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https://negativeheadphone.bandcamp.com

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https://www.youtube.com/c/negativeheadphone

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https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

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Bandcamp

Follow that swallow

This song was written at the same time as ‘Get Up’ which I posted a couple of months ago and is very much a partner piece to it. I’ve given it a more jazzy feel and upped the tempo from my first  version which I hope has given it a brighter and lighter feel. I’ve also multi-tracked the ‘Uh Oh’ vocal loop and added a few effects to make it a little more prominent in the mix - it is after all the title! I very much hope you enjoy this one and, if you have time, maybe leave a comment. The feedback I’ve had on the other songs has been really, really helpful ( and very encouraging too! ).

Original image from Wikilmages on Pixabay

Uh Oh!

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 
  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Lyrics

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdon - [Eclectic Collective]

Fun with guys: .... Schmitty - Gitarre
.............................. Lofi Menta - Bass @user-672449547
.............................. joerxworks - Saxophon
.............................. @cosmic-ratzzz - Keys, drums, brass & stuff

Lunatics 242 / Funk up da Grandpa

Always Just Beyond

Sea of contemplation By Zitou Itou & Wonie Z.

Neon Dreamscape

First ever purposeful 12 bar blues track

Instruments

-Vocal run x 1
-Picked Acoustic x 1
-Slide Acoustic x1
-5 string Bass two runs an octave apart
-Piano played on keys x 1
-A trio of Ahh's and Oos as backing vox throughout
-Electric Slide guitar run x 1
-Electric rhythm/lead run x 1
-Extended arrangement for outro vocal

To consider
-some sort of wind instrument or airy clav or both

Proprioception

Thanks dear brain for this clear inception
These digits can move for penned word reflection
With Earth we race a fast solar dance
Whilst stillness sets calm mind to trance

Proprioception
Be positive reflection

Self regulated mother of mind
Maternal me know when balanced kind
Emotions checked in meditative glow
Known force and pressure intend a flow

Proprioception
Be positive reflection

Coordination finds my free
'Aids health of heart for lucky
We landed on this prescious island
In a time where thought is free for finding

Proprioception
Be positive reflection

No body oppressed
No muted mind
No calous chests send fear time bind
Free to walk
Free to watch
Free to love
Ground hop scotch

Proprioception
Be positive projection

We smell
We taste
We touch
We feel
We hear graced world of physical zeal
Pure proprioception
Position of me
Know all my being anthropologically

Proprioception
Be positive perfection

Sense of sea
Sense of land
Sense in space
Sense galactic gland
Sense of sense of sensible know
Known force and pressure
Intend a flow

Thanks dear brain for this clear inception
These digits can move for penned word reflection
With Earth we race a fast solar dance
Whilst stillness sets calm mind to trance

Proprioception
Be positive reflection

Proprioception

I take the same old, bumpy bus home from work every day. No matter how loud I turn up the music on my headphones, the old vehicle's creaking and creaking can always be heard. So one of my trips home, I recorded and layered in its creaking so you can hear it too. :D

21, to home

Vocal enlightenment provided by Alan Watts

The Art of Not Caring

||| Treasure |||
Be the Glitch in the Matrix

Watch the video here:
www.youtube.com/watch?v=R6MB1ecGlRs

Treasure

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.