Fall 2024

Best of SoundCloud December 2024

CLOUDS OF NOSTALGIA UNLOADED IN THIS GARAGE

sisters of heart and soul !

Dream substance

heavy industrial

Griffith Scream X Death Is No More

Negative Headphone

Once I wrote a description here !!!

Ok let's say I started adding layers to the great music https://soundcloud.com/progrockdan1 sent to me.

Letra (translated lyrics below)

Se arrastró bajo los muros,
llorando.
Se filtró por las ranuras,
buscándome.
Y miró entre las fisuras,
deseando:
mucho claro, nada oscuro,
llamándome…
 
Mas el centinela mágico
de quijadas relucientes,
descarnado por los dientes
de mil y un gusanos cárnicos,
por la acción más degenérica
de venenos de odio y muerte,
este ser, cerebro inerte,
la detuvo, niña histérica…
 
Pero huyó,
vio sentada su promesa de llamarme.
Y escapó,
Vio prendido su deseo de amarme.
Sensación
de saber que era la presa, fuego y carne,
y en la intensa luz de vida vino a hallarme;
y me encontró.
-------------------------------------------
She crawled under the walls,
crying.
She filtered through the grooves,
searching for me.
And she looked inside the fissures,
wishing:
much clarity, no darkness,
calling me…

But the magic sentry
of shining jawbones,
eaten to the bone by the teeth
of thousand and one meat worms,
For the most degenerated action
of poisons of hatred and death,
this being, inert brain,
detained her, hysterical girl …

But she fled,
found assured her promise of calling me.
And she escaped,
found on fire her willing to love me.
Sensation
of knowing that she was the prey, fire and flesh,
and in the intense light of life she came to find me;
and she did.

Ella huyó - She fled (with ProgRockDan1)

VAPOO FUNK  (SUPER SLOWED & REVERB)

MTG LOUCURA DE TREINO RAGE (TREN TWINS EDIT)

I AM A STRIKER X TOMA ESFREGA X ISAGI SCREAM (SUPER SLOWED)

I Was Made For Loving You (cover Kiss)

||| Lost in Translation |||
From the album White Noise 
+ Releases 15 October 2025 on all major streaming platforms +
An experimental soundtrack, combining dark ambience and noise with amped up synth bass and downtempo beats...


Available for download here 💿
https://scratchkelly.bandcamp.com/track/lost-in-translation

Watch the video:
https://www.youtube.com/watch?v=HGOb4uzAv90

White Noise

Lost In Translation

Download

This is an ambient electronic composition inspired by Gustave Le Bon’s warnings about collective irrationality, exploring the themes of anonymity, emotional contagion, and the loss of individuality within a crowd. The piece delves into how the collective psyche may resemble more closely the animal psyche than the human psyche, highlighting the instinctual and primal behaviors that emerge when individuals become part of a crowd

https://youtu.be/GE6G9EjWtVM?si=5Yd-6F3IhVt74oHc

La Psyché Collective

I've been struggling with songwriting for a very long time. I finally released a new song by taking the escape route of "I shouldn't think about finishing a song!" The technique of musique concrète is destructive to beauty, but my songwriting used to seek aesthetic harmony.

I can't think of a title (302)

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

bandcamp

trail

une nouvelle version de ce trip hop que j'avais composé en 2022
 PAROLES
Tu restes
 Comme une parole interrompue
 
 A des années lumières
 Comme un cœur en hiver

A des années lumières
 Rien n’efface ton ombre
 Dans l’oubli rien n’est sombre
 Du joli nom d’amante
Ni le thé à la menthe
 Ni les lèvres mi-closes
 Ni le vase ni la rose
Ni la beauté du chant
 Ni le désenchantement

C’est comme si c’était hier
 Hier
 A des années-lumière

A des années-lumière
 Comme un oiseau qui chante
 Le cœur dans la tourmente
 Et moi qui m’impatiente
 Comme si c’était hier
 Hier

