The Network

Download the album for free at: http://smarturl.it/SomnusAlbum 

As a thank you to my amazing fans, I'm giving away a download of a new ambient album 'Somnus' on my Bandcamp http://smarturl.it/SomnusAlbum  

After the awesome feedback to my iD slumber sessions mix, I decided to put together a collection of some of my ambient tracks, made from various field recordings collected over the last 10 years..

Hope you enjoy!

Free Download

Somnus (Free Ambient Album)

Musik zu einem Imagefilm der Hochgeschwindigkeits-Sparte der Siemens AG.
Solo-Klavier / Orchester / Elektronik.

Siemens Highspeed

Sudden Conclusion - by Amelia & Spencer

Teenage Mutant Ninja Turtles Theme by Brian Tyler

Avengers: Age of Ultron "Rise Together" by Brian Tyler

Hello all !

"Adagio For Two Loving Hearts" is a romantic love theme inspired by the work of composer Wojciech Kilar for the movie "Chronicle of Amorous Incidents", from director Andrzej Wajda (1985).

I wish you good listening ! :-)

VST instruments used :
- Spitfire audio : BML Mural strings Vol 1 + 2 + Albion One + Reeds + Flute Consort + Sable + Sacconi Strings Vol 1 + Percussions Redux,
- Orchestral Tools : Berlin Strings + Berlin Woodwinds,
- EastWest Symphonic orchestra platinum (harp),
- VI Labs Ravenscroft 275 (piano).

VST effects used :
- EastWest QL Spaces,
- Sonnox Oxford Inflator

Cubase Pro 8.5

Adagio For Two Loving Hearts (classical Hollywood golden age love theme)

United States Marine Band "The President's Own" live performance of Ecstatic Waters. May 2nd, 2010, Alexandria, VA, Col. Michael J. Colburn, conducting.

Free PDF perusal score and more info: http://stevenbryant.com/ecstaticwaters.php

Ecstatic Waters - US Marine Band (live)

Scott Johnson is a composer for film, games, and other media. Also a writer and filmmaker, Scott began scoring his own films from a young age; with the idea of making movies naturally came the need for music. As time progressed, he further realized the power of the right score. Now a member of ASCAP, Scott professionally produces music for a variety of projects. His involvement ranges from student films to work from major film studios, such as Warner Bros. 

For Scott, film scoring is a process of energy and creativity. Adept at creating themes and symbols through music, Scott rewards listeners for repeated listening, especially in the case of a larger work such as an album. Scott enjoys film scoring because of this; there are a myriad of ideas in a film’s story to be represented musically. 

Every project has a unique sound. Scott not only writes music that complements the storytelling, but music that establishes the sonic landscape of a project (considering setting, characters, motivations, etc). In this case, an understanding of film is equally important to an understanding of music. While film scoring allows for a versatility of styles, a film requires music strictly linked to its DNA. For Scott, it's all about writing to this identity, exploring different harmonic languages, textures, and sounds to build an auditory story to accompany the visual one. The collaborative energy and effort involved in filmmaking has always been an inspiration for Scott. Like Christopher Nolan said to Hans Zimmer at the conception of “Interstellar”: It’s about knowing the heart of the movie. 

In addition to working with traditional, live players, Scott embraces technology in the music industry, and works at the forefront of its rapid development. With the art of sampled music and orchestral mockups, Scott focuses on achieving the greatest realism possible through the marriage of tools such as sample libraries and skills like orchestration and sound engineering. 

From the movies to personal life, music keeps everything connected. A film’s score integrates components such as character situation and landscape to reinforce a story. But outside of film, music connects people to their own stories, and to each other. Unique to the medium of music, something so personal to one person can instantly become personal to another the moment it is played. Mastering the psychology of music is a mastery of connection.