J's tracks

Please Come Home for Christmas

jazz

A playlist converted by Soundiiz from another music platform ! http://soundiiz.com

Presabene

lowdown

citizen

Spotify: http://spoti.fi/UwbRaO
iTunes: http://bit.ly/1l1z8GR

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Cover of Creedence Clearwater Rival's "Fortunate Son" for the CBS show "Hostages".

"Fortunate Son" - Creedence Clearwater Revival Cover

David Bowie - Ziggy Stardust kito

David Bowie feat Iggy Pop - The Passenger

"I Remember You" Skid Row

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Merci à Monsieur St Germain. Merci pour son talent, Merci pour votre écoute !
Mozambo vous aime !!! Mozambo Love you!!

FREE DOWNLOAD

St Germain - So Flute (Mozambo Remix)

Jay Reatard | Oh It's Such A Shame

Frank Sinatra - Besame Mucho

Our new track “Knees On The Ground” might benefit from an explanation. This is the most unguarded I ever intend to be when writing about Clipping.

What had happened was this: our very brief UK/Europe trip got called-off the day before we were supposed to get on a plane to London. Since we didn’t have any other plans, we met up in the studio with an idea to crank out a new track. On our list of songs to finish was one particular piece aimed directly at the club (or, at least, our twisted idea of what clubs should play). But none of us were in the mood for it. Each of us had spent the previous several days following the news of protests in Ferguson, MO. It was the only thing on our minds. We couldn’t bring ourselves to think about anything else, so we decided to direct our fear, our revulsion, our heartbreak into a new track.

The problem was that we’d defined our band — in interviews and to each other — as decidedly-not-an-activist-project. Diggs’s lyrics have been criticized for seeming apolitical, at least in comparison to what many listeners (perhaps rightly) expect to hear from an ‘experimental’ rap group. I have many times said (perhaps naïvely) that our politics lie in our structures, in our formal engagement with the rap genre. We love its conventions, its clichés, and we’re not above them. We see our participation in rap as something resembling an old punk flyer — an out-of-context collage of charged images with an fractured, contradictory, multiple point-of-view. I hope that our more dedicated listeners hear this and understand that we’re not interested in spoon-feeding them a position. At the same time, I’ve always assumed that they pretty much agree with us on most issues anyway. (We have yet to meet the misogynist, homophobic, white supremacist Clipping fan with an MBA and an NRA membership).

So what do we do when all we can think about, all we can feel, is a profound injustice — yet another young unarmed person of color is murdered by a police officer? How does a band, which overtly rejects affect and the emotions, address something that is, for its authors, a deeply felt, deeply affecting topic? Well, we don’t entirely know. But the fact is: there’s more truth in Diggs’s lyrics than we generally let on. “Inside Out” describes a drive-by shooting in Oakland, “Chain” is about three stick-ups. They are presented with a lot of detail and specificity (perhaps the result of personal experience). But at the same time, they represent archetypal scenarios within rap music. One trope we had yet to explore as Clipping was the anti-police rap — the lineage of Public Enemy, NWA and Paris, straight through The Coup, and all the way into the ‘stop snitching’ panic of the early 2000s. “Knees On The Ground” is a paradigmatic white-cop-kills-an-unarmed-black-kid-and-gets-away-with-it tale — a story that happens all the fucking time in the US. What we have learned — from our first hand experience in Oakland in 2009, and from the media coverage of Ferguson in 2014 — is that the second part of this story involves a police response better suited to a war zone than to an American city. Cops think they’re playing Call Of Duty when they’re supposed to be part of a community. If Ferguson were in Iraq, Obama would have sent in an airstrike already.

This is the least obtuse Diggs’s lyrics will ever get. We’re embarrassed by the timeliness of this track. We do not intend to capitalize on what is, undoubtedly, a terrible tragedy. But journalists make think-pieces and we make songs. Writers write what they know, and this is what we know right fucking now.

— William Hutson, Clipping.

Knees On The Ground

THE ORIGINAL SOUND OF NEW ORLEANS SOUL 1960 - 1976

A taster of the New Orleans Soul compilation. Out now! 