A des années-lumière
 D’étoiles la poussière
 Dans les grands yeux gris-verts
 Des enfants de la terre

Et nos mains sur la table
 Jouent au marchand de sable

 Tu restes
 Comme une parole interrompue
Comme les voix qui se sont tues

Dans l’oubli rien ne sombre
 Dans les années-lumière
Rien n’efface ton ombre
 Pour un cœur en hiver
 C’est comme si c’était…
 Hier
_______________________________________________________________
You stay
 Like an interrupted word

 Light years away
 Like an heart in winter

Light years away
 Nothing erases your shadow
 In oblivion nothing is dark
 The pretty name of a lover
Nor mint tea
 Nor half-closed lips
 Neither the vase nor the rose
Nor the beauty of singing
 Nor disenchantment

It's like it was yesterday
 Yesterday
 Light years away

Light years away
 Like a singing bird
 The heart in turmoil
 And I who get impatient
 As if it were yesterday
 Yesterday

Light years away
 From stars to dust
 In the big gray-green eyes
 Children of the Earth

And our hands on the table
 Play Sandman

 You stay
 Like an interrupted word
Like the voices that fell silent

In oblivion nothing sinks
 In the light years
Nothing erases your shadow
 For a heart in winter
 It's like it's...
 Yesterday

À Des Années - Lumière

Ah, the people we meet, and cross paths with, in this life…. So many experiences. How do we respond, especially if life clashes with these chance meetings? And what becomes of it? Once when looking for a place to rent, (25 years ago) I stopped to talk with an old man sitting on a bench. He had so much to say. My partner slowly became furious with me for taking the time to talk with him. We don’t have to wonder how that relationship went. In other words, this song is not about her…. Hee-hee. Or the old man for that matter. However, there are moments when paths cross, sometimes coming from very different trajectories and all of a sudden something wonderful happens in that moment. Gather, you might have experienced that too. This song is about a brief encounter with a kindred spirit, where our life trajectories did not change: A moment in passing. The song also contains some socially relevant thoughts/ lyrics about the world and my experience of it. Thoughts are thoughts though, and I find the more flexibly malleable I am with them, especially when it comes to the relative truths they may, or may not contain, the freer I am. Seems the more I attach to thoughts and refuse to change, the worse off it seems to get… But that’s just me. Hope you enjoy the song, Mark

Lammbone's Album

Moment In Passing

/больно махать с пирона вслед/
drawn people wave to us
from the compartments - carriages

it's time for them

they draw promises - to come back..
and that they already miss you
that they are so sorry..

and on the glass of the heart
they write..
with paper with tears in their eyes

and then erase..

cold or sadness on their faces?

and it seems that they are yearning and suffering
but the train has started moving
and they forget..

drawn people wave to us
from the compartments - carriages

where?
where -
they will go now
so that our love does not burn out..

it doesn't matter to them -
where to draw feelings..
and then erase everything..
erase..

and forget...



нам машут нарисованные люди 
из купе - вагонов

им ехать надо

они рисуют обещания - вернуться ..
и что уже скучают
что им так жаль..

и на стекле сердцА 
выводят ..
с бумажными слезами на глазах

а потом стирают ..

на лицах их простуда или грусть

и будто бы тоскуют и страдают
но поезд тронулся
и забывают..

нам машут нарисованные люди
из купе - вагонов

куда 
куда
они теперь поедут
чтобы любовью нашей не сгореть

не важно

им - где чувства рисовать ..
и всё стирать
стирать

и забывать ...

trains.

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

Ova Shoulda

Youtube

Mannequin

Eazy

In a sentimental mood.
Thanks to @Rosindust who, with her talent and versatility, always interprets each of my pieces in such a brilliant way. A source of inspiration and an incentive to my creativity.

