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This song is used in the TV commercial ad for the Apple iPhone 5 is “Green” by American film composer Rob Simonsen. It was released on August 5, 2013 in the United States entitled "FaceTime Every Day". I like it a lot so I worked it out on the piano and recorded it. The first recording i posted of this song sounded too slow.





Rob Simonsen FaceTime Everyday - Green

UNDER SHEETS

Tracklist & more Information via: 

http://thissongissick.com/blog/2014/kygo-tropical-house-vol-6-guest-mix-thomas-jack/

Spotify: Thomas Jack presents Tropical House (updated weekly playlist)
https://play.spotify.com/user/topsify/playlist/4I7QcinrIXqUm99uRBAukR


Thomas Jack Presents: Kygo - Tropical House Vol.6

كلمات : نور الدين محمد
ألحان : مصطفى العسال
توزيع : محمد العشي

يلا عادي .. مش حكايه 
يعني مش طالبه الدراما 
مش هتفرق شىء معايا
حتي مش هتسيب علامه
اما اعراض انسحابك من حياتي مش قضيه
مش هلومك مش هعيش جوا شخصية ضحيه

يلا عادي هي جت علي جرح يعني
مالجراح بالكوم فقلبي عادي يعني
بس كان فيه شبر فاضي ..حط جرحك فيه وزود
"أسم جوه الخانه "ماضي"....وجرح في خانة "التعود

وفي خانات الذكريات
حط اسمك في "المواجع" تحت خانة "الملحوظات"  اكتب ان الجرح واجع
اما في الخانه "هنرجع"...اكتب انه معدش نافع

انت حاجه من الحاجات اللي في حياتي كتيرة 
لو بترتيب الخانات انت فالخانه الاخيره
انت جاهل فالمشاعر ..والكلام وياك خساره
في امتحان الغدر قادر ..تبقي اول وبجداره

وفي خانات الذكريات
حط اسمك في "المواجع" تحت خانة "الملحوظات"  اكتب ان الجرح واجع
اما في الخانه "هنرجع"...اكتب انه معدش نافع

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Assala - Khanat El Zekrayat | أصالة - خانات الذكريات

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Download

Matrimony - Giant (Ghosts Remix)

Epic sound with lots of orchestra. Big choirs, neck breaking percussion, dramatic cellos, wonderful vocals… A pure blast of epicness indeed.
Composer:Devesh Manhar Sodha
Vocal: Uyanga Boldbaatar
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Digital City

©2015 Dream Catalogue & Nmesh.  All Rights Reserved.  Nmesh "ロストエデンへのパス" (DREAM_111) is available to purchase here: https://dreamcatalogue.bandcamp.com/album/--24

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Nmesh - 禅の庭を探索

SIL011 - Decimate
With the approaching apocalypse, armies of heroes gather to face the menacing threats as depicted by massive orchestral and choral forces combined with brutal percussion and electronics in these epic trailer cues.

Composer:Todd Burns

Uncommon Valor

A rock style epic trailer score from the album Darkness Below
Company: BeyondAwakening  
Composer: Alec Johnson
https://soundcloud.com/beyondawakening

Secret Worlds

Vengeance: This album continues the Epic Action & Adventure Series (Vol. 20) with high impact huge orchestra, percussion, choirs and slick sound design from Daniel James.

http://www.epicscore.com/

LIBRARY: Epic Score (ES)
COMPOSERS: Daniel James (PRS)
CATALOG NUMBER: ES-0033
RELEASED: 2015-09-02

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Buy on Beatport

Juan Capriata & J.M.S. - On Our Own

Re-venge (Romantic,Epic,Orchestral)

A track for the new year.

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Nothing To Fear

Rob Simonsen-Red(Music Every Day)

Rob Simonsen - Blue(Photos Every Day)

Scott Johnson is a composer for film, games, and other media. Also a writer and filmmaker, Scott began scoring his own films from a young age; with the idea of making movies naturally came the need for music. As time progressed, he further realized the power of the right score. Now a member of ASCAP, Scott professionally produces music for a variety of projects. His involvement ranges from student films to work from major film studios, such as Warner Bros. 

For Scott, film scoring is a process of energy and creativity. Adept at creating themes and symbols through music, Scott rewards listeners for repeated listening, especially in the case of a larger work such as an album. Scott enjoys film scoring because of this; there are a myriad of ideas in a film’s story to be represented musically. 

Every project has a unique sound. Scott not only writes music that complements the storytelling, but music that establishes the sonic landscape of a project (considering setting, characters, motivations, etc). In this case, an understanding of film is equally important to an understanding of music. While film scoring allows for a versatility of styles, a film requires music strictly linked to its DNA. For Scott, it's all about writing to this identity, exploring different harmonic languages, textures, and sounds to build an auditory story to accompany the visual one. The collaborative energy and effort involved in filmmaking has always been an inspiration for Scott. Like Christopher Nolan said to Hans Zimmer at the conception of “Interstellar”: It’s about knowing the heart of the movie. 

In addition to working with traditional, live players, Scott embraces technology in the music industry, and works at the forefront of its rapid development. With the art of sampled music and orchestral mockups, Scott focuses on achieving the greatest realism possible through the marriage of tools such as sample libraries and skills like orchestration and sound engineering. 

From the movies to personal life, music keeps everything connected. A film’s score integrates components such as character situation and landscape to reinforce a story. But outside of film, music connects people to their own stories, and to each other. Unique to the medium of music, something so personal to one person can instantly become personal to another the moment it is played. Mastering the psychology of music is a mastery of connection.