Torsti Spoof.

“Sparse, melancholy and suspenseful piano and orchestra opening, building in intensity with big legato strings and an angelic choir, into a victorious and triumphant epic finale”

Album Cover Art by Ryo Ishido.

Website: http://www.colossaltrailermusic.com
Facebook: http://www.facebook.com/colossaltrailermusic
Twitter: http://www.twitter.com/ColossalTM
Youtube: http://www.youtube.com/c/ColossalTrailerMusic

© 2015 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group, LLC.

Faith

Composed and Crooned by Hans Zimmer & Lisa Gerrard..!!

Now We Are Free - Gladiator

The Realization

Lord of The Rings Symphony

Scott Johnson is a composer for film, games, and other media. Also a writer and filmmaker, Scott began scoring his own films from a young age; with the idea of making movies naturally came the need for music. As time progressed, he further realized the power of the right score. Now a member of ASCAP, Scott professionally produces music for a variety of projects. His involvement ranges from student films to work from major film studios, such as Warner Bros. 

For Scott, film scoring is a process of energy and creativity. Adept at creating themes and symbols through music, Scott rewards listeners for repeated listening, especially in the case of a larger work such as an album. Scott enjoys film scoring because of this; there are a myriad of ideas in a film’s story to be represented musically. 

Every project has a unique sound. Scott not only writes music that complements the storytelling, but music that establishes the sonic landscape of a project (considering setting, characters, motivations, etc). In this case, an understanding of film is equally important to an understanding of music. While film scoring allows for a versatility of styles, a film requires music strictly linked to its DNA. For Scott, it's all about writing to this identity, exploring different harmonic languages, textures, and sounds to build an auditory story to accompany the visual one. The collaborative energy and effort involved in filmmaking has always been an inspiration for Scott. Like Christopher Nolan said to Hans Zimmer at the conception of “Interstellar”: It’s about knowing the heart of the movie. 

In addition to working with traditional, live players, Scott embraces technology in the music industry, and works at the forefront of its rapid development. With the art of sampled music and orchestral mockups, Scott focuses on achieving the greatest realism possible through the marriage of tools such as sample libraries and skills like orchestration and sound engineering. 

From the movies to personal life, music keeps everything connected. A film’s score integrates components such as character situation and landscape to reinforce a story. But outside of film, music connects people to their own stories, and to each other. Unique to the medium of music, something so personal to one person can instantly become personal to another the moment it is played. Mastering the psychology of music is a mastery of connection.