Here the other collaborations with Tatiana: soundcloud.com/francescocartocci/sets/grazie-tatiana

Composition and all arrangements: Francesco Cartocci

Nostalgia

Nostalgia - with Rosin dust

Music: Jan Schonander & Belial Pelegrim  https://soundcloud.com/belial-pelegrim

MAGRITTE ORANGE CLOUD

Plus ça change
(The more it changes)
Plus ça reste le même 
(The more it stays the same)

Magritte Orange Cloud

For My Listeners

At key moments in my life I have come across songs and other art forms - books, lyrics, poetry - that were exactly the right thing that I needed to help me through it. 

This is one of the reasons I do this work. 

I hope some listeners find some healing from this - this is for you. 

Credits:
A big thank you to Axel for approaching me for a song, and for handling this version so beautifully. 

Original Song Arrangement, Lyrics, Vocals, Vocal Arrangement: Tam Jennifer 
Music, Production, New Chords and Musical Arrangement: Axel Menningen
https://on.soundcloud.com/T9HezDWMSEmsq2nr9

Other versions:

This song has two mixes, Axel and I decided to release one on each of our accounts. We found it hard to choose between them - but luckily we each favoured a different one(ever so slightly! - so hard to choose!), and this seemed like a great solution. 

And there is also the original Demo that I recorded in 2021.

Original:
https://soundcloud.com/teejaymusicasides/time-alone-demo-tam-jennifer?si=bd416bf47c254ae894aaf41faa22a053&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Other Mix:
https://soundcloud.com/axel-m-501052973/time-alone-feat-tam-jennifer?si=77ded4b4a88449cc98f49b512f5261cf&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Lyrics:
I worked up a sense of self,
Being all by myself,
Time alone,
No time with others.
.
Worked up a sense of self,
Growing up by myself,
Was time alone,
Without a mother.
.
And I know, and I know, and I know,
This is not forever. No.
And I know, and I know, we'll never be, together,
Again.
.
Oh I know, and I know, and I know,
Self made is clever. Oh.
But I know, oh I know, we'll never be,
Forever, again.
.
I worked up a sense of self,
Being all by myself.
Time alone,
No time with others.
.
Worked up a sense of self,
All by myself.
Cos time alone, means,
No time with others.
.
Come to me darling, oh oh.
To the place where the horizon meets up with the sun.
Run to me darling, my dear.
Drift away so we can play,
In Neverland.
.
No no no, no no, no no.
No no no, no no, no no.
.
I worked up a sense of self,
Being all by myself.
Time alone,
No time with others.
.
I worked up a sense of self,
Being all by myself.
Time alone,
Without you!
.
Don't say you love me, no oh oh oh.
Cos I see the look in your eyes and I know.
Don't say you love me no oh oh oh.
Cos I miss you more when you're next to me than when you, go.
.
Time alone, oh oh.
Time alone, oh oh.
Time alone, no time with others, no.
Time alone in Neverland.
.
© Tam Jennifer Hastings, Axel Menningen, 2024. All rights reserved.

Time Alone (with Axel Menningen, 2024)

I'm sick of what's going on in the world. Of course, I'm watching it closely, I read the newspapers. So it's not just someone else's problem. But thanks to those who are trying not to solve it, "peace" won't come back.
　I turned up the volume on my music. I'm not going to stop it. I'm going to believe in something called the butterfly effect.

ON/OFF Turn up the volume (308)

Bandcamp

It's your turn

This is quite raw, but an honest one. Recorded in one take, decicated to you dear SC listeners. I feel lucky to receive such attention and feedbacks here. Soundcloud community keeps me going and inspires me. 
Production might not be perfect, sorry about that, but this guitar track was composed and played with the heart to thank you humbly.

Garage smile

I wrote this forty years ago as part of the "Scenes of St. Francis" small-town song anthology and thought it might be fun to post as fall is winding down but before the Christmas season gets into full swing.  St. Francis, Kansas is a little prairie town nestled in a shallow river valley and has an abundance of trees, mostly cottonwoods, but a few hardwoods that stand out especially in the fall. And with the trees was an abundance of squirrels always playing chase or hide and seek when they weren't getting into mischief.  They needed a song, and with my daughters being so young, I wanted to make it in the form of a children's song that they could sing along to.  As adult women, they still like to sing along when they hear it which is a good thing since my own singing voice has largely depleted with age.  But it is a nice reminder that once upon a time I could sing:) Rescued and remixed from an old but faithful cassette tape.

