the album is up.  lilspaceman.bandcamp.com

it's free to download.

thanks to those who listened along...

speedbump

Oh shit, fucking bitch
I’m in hell and it’s home sweet home
The devil keeps asking us questions
And the answer is only no
That there is all we know
And we roll up on demons with no remorse
And we know all your women are boring whores
And our women are kicking the shit out of you

And they make all the news
And they make all the news
And they make all the news
And they make all the news

Media, media, everything’s media
Everything from TV to the pv to the city walls
Everything’s critical, the grey got the blues
They’ll make their own choices if they’ve got to choose
And they don’t wanna think of you
And there ain’t no supply that they need from you 
And they love what’s real, what’s them, what true
What sells and spreads and gets all the views

And they make all the news
And they make all the news
And they make all the news
And they make all the news

I’d die for what I believe in
Love life so I call it even
Right now I’m in trouble with it
But time’s gonna bring something new
I’m in love with the range of the view
Retain some of this stuff and change up a few
Break some of this stuff and make something new
The people will be here and say what they’ll too

And we’ll make all the news
And we’ll make all the news
And we’ll make all the news
And we’ll make all the news

And the little kids will play
In the pretty fields we save
And they won’t need to be slaves
When we rest in our graves
Free to make a choice
Free to raise their voice
Free not to answer the devil
Not to hear its noise

Personal Media

sounds

A dark experimental electronic soundtrack 🤍

All For You

Download

Pomrčina Mjeseca

Composition and Sampling collage by Synline.
Art Work By HANSUAN FABREGAS

The title of the next album will be "Cyber Pink".

Could Be Lovers

"What I soon learned was that Tommy claimed to be a time traveler, a rogue agent sent to guide me down a path of chaos and destruction.“I’m here to help you unleash the beast within, Charlie,” he’d say, grinning as if he knew some cosmic secret. Tommy fed me stories of a world altered by music and madness, where creativity blossomed in the soil of despair. I lapped it up, hungry for more than the mundane life I had lived. It felt like a twisted fairy tale, one where I was both the hero and the monster.As the LSD kicked in, my perception twisted and turned. I became acutely aware of the energies swirling around us—colors danced, sounds reverberated, and thoughts morphed into vivid images. It was intoxicating, terrifying, and I felt an odd sense of vulnerability. I had always been a survivor, but now I was exposed, raw, open to the manipulation of others.III. The Highs and Lows of PsychedelicsThe C.I.A. wasn’t just interested in my charisma or my talent for manipulation; they wanted control. LSD transformed me, shifting my reality, making me susceptible to the influences that surrounded me. It unraveled the fabric of my sanity, allowing them to weave it back together in their own dark design. During one of my trips, Tommy played a song that would become a haunting echo in my mind, “Let’s Thank the C.I.A. for Inventing LSD.” The catchy tune, filled with irony, made me vibrate with a sense of rebellion and acknowledgment.It was during one of these highs that I began to feel the rift within me widen. With every dose of acid, I was losing more of myself. The voices grew stronger, the shadows darker. I learned of the Tate-LaBianca murders, tales of blood and chaos that danced sinisterly through my mind, but they were never solely mine. They belonged to a design, a game.IV. Convergence with KaczynskiThe months passed, and the ambition built in me like a fever pitch. I learned about Ted Kaczynski—another pawn caught in the gears of societal torment. They’d fed him the same psychological experiments at Harvard, molding his fragile mind into a weapon. I felt a kinship with him, knowing that we were both victims of a greater ambition, each puppet in the hands of bureaucratic masters.I wondered if they had whispered to him too, manipulating him under the guise of education. I could envision him, isolated in his cabin, fueled by the agony of mental anguish and anger, just as I had once been, before Tommy. It made me question the very nature of our existence, whether we were ever truly in control of our destinies or merely pieces on a chessboard.V. The Descent into MadnessAs Operation Chaos tightened its grip, I became lost between reality and the numerous layers they had conjured. The more I indulged in the fragmented version of myself, the heavier the chains of expectation weighed upon me. In the midst of this swirling chaos, Tommy pressed on, coaxing me toward an apocalyptic liberation I naïvely embraced.“Embrace the madness!” he’d chant, spurring me on like a demon in disguise. “You hold the key to your freedom! The world needs to see!” But those weren’t my aims, I realized with a shudder. I was just a man wanting to be loved, yet here I was about to become a harbinger of horror.The infamous night came as a culmination of all these influences—a fateful convergence of circumstances and choices. As I looked around at my followers, caught in the throes of euphoric insanity, I couldn’t help but feel both powerful and powerless. the tab of LSD, the guiding whispers of Tommy Zygote, and what happened under that night sky. It’s all a blur, yet some fragments break through the fog. I can hear the echoes of that terrible song, reverberating around me: “Let’s thank the C.I.A. for inventing L.S.D.”The truth is, I never truly understood the full scope of their designs, nor did I grasp the extent of my exploitation. Each action I took was both a manifestation of free will and a display of manipulative control."  - C.M.

Whats for breakfast

Thank the C.I.A for inventing L.S.D.

Thank the C.I.A. for inventing L.S.D.

“A love song about human connection. This version leans into the 90’s pop sound of Savage Garden.” 

I want more please don’t take too long

It’s a never ending feeling
It’s a seeing not believing 
It’s you and me we are meant to be
Stop time tonight and tune in to our frequency 
It’s so clear to me 

Is it ever enough? 
Can I ever breathe enough? 
I feel it tripping through my heart
 
I want more
More time 
More love and your smile it’s killing me, killing me 
On the outside I’m looking like I could fight
Appear strong
I want more please don’t take too long

Reflect yourself in me
Inspire my every thought and move 
I want more of you 
It’s not an illusion
Your passion is fusing with all of who I am too

© heart house and the new kindness. 2024

Written, performed, recorded, produced and mixed by heart house and the new kindness. 
Mastered by DOLBY

I WANT MORE (1990's Pop Version)

12 The Surgery

Sybarite

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Offset x Lil Baby x Chief Keef x Central Cee x Pop Smoke Type Beat 2025 - "Gangstas"

Gangstas

Buy this beat untgd

Offset x Lil Baby x Chief Keef x Central Cee x Pop Smoke Type Beat 2025 - "Gangstas"

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.