An excerpt from one of our recent Funk & Groove shows that we felt worked nice as a standalone selection, edited down to fit onto a cd for whilst I do the dishes.

WeeG & Dan Selection

.accelerates and tries to catch up with the person, but, though it gets faster, they somehow never meet. This is interesting because it sheds new light on the old paradox of Achilles and the tortoise, whereby Achilles cannot catch up with the tortoise. This is the elementary machinery of dream logic. So why do I mention this? Isn't this mixture of extreme mobility and immobility also our situation as cinema or video spectators? We are, as spectators, having our own mobility reduced, while...this incisive reminder still evokes a cutting operation, if not a butchery: a kind of violence — the word flesh if found in the family, just as graphy is a scratch. Higher and further back, to write is to curve meet. Writing is the curve that the turn of seeking has already evoked for us and that we find in the bending of reflection.

A wee bit of funk, a wee bit of soul, a wee bit of disco and a wee bit of whatever else I fancy.

WeeG & Dan Selection

Dan Barbour (scratchandsniff)