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Scotto Moore & Brian Kinyon - The Fox (Live 11-1-2013 at Spin The Bottle: 60 Seconds Max edition)

Recording from the Pool Boat Party onboard the Argonaughty at the Garden Festival,Tisno, Croatia 03.07.14.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GARDEN FESTIVAL POOL BOAT PARTY TISNO CROATIA 03.07.14 (greg wilson live mix)

Wednesday on the playa is always a magical day for Pixie and I.  It is our anniversary and it is our Wet Woody Party.  This party continues to be a highlight for all of us at Camp Touch This.  The daytime vibe was so good and this party was super fun.  It was full of high energy, big smiles, and dancing feet.  This mix is a blend of house covers.  It is a perfect boost for driving, cleaning the house, working out, all the things.

Burningman 2023 Camp Touch This "Wet Woody Wednesday"

Café del Mar: The Evolution of Chill Part I.
The first part of the evolution of chill series mixed by Gelka

Café del Mar: The Evolution of Chill Part I

New month, new mix. Mixtape 35 now live.
A collective of downtempo tropic and afro jams.
Enjoy by the pool sometime.

Barney Cools ~ Poolside Etiquette mixtape 35

Café del Mar Evolution of Chill Part 3 compiled and mixed by Gelka

cafedelmar.com | The Home of Chill

Café del Mar - The Evolution of Chill Part 3

I sure hope you enjoy my second set from Camp Dayfunk 2025 as much as I enjoyed playing it!   If you do, please give it a like and consider re-posting it on Soundcloud - it just takes a second and is the most helpful way to share cool music to new people!

Camp Dayfunk is a Minneapolis-based campout in just its second year, taking place 2 hours East in the Wisconsin Woods - and I enjoyed its quality, intimacy, and cute little camp touches immensely.  Both this event and this set are very special to me <3

Before anything, let's talk about the Mix Cover.  I got great pictures from my first set and none from this 2nd, and it's fine.  Because I got something better than a picture - I got a Danceflooor Badge!  

It was one of the greatest honors of my DJ career to earn one of only 8 Dance Floor badges given out at this event  - not for my 4 hours of playing music where I dance some but maintain focus on the mixing - but for my many more hours of representation on the dancefloor as a dancer, which is where this all started for me... and honestly has stayed.  

I fricken love dancing and absolutely think it makes me a better DJ to study and appreciate music from both sides of the decks. I don't dance to everything and also want to give props where props are due - the music at this event was rock solid, and receiving the dance badge has as much to do with the quality of the other DJs playing as it does my dance stamina.  Fun fact, the most I ever danced was at @mingameslaby in Japan in 2007 ;)

Okay, about the music and vision for this set!  My first set at the event, the night before, was previously posted to the event's Soundcloud (@user-467880110) and I had a full dancefloor and lots of energy coming back at me - a Dj's dream.

This, my second set, Saturday 4-6pm, was a bit different.  It's daytime, there's a beach, and @djdanmusic, @Dj-Mes, and Mazi aka @audiosoulproject are playing B2B2B on that stage.  Right at the same time as my set at the Pavilion stage!  First thing that comes to my mind after I realize they are simultaneous - wtf am I going to do?

Contrast is the answer.  If people want it funky, they're gonna want to be down at the other stage.  I mean I wanted to be there too lol.  And who the heck wants the 2 stages to sound the same anyway, that's silly.  So I leaned into this contrast theme for my set.  Someone told me that I may have confused people a little lol.  I said 'good!'  

I'm really glad I had the opportunity to play the night before, because that was my more funky set - though my interpretation is a bit different from most.  I also won some hearts there, which created more interest than there would have been I think.

So anyway, this set was a challenge - a friendly challenge to myself to play a 2 hour set that was a bit out of the box without losing people, that would serve as a worthy contrast to that devastating funk of Dan, Mes and Mazi.  
 
I would guess overall people there probably liked my first set a tad more - but for me this one was hands-down the winner.  Partly because it was a full 2 hours of new music. Partly because my cup was already full since  I had nailed my set the night before and even got extended an extra hour -  the best hour.  And partly because I had experienced some challenge locking the XDJ the night before, but was effortlessly near flawless on Saturday. I felt zero pressure to do anything but be myself, and play what I felt at that time <3

In general, I favor very full tracks that envelope you with sound.  Besides contrast, the theme for this set is laid back and expansive.  There's funkiness, sure, there are some peaks and valleys energetically, but not at all like the night set.  Overall, it's a smooth ride through deep house with some vocals, minimal house and even a touch of techno, all  around 124bpm. 

Thanks for reading to the end!  I Hope you enjoy the music, and perhaps this background too!


Contrast - Ben Annand Live July 19, 2025 at Camp Dayfunk in the Wisconsin Woods

DJed after a very special ceremony with the blue lotus and cacao to get our bodies up and moving again under the moon and stars. For once I remembered to hit record and these were the three hours that came out!

Maikol's Ecstatic Dance Set for CDMX Conscious Connections: Blue Lotus & Cacao

LP #85 - Riders of Obsidian Dawn is forged in the molten crossroads where 1970s fantasy heavy metal meets modern synth. This album is a tribute to an era when msuic were gates to other realms, spells cast in smoke-filled basements, and every track was a journey through myth, magic, and shadow.

Blending  digital sorcery, Riders of Obsidian Dawn channels the raw imagination of classic fantasy art. Each song rides the fine line between past and future, honoring the legends who once wielded distortion and mythology as twin blades.

