Here's some tracks from around Soundcloud. Some may be amateurs but they have professional grade talent. 

I will keep updating when I hear great tracks that fit the playlist. 


Another's Soundtrack/Soundscape

Epic Music

I really adore music made by Scott Johnson. Especially these songs: Nocturnal, Launch, Evolution and Sin. They all have deep and clear emotions.

Scott Johnson

tecno

FILM Scores

Trailer Music

Orchestral/Strings Music

Jus Deelax, Daniel Aguayo, Ferran Aguado, Luis Gee - Ibiza Invaders (Original Mix)

Music: Earth Rising
Production Music: Two Steps From Hell
Composer: Nick Phoenix and Thomas J. Bergersen
Album: Classics, Vol. 1
Official website: http://www.twostepsfromhell.com/

Two Steps From Hell - Earth Rising

KeenWan 03.El Combate Final (Sensei de Ceremonia 2014)

Track 4 from my album "Science and Religion"

This is among one of my personal favorite tracks of the album. I decided to go for a celebratory and worldly sound for the song, and wanted a simple yet catchy melody to go along with it. For those closely following the album, this song fully introduces what I like to call the "Evolution" theme (not the main theme heard in the song, but the motif at 0:21) which was previous heard in "Science" and will be heard later in "Amor Est Spiritus Qui Nos Alet" and "Clash".

Evolution

Video version: https://www.youtube.com/watch?v=J89rZcrdv38&list=PLlkP29Qb2m4tMvn5Z0nrfe0FivUddSRDX&index=4

Burning Dust

Launch

The Network

Join the official newsletter for your free download: http://po.st/EinSoundCFD

Islands: Essential Einaudi is the first time that all of Einaudi's best known music appears in a single collection. It’s available as both a single disc and special double disc version. Islands also includes new tracks The Earth Prelude and High Heels as well as two new remixes of Lady Labyrinth and Eros.

Available to order now:
iTunes: http://po.st/EinSoundCIiT
Google Play: http://po.st/EinSoundCIGP
Spotify: http://po.st/EinSoundCISpot

Divenire

Monday

Fall From Down

Eddie Vedder   Society

Video version: https://www.youtube.com/watch?v=tY5Wk7FwJuo&list=PLlkP29Qb2m4tMvn5Z0nrfe0FivUddSRDX&index=9

Nocturnal

YouTube Version: https://www.youtube.com/watch?v=namMw78Ipeg&list=PLlkP29Qb2m4tMvn5Z0nrfe0FivUddSRDX&index=6

Abandoned Stories

The afterlife

Wild & Kins - Downtown (Original Mix) ★ please leave a comment for the Artiste ★

Buy Danny Rayel's music at high quality format of your choice and follow him at :

- Bandcamp : https://dannyrayel.bandcamp.com
- Sellfy :         https://sellfy.com/DannyRayel

- Facebook : https://Facebook.com/DannyRayel
- Youtube : https://youtube.com/DannyRayel
- Twitter : https://Twitter.com/DannyRayel
- Soundcloud for DJ mixes : https://Soundcloud.com/Danny-Rayel

Album : ...
Song : Red Moonlight
Year  : 2015
© Copyright by Danny Rayel , All rights reserved .

Hello Everyone :)

While i was composing this piece i had in mind and a picture of a man walking into a very Dark Alley and without noticing it that he was being followed by A vampire or a creature , I wanted to make it a little bit of mysterious , I don't know how do you think when you are listening to this piece ;) ( Please let me know if you see a different picture of this piece ) , I enjoy composing this kind of music , This piece is very similar to creaking manor but with a different meaning , Hope that you will like it ;)

Rating the video , sharing , Subscribing and leaving a comment is always appreciated and helps me a lot :)

Have a nice day/Afternoon/Night Everyone :)

© All audio material is copyrighted by Danny Rayel.

Buy on Bandcamp

Red Moonlight

¡Mery Jane! Canción realizada por : Ras Tam , Khant , Bu Doo y Smoke Esto es algo de lo que se viene con (Tha Click Monster's) y (Khant Producciones) !Espero les Guste! (Bendiciones)

¡Mery Jane! (Ras Tam - Khant - Bu Doo - Smoke)

Heavy Rain - Main Theme

The Second to Last Samurai

Doctor Who Series 6 Soundtrack by Murray Gold.

1-03 The Impossible Astronaut

This track is from the album Tales from the Lost Kingdom and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/brunuhville2

Guardians of the Woods

For the King

Sometimes there are projects that take a little eternity. They'll get started, dropped and picked up again in a frequent manner and the as time passes by, you'll start to doubt that they're ever completed. 

Dreams of Flight is a piece that I started thinking about in 2008, I wanted to challenge myself writing a Symphony piece of extraordinary proportions containing powerful themes and clever orchestration, all packed into a Hollywood worthy production. The subject was storytelling through music, something a few listeners would often highlight in my arrangements. Filmmusic needs to tell a story after all, otherwise it could just be described as background music. I started this piece with a piano suite and wrote the first themes in 2009, when I actually began writing the track in 2010, I started to work on a feature film, marking my entrance into the commercial world of scoring. Due to these forthcoming commercial project the progress of this piece started to become negligible, there were times where I laid it down for half a year, picked it up again only to drop it again one week later. Luckily my experience and technical possibilities have evolved greatly during that time which enabled me to lift the quality of this track into new heigths. However, getting back into the piece after half a year wasn't easy sometimes and often left me with a headache.