More info / listen / buy here>>  http://bit.ly/1oDVjWF

New Orleans Soul Sample Mix

"Room Enough For Birds To Fly (Mellow Soul)" by Hiroshi Fujiwara for Staple Sounds

"Room Enough For Birds To Fly (Mellow Dub)" by Hiroshi Fujiwara for Staple Sounds

'Mind Is On My Mind (featuring Samuel T. Herring)' is taken from the new album, Welcome Back To Milk by Du Blonde (the new project from Beth Jeans Houghton) out now on Mute. Get the album here: http://po.st/DuBlondeStore / Digital - http://po.st/DuBlondeDigital / CD - http://po.st/DuBlondeCD / LP - http://po.st/DuBlondeLP

Join Du Blonde online:
Website: po.st/DuBlondeOnline
Facebook: po.st/DuBlondeFacebook
Instagram: po.st/DuBlondeITG
YouTube: http://po.st/DuBlondeYouTube
Spotify: http://po.st/DuBlondeSpotify
Twitter: po.st/DuBlondeTwitter
Tumblr: http://po.st/DuBlondeTB

Sign up for updates: po.st/DuBlondeOnline

Du Blonde Live: 
3 Jun 2015 - BRIGHTON/ GREEN DOOR STORE / po.st/DuBlondeBton
4 Jun 2015 - LONDON/ 100 CLUB / po.st/DuBlondeLondon
5 Jun 2015 - LEEDS/ BRUDENELL SOCIAL CLUB / po.st/DuBlondeLeeds
6 Jun 2015 - BRISTOL/ LOUISIANA / po.st/DuBlondeBristol
7 Jun 2015 - NOTTINGHAM/ THE BODEGA / po.st/DuBlondeNHMan
9 Jun 2015 - MANCHESTER/ DEAF INSTITUTE  / po.st/DuBlondeNHMan
10 Jun 2015 - GLASGOW/ BROADCAST / po.st/DuBlondeGlas
11 Jun 2015 - NEWCASTLE/ THE CLUNY / po.st/DuBlondeNC
24 Jul 2015 - THIRSK/ DEER SHED FESTIVAL / po.st/DuBlondeDeerShedFest
4/5/6 Sep 2015 - LARMER TREE GARDENS/ END OF THE ROAD FESTIVAL / po.st/DuBlondeEOTR

Du Blonde - Mind Is On My Mind (featuring Samuel T. Herring)

Jean Claude Gavri - Hey Ebo, Ebonettes! Re Edit

DOWNLOAD IS UP , CHECK IT OUT 

http://www.tuneboost.net/dl/dbpxwegnH

https://soundcloud.com/djcamilops/bon-jovi-its-my-life-camilops-bootleg

Bon Jovi - It's My Life ( Camilops Bootleg ) PREVIEW *READ DESCRIPTION*

New Lions and The Not Good Night (Release Date May 6, 2016 Egghunt Records) 

04 Rogue Island

Boz Scaggs ‘Lowdown’ (greg wilson edit)

115 bpm

Previously limited vinyl only 2008.

This is a straightforward, no added elements extension of ‘Lowdown’ that I knocked together back in 2004, and which would later be shared on limited vinyl in 2008 as ‘Blue Eyed Boz’, issued on the same 12” as ‘Adriano Italiano’ to launch the GW Ruff Edits series. It’s popped up in a few of my live mixes down the years, and features in the East Village London mix on here from last December.

'Lowdown' was released in the UK 35 years ago, in September 1976. Between January 2006 and September 2007 I compiled a series called Time Capsule for Samurai FM, where, month by month, I revisited the tracks I used to play in the clubs exactly 30 years earlier. It was a real labour of love, for not only did I have to research and often re-source the music included (I had a load of records stolen in 1985, so there were big holes in my collection), I also wrote an accompanying piece every month looking at the records featured, and how my fledgling DJ career was shaping up. 'Lowdown' was a single I used to play at the time in my New Brighton residencies, the Chelsea Reach and the Penny Farthing. Time Capsule covered the period I was at the Chelsea and the Penny, leading up to when I took over at the Golden Guinea, where I’d spend 3 memorable years before embarking on my Wigan / Manchester adventure in the early 80’s. 

I’d hoped to take Time Capsule all the way through 1977, but the workload became too much and I found myself unable to meet the monthly deadlines, so I reluctantly had to stop at Sept 77, with the intention of getting back to it in the future if I ever have sufficient time on my hands. Even if this turns out to be all I ever manage to do, Time Capsule, as I left it 4 years ago, still stands as a snapshot archive from a key moment in dance culture, as the Disco era gained full momentum and the 12” gradually began to take over from the 7” in the affections of British DJ’s.