Squirrel Song lyrics:
Hop, skip, and jump, and away they go,
Haven't got a care in the world.
Playing hide and seek 'round an old tree trunk,
I'm talking 'bout my friend the squirrel.

Gathering nuts is a way of life,
But even they know when to play,
And though winter's coming before too long,
They still live life day by day.
Chorus:
Just let their antics entertain you,
From a high-wire act to a tree-top stunt or two,
There's not a dull moment when you see them around,
There's fun wherever they're found.

Instrumental hums then repeat chorus

Hop, skip, and jump, and away they go,
They have something we need to learn;
That a happy life is made of work and play
When each one gets a turn.

Squirrel Song (from Scenes of St. Francis)

🔮New album: https://ariad.bandcamp.com/album/soul-pulse 
🪬Video: https://www.youtube.com/watch?v=b8ewhX5jr_w 
🩸Learn more: https://ariad-music.com/musique/soul-pulse/

I am glad to finally present my new album SOUL PULSE. It contains 12 original tracks + 3 bonus. I hope you will enjoy this new musical trip. This time, I worked with singing bowls, tongue drums, custom percussions and electronics. This track is the first one, it is based on a tongue drums improvisation and then I added some electronics. Please enjoy!

Soul Pulse

❤️ Download

Elevation Particles

Movie

A discorded idea rises from the soil and temporarily enjoys the bright sky.....

Mood Exhibit - Biome Demo

Recording sessions from 23/09/2024 - 08/10/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Where are you now...

Where Are You Now...

Buy/Download: https://patros15.bandcamp.com/album/what-about-love-whats-right-what-the-soul-sings
All links: https://ffm.to/patros15-greencyde-what

Support me: 
https://linktr.ee/Patros15
Thank you for support!

Support Greencyde:
https://soundcloud.com/greencyde
https://www.facebook.com/Greencyde/
https://www.instagram.com/greencyde/
https://thesound.audio/

Support Dark Heart Recordings:
https://soundcloud.com/darkheartrecordings
https://linktr.ee/darkheartrecordings

What About Love? / What's Right / What the Soul Sings

What About Love

Buy / listen

Patros15 & Greencyde - What About Love?

Psychotropic Junglecat

Chorus
Pull the trigger— on these rhymes
Focus target, bottom line
 Each word impact, like doing time
Ricochet of each other, by my design 
As I unload , as I unload (X4)

Verse 1
Still ——the shimmer of light, coming through the curtains 
the day is not done, outcome’s uncertain 
drop the weight of my shoulder, unload the burden
Exponent the sum of one, connection open
Gonna chill and have some fun, I’m talking floating

Verse 2
I feel up to the level, drop a verse
Bass, mids, and treble, why rehearse 
Bars tight got several, raise a toast 
Going straight through, like a prison ghost
—Some wine,— host with the most
Words bounce off each other, like pinball dope
bounce off each other, like pinball dope
Push ahead, step back, full contact
Calm add reverb
Calm nerves, add reverb
All flavor, got every code
Love of labor, as I unload

Chorus
Pull the trigger on these rhymes
Focus target, bottom line
Each word impact, like doing time
Ricochet of each other, by my design
As I unload , as I unload

As I Unload

||| Emergence |||
Dark ambient meets downtempo in this haunting track. 

+ Listen on Spotify +
https://open.spotify.com/album/70bXj7TuYqK4cggyUWc2fQ

Watch the video here 
https://www.youtube.com/watch?v=67DzyxoF7UU

Walking The Black Dog

Emergence

All I C

hyperx

Don Theme Take 2 - Slowed x Destroyed (SV Rendition)

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.