Track 4 from my album "Science and Religion"

This is among one of my personal favorite tracks of the album. I decided to go for a celebratory and worldly sound for the song, and wanted a simple yet catchy melody to go along with it. For those closely following the album, this song fully introduces what I like to call the "Evolution" theme (not the main theme heard in the song, but the motif at 0:21) which was previous heard in "Science" and will be heard later in "Amor Est Spiritus Qui Nos Alet" and "Clash".

Evolution

Main account: @Gloson
I made this second account so I can repost only the best. ;) If I faved your track, it means I honestly think it is really good and I might repost it soon. Maximum ONE repost per day so , FOLLOW! :)

A systems Thinker making social change invisible through my own learning journey through super coherence - nurturing and nourishing my environment through deep feelings and invisible feelings and dimensionalities in my dialogues, generational dialogues is the new tactical action for world change - I am your ambassador for the Systems Science Movement- talking the talk and translating this for everyone who has this wish to learn more from this perspective - This is where the Akashic Holofield comes into play.  Since the Akasha dimension is omnipresent and ever present, it surrounds and flows through everything.  And everything flows through it, too — not just metaphorically, quite literally!  This means that things — stars, atoms, you and me — continually flow into existence through the information binding action of the holofield.  What we do, who we are, and how we are is directly correlated with how well and how deeply we access the Akasha dimension of existence.  


Hier komt de Akashic Holofield in het spel. Aangezien de Akasha-dimensie alomvattend en altijd aanwezig is, omsluit het en stroomt het door alles. En alles stroomt er ook doorheen - niet alleen metaforisch, echt letterlijk! 

Dit betekent dat dingen - sterren, atomen, jij en ik - voortdurend door de informatie bindende actie van het holofield doorgaan. Wat we doen, wie we zijn en hoe we zijn, is direct gecorreleerd met hoe goed en hoe diep we toegang hebben tot deze Akasha dimensie van het bestaan.

Hello People of the World!
 I invite you to listen my music. Enjoy it

Started in a heavy Rock Band as a Drummer at 16 and have been in and out of bands ever since.  I and my wife are the whole Band, I cant sing but she does. She is a excellent song writer and plays piano and acoustic guitar. I fill in her music via a computer music program. all the instrumentals I do the writing for. We are now the whole band, or trying to be. Our music is on Google play, Twitter and Face Book. We have given everybody else a miss. Thank you for the support you all have given us.

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

Scott Johnson is a composer for film, games, and other media. Also a writer and filmmaker, Scott began scoring his own films from a young age; with the idea of making movies naturally came the need for music. As time progressed, he further realized the power of the right score. Now a member of ASCAP, Scott professionally produces music for a variety of projects. His involvement ranges from student films to work from major film studios, such as Warner Bros. 

For Scott, film scoring is a process of energy and creativity. Adept at creating themes and symbols through music, Scott rewards listeners for repeated listening, especially in the case of a larger work such as an album. Scott enjoys film scoring because of this; there are a myriad of ideas in a film’s story to be represented musically. 

Every project has a unique sound. Scott not only writes music that complements the storytelling, but music that establishes the sonic landscape of a project (considering setting, characters, motivations, etc). In this case, an understanding of film is equally important to an understanding of music. While film scoring allows for a versatility of styles, a film requires music strictly linked to its DNA. For Scott, it's all about writing to this identity, exploring different harmonic languages, textures, and sounds to build an auditory story to accompany the visual one. The collaborative energy and effort involved in filmmaking has always been an inspiration for Scott. Like Christopher Nolan said to Hans Zimmer at the conception of “Interstellar”: It’s about knowing the heart of the movie. 

In addition to working with traditional, live players, Scott embraces technology in the music industry, and works at the forefront of its rapid development. With the art of sampled music and orchestral mockups, Scott focuses on achieving the greatest realism possible through the marriage of tools such as sample libraries and skills like orchestration and sound engineering. 

From the movies to personal life, music keeps everything connected. A film’s score integrates components such as character situation and landscape to reinforce a story. But outside of film, music connects people to their own stories, and to each other. Unique to the medium of music, something so personal to one person can instantly become personal to another the moment it is played. Mastering the psychology of music is a mastery of connection.

Inline with the Online, In Tune and In Bloom.

 I post Multi-Dimensional Reality schtuff,
it just *FLOWS*! Listen if you like Beatbox, Dubstep, Techno, trance, or Tribal beats. Sometimes science talk, too. >:)

Namaste, groovy soul friends