At its core, this album celebrates the timeless bond between fantasy and music. For generations, they’ve fed each other—fantasy inspiring the grandiosity of metal, and metal giving fantasy its soundtrack of rebellion, wonder, and cosmic scale. Riders of Obsidian Dawn continues that tradition, proving that even in a digital age, myth still breathes, heroes still awaken, and the dawn still rises.

Lushpod #85 - Riders of Obsidian Dawn

The Dø cover Janelle Monáe's 'Tightrope' at Studio Pigalle in Paris. Watch the band recording 'Slippery Slope' at the studio here: http://youtube.com/thedoband

Tightrope (Janelle Monáe Cover)

A selection of tracks I'd want to be stranded on a desert island with.....

Tracklist:

1. Morse - Nightmares On Wax
2. Saint Germain - DJ Cam Quartet
3. Be Thankful For What You Got (Tom Moulton Remix) - William DeVaughn
4. La Femme D'Argent - Air
5. Take Me Back To Piaui - Juca Chaves
6. Lebanese Blonde - Thievery Corporation
7. Stronger Than Me (Reggaesta Remix)- Amy Winehouse
8. Chan Chan (RocknRolla Soundsystem Edit) - Buena Vista Social Club
9. Upside Down (Sixth Avenue Express Remix) - Diana Ross
10. Another Thing - Inland Knights / Da Sunlounge
11. DreadLock (Disco Tech Remix) - 10cc
12. Warm Wind Brewing - YSE Saint Laur'ant
13. Your Love - Fingerman
14. 93 'Til Infinity - Souls of Mischief 
15. Woman's Man (DJ Dub Edit) - Judge Funk
16. I Can't Help It (TangoTerje Edit) - Michael Jackson 
17. You Stepped Into My Life - Melba Moore 
18. Diamonds On The Soles Of Her Shoes (Scrimshire Bass Edit) - Paul Simon

Desert Island Delights: Volume 1

Julia Easterlin-Break My Body

Cover by Iori's Eyes
Writers: Matt Rowe, Richard Stannard, Spice Girls
From the album: Spice (1996)
Label: Virgin

IORI'S EYES - 2 BECOME 1 (SPICE GIRLS COVER)

It's been a big couple of months at BCHQ launching our second limited edition collaboration with Dillon Francis and dropping our brand new collection, Camp Cools II.

For the first time in poolside etiquette mixtape history, we're extending the invite to a very special guest to take the wheel whilst we kick back and perch our feet up on the sun lounge with a mimosa in hand.

If you know Barney Cools well, one of his finest traits is looking after his mates. We've left you in very good hands, acquiring the services of the multi-talented producer, DJ and party-starter Turbotito to keep the feel-good poolside vibes all ride long. 

Crank it up, roll the windows down and feel the breeze ~ this hour of power with our new favourite Danish/Serbian producer was made to please.

Tracklist via https://barneycools.com.au/blogs/lifestyle/barney-cools-poolside-etiquette-guest-mixtape-20-turbotito

Tracklist

Barney Cools | Poolside Etiquette Guest Mixtape 20: Turbotito

This Woman's Work

Sweet Knievel is a jam band. This much is true. As guitarist and lead vocalist Jonathan Brill says, “One minute we’ll play a funky tune and then we could follow that with a bluegrass tune or with jazz, or rock, or whatever… We basically try to play every kind of music that we like, all while leaving ourselves room for some improvisation to take place.” Yep, sounds like a jam band. But they hope you won’t judge them for it.

Brill began playing guitar the same year he saw his first Grateful Dead show. It was not a coincidence. He was so moved by the experience that he decided to capture the songs by learning to play them himself. Somewhere along the line, he broadened his musical horizons. Playing casually in bands while attending the University of Vermont, he began to study guitar in a more formal setting, both at UVM and the Atlanta Institute of Music.

Upon returning to Georgia in 2001, Brill contacted old friend Jerry Hendelberg, who was in the early stages of forming what would become Dubconscious, a reggae band who within just a few years would tour over 40 states and play festivals such as Bonnaroo and High Sierra. As an escape from reggae, Hendelberg would put together bands with various musicians to play other types of music. For most of these shows, Brill played guitar. Over the years, the two developed a musical bond, and eventually decided to turn the side- project into it’s own band.

While continuing to play music from artists such as Jacob Fred Jazz Odyssey, the Flaming Lips, and Dave Brubeck, the band began to integrate Brill’s original music into their live sets. Some of their early songs had Sweet Knievel likened to Syd Barrett and the Beatles. As the band continued to add a variety of Brill’s original material, the songs touched on rock, funk, folk, straight-up bluegrass, and more.

“Going back to what I learned from Dead shows,” starts Brill. “One huge takeaway for me was that you can play an unlimited number of different genres over the course of a night.” A typical Sweet Knievel set reflects that philosophy. “I love so many types of music. I’ve always loved Motown and bluegrass music at the same time… I love reggae, jazz, indie rock, and even hip-hop. But don’t worry, I won’t be rapping anytime soon.”

Sweet Knievel - "The Horror" (RJD2 cover)

Author: WILD MASSIVE, BATTLE OF THE LINGUIST MAGES, and YOUR FAVORITE BAND CANNOT SAVE YOU on Tor.com. Visit muchpreferredcustomers.com for curated daily videos and tracks.

Scotto Moore & Brian Kinyon - The Fox (Live 11-1-2013 at Spin The Bottle: 60 Seconds Max edition)

Scotto Moore

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