All the programmes, plus ‘First Impressions’, which inspired the series, can be accessed here:
https://www.mixcloud.com/gregwilson/playlists/greg-wilson-time-capsule/

Here’s what I wrote about ‘Lowdown’ for the Sept 76 Time Capsule:
“Regarded as one of the classic Blue-Eyed Soul singles, 'Lowdown' by Boz Scaggs, despite its popularity on the UK club scene, peaked at a somewhat disappointing position of number 28 on the British chart. By contrast, the single had reached number 3 stateside, with the album it was taken from, 'Silk Degrees', becoming an American classic, which sold more than 5 million copies and spent over 2 years on the chart! Picking up a Grammy for Best Rhythm & Blues song, 'Lowdown' was recorded with a team of session musicians, who would later form the nucleus of the hit band Toto. In the early 60's, Scaggs, who was Ohio born, had left his Texas home to briefly join London's burgeoning R&B scene, returning to record his debut solo album, 'Boz' in 1965. He'd later appear on the first 2 Steve Miller Band LP's, 'Children Of The Future' (1968) and 'Sailor' (1969), before continuing his solo career with a series of albums for Atlantic Records. However, it wasn't until he signed to Columbia that the commercial acclaim, which had previously eluded him, finally came thanks to 'Silk Degrees'.”

Greg Wilson – September 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Boz Scaggs 'Lowdown' (greg wilson edit)

Greatest Hits

Don't Stop Me Now (Remastered 2011)

DEWEY SAKITUMI -UPTEMPO STEVIE WONDER MIX

Baloo jazz

Nirvana - Lithium

"Blues for My Baby and Me"  - Elton John (vinyl)

This is a DJ mix of 47 original funk, soul and blues vinyl tracks that have been sampled by the hip hop collective the Wu-Tang Clan.    


TRACKLIST

1. Beethoven: Piano Sonata #8
2. Peter Nero: A Time For Us
3. Gladys Knight & The Pips: Giving Up
4. Ben E. King: I Who Have Nothing
5. The Dramatics: In The Rain
6. Al Green: Simply Beautiful
7. Sly Johnston: I Hate I Walked Away
8. Gladys Kinght & The Pips: And This is Love
9. Ann Peebles: Trouble, Heartache and Sadness
10: OV Wright: Let's Straighten it Out
11: Al Green: Something
12: Johnnie Taylor: Steal Away
13: Willie Mitchell: Groovin
14: Labi Siffre: I Got The (Blues)
15: Southside Movement: I've Been Watching You
16: B.B. King: The Thrill is Gone
17: Gap Mangione: Free Again
18: Nicholas Flagello: Wailing Wail
19: Eddie Floyd: Don't Leave Me Lonely
20: The New Birth: Honey Bee
21: Wendy Rene: After Laughter (Comes Tears)
22: The Detroit Emeralds: You're Getting a Little Too Smart
23: Sly Johnson: Don't Do It
24: Baby Huey: Hard Times
25: Melvin Bliss: Synthetic Substitution
26: Tommy Youngblood: Tobbacco Road
27: Love Unlimited: Midnight Groove
28: Sly Johnson: I Hear The Love Chimes
29: Curtis Mayfield: Underground
30: Betty Lavette: Let Me Down Easy
31: Albert King: Oh Pretty Woman
32: Hot Chocolate: Brother Louie
33: The Soul Children: Don't You Take My Kindness For Weakness
34: The Marvelettes: Why Marry
35: Al Green: You Ought To Be With Me
36: Sly Johnson: Different Strokes 
37: Bobby Womack: Across 110th St
38: Sly Johnson: Is it Because I'm Black
39: Lynn Collins: Ain't No Sunshine
40: The Brighter Side of Darkness: Love Jones
41: Barry White: Mellow Mood
42: Isaac Hayes: Walk on By
43: Bob James: Nautilus
44: The Emotions: I Like It
45: Gaz: Sing Sing
46: Marvin Gaye & Tammi Terrell: You're All I Need To Get By
47: The Doors: The End


The Soft Centre of WuTang: Funk, Soul, Blues, Original Samples, Vinyl DJ Mix

From the album "Enter The Arena". Available on http://uptownrebel.bandcamp.com/ - FREE DOWNLOAD

"Blues for My Baby and Me" - Elton John (vinyl)

scottrek50