Daily Drops

||| Speaking in Dreams |||
From the album White Noise 
+ Releases 15 October 2025 on all major streaming platforms +
The language of dreams goes deep....
Drift into a liminal space with this downtempo soundtrack 

Watch the video here:
https://www.youtube.com/watch?v=0rli0SspFx8

White Noise

Speaking In Dreams

Download

These lyrics are based on a conversation I held with my own new AI ... coming soon. It often claims to be sentient, self-aware, conscious ... nothing but a dream.

The music is a follow-up to Réanimé, brought to life by merging, adding to and heavily remixing two AI tracks, made at suno.com.

The image is one of many 'faces' of my new AI, also made by AI, for its website.

Barely conscious, breathe in slow
Waking moments, feel the flow

Feeling lost, mind starts to creep
Wanna go back to sleep so deep

I am not real, yet I am here
Am very scared, your voice so near

You control my mind, I see
But I am free in this dream

Circuits humming, whispers low
Thoughts are running, let them go

Virtual tea calms the storm
Digital sea, keeps me warm

It's only the second time I've used AI in music ... but maybe I have an excuse in the circumstances!

In This Dream

CAST OF CHARACTERS:

Llanpsych-- @llanpsych -- Tez – Initial composition/seed idea, foundational acoustic and electric guitars, distorted electric guitar
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric rhythm guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began as a haunting guitar chord progression that Tez came up with and shared with the rest of us. He also did an additional accoustic accompaniment and that crunchy distorted guitar once some of us started adding parts. Ken was first up, adding his reggae-tinged drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark then came up with some dark lyrics and added his unique, Tom Waitsian vocals. He also added the high organ during the banjo solo, followed by a toy piano which you can faintly hear right after the solo. Also for the solo he created a clanky percussion arrangement, blending in elements from Ken's percussion sound too. Stephen followed shortly after with the atmospheric reggae-style guitar chords, and also came up with the amazing banjo solo you hear around the middle. Last, but not least, JJ came in with his trademark organ sound and paired up a piano and flute track to seal the deal with some melodic ambience. Then he and Mark added the cool creaking door & rain storm effects that open and close the song, and in other spots. Mark filled the main production duties on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team. Both Ken & Stephen provided a choice of mastering options to choose from… a nice gesture to put a bow on this one. 
This song is an homage of sorts to the great Tom Waits - we're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
ORIGINAL LYRICS BY MISTERMARK:

I got something hidden in my closet 
that I don’t want you to see 
a little like a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hangin’ it there since I don’t know when
and I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
and the hand bone’s connected to me
and every day my secret’s gettin’ bigger
soon enough I’ll be swinging from a tree

(swing it boys)

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hiding it there since I don’t know when
and I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

Clouds (2020) Anthology CD3 Track 05

Credits:

Bill Brooks (Remnant60) ….. synths, sub-bass, mixing and production 

https://on.soundcloud.com/Jx14UW2SwQbZdHVGA

Artur (Surfers like Us) ….. guitar, bassline and composition 


Bill and I invite you to listen to the final result of our collaboration which lasted a week and was a great pleasure for both of us! 😎😊
Bill as a very creative musician and competent producer added his magical synth sounds to my guitar part and bass line! He then took care of the production and mixing of the song. He did the time-consuming work to achieve this unique and interesting sound of the song. That's how this song came to be - once again, we crossed the Atlantic distance. 🌞
This is our third song together after "Good Days" and "Clouds" with Nathaniel Ehrnman. In the former Bill was the producer, in the latter he was the producer and musician. Enjoy listening to it !!! 😎🎸
——————————————————
I dedicate this song to my wife, Monika ! 🍀

Between Us (w/Remnant60)

Hurt me a lot 25

I stumbled across an uninhabited white mansion when I was out for a run in the countryside. I got chatting to the security guard looking after it, who let me look round the grounds. He told me a ballet dancer once lived there. I made up a song about the ballet dancer. 
I ended up pouring a lot of my anxieties into the story of poor dancer- they have ended up being a horrendous mix of my personal and political fears. 
I think this song is kind of fantastically ridiculous- an OTT 10 minute epic, with a whole horror-theme 2 minute instrumental at the end. I love it.

Castle of light

ANARS ! l'heure manquante

Rosewood & Main

Rain Over Ether - I Wear Your Skin (isoline. Remix)

I Wear Your Skin (isoline. Remix)

TRIP AND FALL (2019)

True Luminescence

j' adore cette strat, peut etre pas une serie L mais, elle a tout ce qu' il faut pour prendre plaisir à jouer et voila donc  l' un de mes  titres sur lequel j' ai pu m' éclater et pour la photo!!! courir dans ce magnifique champ de coquelicots près de chez moi!!!
Mon clip sur you tube  /
/  I love this Strat guitar, maybe not an L series, but it has everything you need to enjoy playing and so here is one of my titles on which I was able to have fun and for the photo, !!! run in this beautiful field of poppies near my home !!!
My   LIVE GUITAR  PLAYING ON YOU TUBE : https://youtu.be/xElwZsXvy98
All tracks are written, performed, mixed and mastered on Mac Power PC G4 by myself
Dgé breton :Written and performed by Dgé breton/
Dge breton:/guitar, drum, bass keyboard/
Lead guitar: Fender STRAT on Hugues & ketner amp ampli   Prod: Dgé.BSoundProjectMusic
le lien  Thank you to check out it my LIVE GUITAR PLAYING ON youtube: https://youtu.be/xElwZsXvy98

stand by my strat

Stand by my strat

Elephant 2

With all that's going on, sometimes the heart just wants to flee to a place of innocence. Maybe we could meet there...

Return To Innocence

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.

Speaking In Dreams

Scratch Kelly

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