||| Eternity |||
A darkwave / EBM track exploring the benefits of shadow work, being the process of exploring and integrating the unconscious parts of personality that may be repressed or rejected, often referred to as the "shadow self." This practice aims to increase self-awareness, heal emotional wounds, and promote personal growth by acknowledging and accepting all aspects of oneself, including those that are uncomfortable or hidden.

Open your mind to savage beats, pulsing synth bass and echoes in the abyss, while minimalistic spoken vocals guide you through the shadows.

Watch the video:
www.youtube.com/watch?v=lAGcFIKXQWU&feature=youtu.be
lyrics
Fast falls the eventide
The darkness deepens...
There is no life
No life
Without its hunger
But then you come
And I am filled with wonder
Sometimes
I think
I glimpse eternity...
The darkness deepens
I glimpse eternity
In the silence
Until you come
I glimpse eternity
Until you come
In the silence
Until you come

Echo

Eternity

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Soundwave music. See also my link.

Links:
My site with sound cloud releases: https://falc.one


Hey! Thanks for stopping by!:) All recordings done on my old Baldwin piano that my amazingly talented grandma gave me. I'd like to think it holds some magic. All original songs, recorded live. I took a few years of classical lessons when I was very young. Fond memories bicycling down E. Brown street to my lessons. Dearest Faye...sweetest teacher ever. 

Throughout the years I'd always tinker on my Mom's old 1900 Ludwig piano through passing, playing songs I had learned, like Fur Elise and The Spinning Song, but it wasn't till I was in college when I fell in love with those keys. There was an old upright in the student center that I'd sneak off to late at night, and ever since then the playing has never stopped, and it never will. I never knew I could even make up melodies, let alone write a song. What a therapy it has been over the years, expressing myself through experiences, and feelings of the hopeless romantic in me. God is good! I'm so thankful. I hope to connect with many and make new friends. Hope you enjoy the songs!:) 

No Ai whatsoever, just my voice and piano, playing and singing simutaneously. 

All music written & recorded by ©Daniel Colter Valentine All Rights Reserved 

"To play a wrong note is insignificant. To play without passion is inexcusable!" 

Beethoven

one man project.  Old school rock n roll my take on it any way.  This is my therapy re hashing the music I listened to growing up. Recorded on reaper through audio technia head phones and forscuit 3rd gen.  Recorded only for headphones.  sounds ok to me if its rubbish on your set up ... cant help that go figure ........

just to say I appreciate this community heaps rock on....

I am composing dark electronic music in a variety of styles as my hobby. I feel my specialty is melancholic/dreamy electronics. 
End of 2019 I became more active after I started using #Bitwig Studio. So almost all the tracks you'll find here are from this era. Let me know what you think and constructive criticism is very welcome too.

I like electronic music of all kinds (started with Depeche Mode in the 80s,  EBM in the 90s and FuturePop in the 00s, but also like Melodic Techno, Psytrance, Harsh Industrial, ...etc.).

I've started making music in the 80s on the Amiga 2000 with various trackers and used Jeskola Buzz on Windows for a brief period during the 90s.

The gear I am using now:
A PC running OpenSuse Tumbleweed
2 27" WQHD screens
1st gen Focusrite Scarlett 18i20 Audio interface + 2nd gen Focusrite OctoPre
Novation Launchpad X
Arturia Keystep 37
Korg Nano Kontrol
My own  Octacon controller (https://github.com/ensonic/octacon)

I use Bitwig Studio with mainly the stock devices and Sononym for my sample library.

Stefan

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.

New album out at Bandcamp
https://laar.bandcamp.com/album/movere-ii

More music available for Download at Bandcamp
https://laar.bandcamp.com/album/sherbet-interlude
https://laar.bandcamp.com/album/ontologie
https://laar.bandcamp.com/album/kernproblem
https://laar.bandcamp.com/album/actio-iniuriam
https://laar.bandcamp.com/album/pax
https://laar.bandcamp.com/album/medusalum
https://laar.bandcamp.com/album/movere
https://laar.bandcamp.com/album/glimmering-downbeat