The piece is portraying all sorts of excitements one could get from orchestral music. You'll spot some obvious influences like Powell's Dragon score as well as nods towards Zimmer and Alan Menken which have always been my favorites. However, with this piece I was aiming for a signature sound, with thematic quality high enough that one could easily mistake it for a suite to an animated movie. This piece was supposed to be used for my application at Berklee, but knowing what they charge composers I'm currently rather doubtful that I'll make an entrance there, it's just too expensive.

Dreams of Flight contains 4 movements, similar to a symphony but not following the rules excactly. So I want to use this term with caution.

1. Once upon a Nighttime

The piece makes a calm start with woodwind solos and light orchestration. This part was inspired by Irish Folk music, putting a strong storytelling aspect into the piece. It ends with a buildup that hints at the main theme.

2. Building upon Dreams

A typical montage arrangement introducing the main theme and its continuation. The second part was obviously influenced by Powell's Dragon score, ending with the "musical line of awesomeness", rowing a line of exciting themes.

3. Journey

At this point the piece will calm down and move back to a similar sound as heard in the first movement with the focus on wind solos. In the second part it goes back to the familiar montage sound, but with a lesser presence focusing on explorationary aspects. It ends with a buildup towards the last movement.

4. Limitless

The most powerful and epic movement, throwing everything around that was introduced in the former movements. Several ups and downs here with the focus to never run out of energy. It ends with the maintheme similar to the second movement.

This piece would've never been possible without the great players who performed in this piece. I'd like to thank everyone who had the patience and time to record for this piece!

Kristin Naigus: Oboe, English Horn, Tin & Low Whistle
Sean Lin: Clarinet
Daniela Koch: Flute
Berker Sen: Bassoon
Mario Hinke & myself: Some choir voices

Special thanks to: Robert Eisenhauer (for introducing me to a flute player), Toniko Pantoja (for keeping me motivated), Mario Hinke (additional motivation) and Eastwest Quantum Leap for their excellent libraries.

Dreams of Flight

Featured as an opening track for West Australian photographer Austin Russell's introductory video in his personal website previously. 
https://www.youtube.com/watch?v=tj2KTBBx-as
Click here for more: http://www.austinrussellphotography.com/
Enjoy the amazing photos!

A Living History - Music for photography website

Ein wunderbarer Song von Tom Odell, dem ich mit ein paar kleinen Veränderungen und sanften Beats etwas mehr Leben eingehaucht habe und der somit auch Clubtauglichkeit beweist.. ♪ ♫ 

https://www.youtube.com/watch?v=4ZHwu0uut3k

OUT NOW !! Have fun with my edit.. ;-)

https://itunes.apple.com/de/album/another-love-zwette-edit/id719002751?i=719002824

amazon.de/Another-Love-Zwette-Edit/dp/B00FKGR9SK/

*Please like my Facebook-Fanpage and get some Edits & Sets for free*
-> https://www.facebook.com/zwette.music

Another Love

like me @ FB

Tom Odell - Another Love (Zwette Edit)

Scott Johnson is a composer for film, games, and other media. Also a writer and filmmaker, Scott began scoring his own films from a young age; with the idea of making movies naturally came the need for music. As time progressed, he further realized the power of the right score. Now a member of ASCAP, Scott professionally produces music for a variety of projects. His involvement ranges from student films to work from major film studios, such as Warner Bros. 

For Scott, film scoring is a process of energy and creativity. Adept at creating themes and symbols through music, Scott rewards listeners for repeated listening, especially in the case of a larger work such as an album. Scott enjoys film scoring because of this; there are a myriad of ideas in a film’s story to be represented musically. 

Every project has a unique sound. Scott not only writes music that complements the storytelling, but music that establishes the sonic landscape of a project (considering setting, characters, motivations, etc). In this case, an understanding of film is equally important to an understanding of music. While film scoring allows for a versatility of styles, a film requires music strictly linked to its DNA. For Scott, it's all about writing to this identity, exploring different harmonic languages, textures, and sounds to build an auditory story to accompany the visual one. The collaborative energy and effort involved in filmmaking has always been an inspiration for Scott. Like Christopher Nolan said to Hans Zimmer at the conception of “Interstellar”: It’s about knowing the heart of the movie. 

In addition to working with traditional, live players, Scott embraces technology in the music industry, and works at the forefront of its rapid development. With the art of sampled music and orchestral mockups, Scott focuses on achieving the greatest realism possible through the marriage of tools such as sample libraries and skills like orchestration and sound engineering. 

From the movies to personal life, music keeps everything connected. A film’s score integrates components such as character situation and landscape to reinforce a story. But outside of film, music connects people to their own stories, and to each other. Unique to the medium of music, something so personal to one person can instantly become personal to another the moment it is played. Mastering the psychology of music is a mastery of connection.